Otros libros que te pueden interesar

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  Roger Ebert's Movie Yearbook...

  Roger Ebert

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  Roger Ebert’s “criticism shows a nearly unequaled grasp of film history and technique, and formidable intellectual range. . . .” —New York TimesPulitzer Prize–winning film critic Roger Ebert presents more than 600 full-length critical movie reviews, along with interviews, tributes, and journal entries inside Roger Ebert’s Movie Yearbook 2013.It includes every movie review Ebert has written from January 2010 to July 2012.Also included in the Yearbook:In-depth interviews with newsmakers and celebritiesTributes to those in the film industry who have passed away recentlyEssays on the Oscars, reports from the Toronto Film Festival, and entries into Ebert's Little Movie Glossary

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  Design For Living

  Noel Coward

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  Three terminally stylish friends, who share rivalrous affections, attempt to uncoil their twisted love triangle in this sexy and scandalous gem. Written in 1932, the play was deemed extremely daring, and even by today’s standards is considered controversial. In its frank and funny take on sex, love and commitment, Design for Living proves to be one of Coward’s greatest successes.An L.A. Theatre Works full-cast performance featuring Michelle Arthur, Claire Forlani, Thomas Hildreth, Tim Morrison, Sarah Rafferty, Douglas Weston and Hamish Linklater.

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  Relaxing Music Collection

  Empowered Living

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  Beautiful relaxation music that you can download and listen to anytime or use as a backing track for business or personal audio compilations. 
  Total Running Time: 30 minutes

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  Whiskey River (Take My Mind) -...

  Johnny Bush, Ricky Mitchell

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  “Fans of live music will get a kick out of” this Texas Country Music Hall of Famer’s “fond but brutally honest memories, playing gigs with Willie Nelson” (Publishers Weekly).   When it comes to Texas honky-tonk, nobody knows the music or the scene better than Johnny Bush. Author of Willie Nelson’s classic concert anthem “Whiskey River,” and singer of hits such as “You Gave Me a Mountain” and “I’ll Be There,” Johnny Bush is a legend in country music, a singer-songwriter who has lived the cheatin’, hurtin’, hard-drinkin’ life and recorded some of the most heart-wrenching songs about it. He has one of the purest honky-tonk voices ever to come out of Texas. And Bush’s career has been just as dramatic as his songs—on the verge of achieving superstardom in the early 1970s, he was sidelined by a rare vocal disorder. But survivor that he is, Bush is once again filling dance halls across Texas and inspiring a new generation of musicians. In Whiskey River (Take My Mind), Johnny Bush tells the twin stories of his life and of Texas honky-tonk music. He recalls growing up poor and learning his chops in honky-tonks around Houston and San Antonio. Bush vividly describes life on the road in the 1960s as a band member for Ray Price and Willie Nelson. Woven throughout Bush's autobiography is the never-before-told story of Texas honky-tonk music, from Bob Wills and Floyd Tillman to Junior Brown and Pat Green. For everyone who loves genuine country music, Johnny Bush, Willie Nelson, and stories of triumph against all odds, Whiskey River (Take My Mind) is a must-read.

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  Dürer

  Klaus Carl

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  Dürer is the greatest of German artists and most representative of the German mind. He, like Leonardo, was a man of striking physical attractiveness, great charm of manner and conversation, and mental accomplishment, being well grounded in the sciences and mathematics of the day. His skill in draughtsmanship was extraordinary; Dürer is even more celebrated for his engravings on wood and copper than for his paintings. With both, the skill of his hand was at the service of the most minute observation and analytical research into the character and structure of form. Dürer, however, had not the feeling for abstract beauty and ideal grace that Leonardo possessed; but instead, a profound earnestness, a closer interest in humanity, and a more dramatic invention. Dürer was a great admirer of Luther; and in his own work is the equivalent of what was mighty in the Reformer. It is very serious and sincere; very human, and addressed the hearts and understanding of the masses. Nuremberg, his hometown, had become a great centre of printing and the chief distributor of books throughout Europe. Consequently, the art of engraving upon wood and copper, which may be called the pictorial branch of printing, was much encouraged. Of this opportunity Dürer took full advantage. The Renaissance in Germany was more a moral and intellectual than an artistic movement, partly due to northern conditions. The feeling for ideal grace and beauty is fostered by the study of the human form, and this had been flourishing predominantly in southern Europe. But Albrecht Dürer had a genius too powerful to be conquered. He remained profoundly Germanic in his stormy penchant for drama, as was his contemporary Mathias Grünewald, a fantastic visionary and rebel against all Italian seductions. Dürer, in spite of all his tense energy, dominated conflicting passions by a sovereign and speculative intelligence comparable with that of Leonardo. He, too, was on the border of two worlds, that of the Gothic age and that of the modern age, and on the border of two arts, being an engraver and draughtsman rather than a painter.

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  Sports Byline: Valerie Faris and...

  Ron Barr

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  In this episode of Sports Byline, Ron Barr talks to the directors of the film Battle of the Sexes, a film based on the historic tennis match of 1973 between Billie Jean King and Bobby Riggs, starring Steve Carell and Emma Stone.Directors Valerie Faris and Jonathan Dayton discuss the technical difficulties of making a great sports movie and the lesser known backstories of King and Riggs.

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