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  A Night of Horrors - A group of...

  Anton Chekhov

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  Anton Pavlovich Chekhov was born on 29th January 1860 in Taganrog, on the south coast of Russia.  
  His family life was difficult; his father was strict and over-bearing but his mother was a passionate story-teller, a subject Chekhov warmed to. As he later said; ‘our talents we got from our father, but our soul from our mother’.  
  At school Chekhov was distinctly average. At 16 his father mis-managed his finances and was declared bankrupt. His family fled to Moscow. Chekhov remained and eked out a living by various means, including writing and selling short sketches to newspapers, to finish his schooling. That completed and with a scholarship to Moscow University obtained he rejoined his family. 
  He was able to help support them by selling satirical sketches and vignettes of Russian lifestyles and gradually obtained further commissions. In 1884, he qualified as a physician and, although it earned him little, he often treated the poor for free, he was fond of saying ‘Medicine is my lawful wife, and literature is my mistress.’ 
  His own health was now an issue as he began to cough up blood, a symptom of tuberculosis.  Despite this his writing success enabled him to move the family into more comfortable accommodation.  
  Chekhov wrote over 500 short stories which included many, many classics including ‘The Kiss’ and ‘The Lady with a Dog’.  His collection ‘At Dusk’ won him the coveted Pushkin Prize when was only 26.  
  He was also a major playwright beginning with the huge success of ‘Ivanov’ in 1887.   
  In 1892 Chekhov bought a country estate north of Moscow. Here his medical skills and money helped the peasants tackle outbreaks of cholera and bouts of famine. He also built three schools, a fire station and a clinic.  It left him with less time for writing but the interactions with real people gained him detailed knowledge about the peasantry and their living conditions for his stories.  
  His most famous work, ‘The Seagull’ was received disastrously at its premiere in St Petersburg. It was later restaged in Moscow to highlight its psychological aspects and was a huge success. It led to ‘Uncle Vanya’, ‘The Three Sisters’ and ‘The Cherry Orchard’.  
  Chekhov suffered a major lung hemorrhage in 1897 while visiting Moscow. A formal diagnosis confirmed tuberculosis and the doctors ordered changes to his lifestyle.  
  Despite a dread of weddings the elusive literary bachelor quietly married the actress Olga Knipper, whom he had met at rehearsals for ‘The Seagull’, on 25th May 1901. 
  By May 1904 with his tuberculosis worsening and death imminent he set off for the German town of Badenweiler writing cheerful, witty letters to his family and assuring them his health was improving.  
  On 15th July 1904 Anton Chekhov died at Badenweiler.  He was 44.

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  Chesapeake Chaos

  Sherry A. Burton

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  In this tenth installment of the Jerry McNeal Series, Jerry and Gunter head to the Tidewater area of Virginia, which is the suspected home of the elusive Hash Mark Killer. 
  Once in Hampton Roads, the only thing more prevalent than sailors in this military town are white cargo vans such as the one the killer is linked to. Jerry soon finds his psychic radar jammed time and time again as each van seems to harbor something keeping him from homing on the one they are looking for. 
  It soon becomes apparent that if they are going to have any luck landing the killer, Jerry is going to have to agree to Fred’s plan of casting a wide net and using the most sought-after bait to entice the Hash Mark Killer into the open. Bait like Susie Richardson, the only living person who can positively identify the man. 
  It’s all hands on deck as Max and Savannah come on board to help Jerry and Gunter and to help keep Susie safe. 
  Will the gang be able to use their combined gifts to lure in the Hash Mark Killer? Or will he prove too slippery to be caught?

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  A Heart So Haunted - A Novel

  Hollie Nelson

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  In this evocative and stunning debut, secrets in the very bones of Harthwait House are disturbed when a new tenant moves in, for fans of Ashley Poston and A House with Good Bones.Be wary the beds and the space beneath,
   
  the cracks in the floors and the furnace teeth.
   
  Keep your eyes from the shadows and tongue so still.
   
  Because once Harthwait grows dark, the monsters become real.Landry is ready to clean house—not just Harthwait, but the traumatic memories and family entanglements that haunt her. Left reeling from her aunt’s sudden death, Landry knows she has to restore the old house and sell it for much needed cash. Preferably, before autumn arrives. But as renovations begin on Harthwait, she notices some peculiarities: motion sensors activate when no one is home, doors slam shut, and every night, at a quarter after midnight, the disembodied crying begins. Then, when she uncovers a hidden door during the renovations, she dares to open it.Behind the door is a world of nightmares, some of which are hers, while others belong to a monster—who is trapped inside and desperate to get out. Both haunted by their pasts, Landry makes a deal with the monster, but as they develop feelings for each other, she realizes that the thing that looks like a beast may not be the most beastly thing after all.This rich and spellbinding tale explores the idea of what we call home and who we call family.

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  Bloodstained Mirror The: Book...

  Dorian West

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  This content is an independent and unofficial summary created for informational and educational purposes only. It is not affiliated with, authorized, approved, licensed, or endorsed by the original author or publisher. All rights to the original work belong to its respective copyright holders. This summary is not intended to substitute the original book, but to offer a concise overview and interpretation of its main ideas.
   
  
  
   
  Step into the fractured reflections of The Bloodstained Mirror, an audiobook that drags you into a realm where every glance reveals a secret—and every secret demands a price. In this haunting journey, you’ll:
  
   
  Witness the mirror’s cursed origin, forged in betrayal and soaked in blood, its surface rippling with trapped memories of violence.
  
   
  Follow a desperate seeker as they piece together cryptic inscriptions and hidden symbols, racing to break the mirror’s hold before it claims another soul.
  
   
  Feel the unsettling pull each time you “peer” into the mirror—shadows shifting, whispers rising, and phantom hands reaching from within.
  
   
  Uncover the mirror’s dark appetite through haunting testimonies—faded letters, desperate journal entries, and the final whispers of those who stared too long.
  
  
   
  Narrated with a tense, evocative cadence and woven with subtle sound design—from the soft scrape of glass to distant, blood-tinged echoes—The Bloodstained Mirror ensnares your senses in a web of dread and fascination. Press play…and dare to face your own reflection.

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  All or Nothing

  Josh Reynolds

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  Caught between murderous humans and hungry undead, a newly resurrected thief must survive a casino-turned-gladiatorial arena and his own growing bloodlust in this dark, yet vibrant splatterfest from Zombicide 
   
   
   
  When former career criminal Westlake finds himself semi-zombified and shuffling towards Atlantic City, he freaks out. He's supposed to be dead, after all. Kidnapped, he becomes part of a savage gladiator-styled show for the amusement of a heartless overlord. Lucky for him, ex-cop Estela Ramirez and her crew of mishap heroes are already on their way to save him and stop the horrors being inflicted on the humans in good ol' AC . . . if they can figure out a way to fly a plane there, that is. While trying to stay "alive" and resist the urge to gnaw human flesh, Westlake realizes that while the zombies are pretty bad, the worst thing in this apocalypse is definitely the people.

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  Riddle of Spirit and Bone

  Carolyn Korsmeyer

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  In contemporary Buffalo, Dan's world is upended when he unearths a young woman's skeleton while replacing the gas main in a city neighborhood. Using the meager clues available, he and his archaeologist friends embark on a quest to piece together the mystery of her death. In 1851, the newly widowed Madeleine Talmadge and her orphaned nieces, Jane and Lydia, seek the aid of a cunning spiritualist, Alexander Dodge Lewis. Lewis leads them on a perilous journey from one séance to the next, attempting to summon the spirit of Madeleine's late husband and promoting Lydia's latent abilities as a medium. Jane, suspicious of his motives and fearful of his influence, seeks to disentangle her aunt and cousin from Lewis's beguiling sphere—with dire consequences. As the past collides with the present, layers of time peel back to reveal long-buried secrets of loss, love, and murder. Alongside its riveting plot, Riddle of Spirit and Bone offers subtle rumination on what can be observed, what can be known, and what can be trusted.

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