Otros libros que te pueden interesar

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  At What Point

  Caitlin O'Ryan

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  At what point do we figure it out does it get easier will we find the answers will I feel okay?
  Caitlin O'Ryan's debut collection is a journey of mirrors smashing and everything we have come to accept being called into question. With deep vulnerability and wit, she invites us to look inside of ourselves and to interrogate what we find there. Fuelled by the times that we are living in, her poems vibrate through the pages, grabbing you with a sense of urgency that says "you are not alone, I also feel this".
  Taken from her live performances and featuring her viral poem 'AT WHAT POINT' which has amassed millions of views online and culminated in her being invited onto BBC Woman's Hour, this book will light a fire in you that will continue to burn long after you have put it down.

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  The Poetry of Ben Jonson - Poems...

  Ben Jonson

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  Benjamin "Ben" Jonson was born in June, 1572. A contemporary of William Shakespeare, he is best known for his satirical plays; Volpone, The Alchemist, and Bartholomew Fair, and his equally accomplished lyric poems.  
  A man of vast reading and a seemingly insatiable appetite for controversy, including time in jail and a penchant for switching faiths, Jonson had an unparalleled breadth of influence on Jacobean and Caroline playwrights and poets. 
  In 1616 Jonson was appointed by King James I to receive a yearly pension of £60 to become what is now recognised as the post of the first official Poet Laureate.    
  He died on the 6th of August, 1637 at Westminster and is buried in the north aisle of the nave at Westminster Abbey. 
  A master of both playwriting and poetry his reputation continues to endure and reach a new audience with each succeeding generation. 
   This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.

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  Greekling

  Kostya Tsolakis

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  Greekling,the much-anticipated debut poetry collection by Kostya Tsolakis, celebrates and commemorates damaged and rejected Greek bodies, be they of flesh and blood, made of marble, or natural bodies. In intertwining Greek culture, history and poetic influences with the contemporary queer experience, this collection is perceptive, lyrical, and deeply evocative of time and place. From an Athenian childhood to a closeted adolescence in the shadow of the AIDS epidemic, towards sexual self-discovery, maturity and freedom – Tsolakis charts the pursuit of unconditional happiness.
  These poems explore queer joy on dance floors, darkrooms and bedsits, but also the risks of crossing strangers' thresholds or in encountering the violent machismo and hypermasculine expectations of the society you grow up in. And ever-present through the collection is Athens – the city the poet once turned his back on at eighteen but has come to love again. Moving between lament and celebration, Greekling reflects on a changing and often misrepresented country, the nature of motherlands and mother tongues; it is a voyage out – and a return.

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  A Healer’s Hymns

  Ved Vyas

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  "Dedicated to my mother, the Great Goddess." 
  Life, unpredictable, yields return for sacrifices made. Departing from the conventional path, I surrendered much to existence. Pain, a constant companion, birthed verse—each line a product of anguish turned art. In the ebb and flow of life's challenges, I found solace in writing. What emerged were rhythmic verses, transforming suffering into poetry. Some reflect, others introspect; some offer insight, and others observe. Regardless, each verse is a product of life's trials and emotions. Surprisingly, these verses multiplied over the years. Today, I share them not for accolades, but to be heard amidst the chaos. Some stories must be told, some silences shattered. I offer my rhymes openly, a reflection, a token of my journey.

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  Poetics

  Aristotle

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  Aristotle's Poetics (Greek: Περὶ ποιητικῆς; Latin: De Poetica) is the earliest surviving work of dramatic theory and first extant philosophical treatise to focus on literary theory. In it, Aristotle offers an account of what he calls "poetry" (a term that derives from a classical Greek term, ποιητής, that means "poet; author; maker" and in this context includes verse drama – comedy, tragedy, and the satyr play – as well as lyric poetry and epic poetry). They are similar in the fact that they are all imitations but different in the three ways that Aristotle describes: Differences in music rhythm, harmony, meter and melody. Difference of goodness in the characters.Difference in how the narrative is presented: telling a story or acting it out. In examining its "first principles", Aristotle finds two: 1) imitation and 2) genres and other concepts by which that of truth is applied/revealed in the poesis. His analysis of tragedy constitutes the core of the discussion. Although Aristotle's Poetics is universally acknowledged in the Western critical tradition, "almost every detail about his seminal work has aroused divergent opinions". The work was lost to the Western world for a long time. It was available in the Middle Ages and early Renaissance only through a Latin translation of an Arabic version written by Averroes.Aristotle's work on aesthetics consists of the Poetics, Politics and Rhetoric. The Poetics is specifically concerned with drama. At some point, Aristotle's original work was divided in two, each "book" written on a separate roll of papyrus.

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  Red or Dead

  David Peace

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  'That's all I ask from anyone. That we try to make the people happy.'
  Bill Shankly had one aim: to make Liverpool Football Club invincible.
  As its manager from 1959, he secured the team promotion, the First Division title, the FA Cup and success in Europe. For fifteen years, he defined what it was to be a Liverpool fan, and demanded total loyalty from his players and coaches. A loyalty that Bill hoped would be repaid when he retired...
  David Peace's iconic novel Red or Dead is the fictionalised story of a game, a life, and a man of two halves. This stage version was adapted and directed by Phillip Breen, and first performed at Liverpool's Royal Court in 2025, with a cast including Peter Mullan as Bill Shankly.
  The novel was shortlisted for the Goldsmiths Prize and has been widely acclaimed:
  'David Peace brings perfect pitch to this ode to Bill Shankly's Liverpool reign' Frank Cottrell-Boyce, Observer
  'A love letter to a great manager, an elegy to the beautiful game' Independent
  'So hypnotic that even the football-averse might enjoy it' Guardian

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