Otros libros que te pueden interesar

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  Noughts & Crosses

  Sabrina Mahfouz

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  Sephy and Callum sit together on a beach. They are in love. It is forbidden.
  Sephy is a Cross and Callum is a Nought. Between Noughts and Crosses there are racial and social divides. A segregated society teeters on a volatile knife-edge. As violence breaks out, Sephy and Callum draw closer, but this is a romance that will lead them into terrible danger.
  This gripping Romeo and Juliet story by acclaimed writer Malorie Blackman is a captivating drama of love, revolution and what it means to grow up in a divided world.
  Sabrina Mahfouz's stage adaptation first toured the UK in 2019 and won the Excellence in Touring category at the UK Theatre Awards. It was commissioned and presented by Pilot Theatre in co-production with Derby Theatre, Belgrade Theatre Coventry, Mercury Theatre Colchester and York Theatre Royal.

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  Charminar

  Pranab Raha

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  Publisher’s Note:Two years ago, when we published Pranab Raha’s collection of essays ‘Akopat’, we promised the readers that we will bring more of his works in the future. Hence, we are pleased to bring you his second published audiobook ‘Charminar’.‘Charminar’ is a collection of four short and long stories by the author that are basically satirical in nature.In this book, he has brought out the subtle aspects of human character in a humorous approach. Like all his writings, these stories too, have an unspoken hidden message, that a sophisticated reader would have no difficulty in grasping.We hope that ‘Charminar’, like the author’s first book ‘Akopat’ published by us will be well received by the readers.Author’s Note:The intersection of time and technology has brought about some changes in the way people consume literature. Recognizing this change, I have published an audiobook of four stories, embracing this transformation.However, for enthusiastic readers, the printed hard copy of the book will also be made available very soon.Since the four stories are narrated by four different narrators in distinct styles, the stories do not possess the same qualities in all aspects.Nevertheless, if the stories provide an enjoyable listening experience, then the efforts and contributions of those involved in this endeavour, although somewhat limited, will be worthwhile.

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  Cymbeline King of Britain

  William Shakespeare

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  Cymbeline, also known as The Tragedie of Cymbeline or Cymbeline, King of Britain, is a play by William Shakespeare set in Ancient Britain (c. 10–14)[a] and based on legends that formed part of the Matter of Britain concerning the early Celtic British King Cunobeline. Although listed as a tragedy in the First Folio, modern critics often classify Cymbeline as a romance or even a comedy. Like Othello and The Winter's Tale, it deals with the themes of innocence and jealousy. While the precise date of composition remains unknown, the play was certainly produced as early as 1611.
  Cymbeline, the Roman Empire's vassal king of Britain, once had two sons, Guiderius and Arvirargus, but they were stolen twenty years earlier as infants by an exiled traitor named Belarius. Cymbeline discovers that his only child left, his daughter Imogen (or Innogen), has secretly married her lover Posthumus Leonatus, a member of Cymbeline's court. The lovers have exchanged jewellery as tokens: Imogen with a bracelet, and Posthumus with a ring. Cymbeline dismisses the marriage and banishes Posthumus since Imogen — as Cymbeline's only child — must produce a fully royal-blooded heir to succeed to the British throne. In the meantime, Cymbeline's Queen is conspiring to have Cloten (her cloddish and arrogant son by an earlier marriage) married to Imogen to secure her bloodline. The Queen is also plotting to murder both Imogen and Cymbeline, procuring what she believes to be deadly poison from the court doctor. The doctor, Cornelius, is suspicious and switches the poison with a harmless sleeping potion. The Queen passes the "poison" along to Pisanio, Posthumus and Imogen's loving servant — the latter is led to believe it is a medicinal drug. No longer able to be with her banished Posthumus, Imogen secludes herself in her chambers, away from Cloten's aggressive advances.
  Although the play is named Julius Caesar, Brutus speaks more than four times as many lines as the title character; and the central psychological drama of the play focuses on Brutus' struggle between the conflicting demands of honour, patriotism, and friendship. 
  Among the most significant works William Shakespeare: Hamlet, Othello, King Lear, Macbeth, Orpheus, Romeo and Juliet, Julius Caesar, Troilus and Cressida, The Tempest, Venus and Adonis, Antony and Cleopatra, Measure for Measure, The Winter's Tale and many more.

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  Can You Hear Me

  Anna Lyse Erikson

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  Before Guglielmo Marconi came along, there was no practical way to transmit telegraphic messages without wires. But when he harnessed the power of radio waves to send signals over long distances, what had once seemed impossible became a world-changing reality.  
   
  In this original L.A. Theatre Works commission, we’ll get a firsthand, intimate view of the precocious Italian inventor, and what he had to overcome in his quest to revolutionize the way we communicate. 
   
  Can You Hear Me is available as part of L.A. Theatre Works’ Relativity Series of science-themed plays, sponsored by the Alfred P. Sloan Foundation. 
   
  Recorded at The Invisible Studios, West Hollywood in April, 2024. 
   
  Directed by Rosalind Ayres 
  Producing Director: Susan Albert Loewenberg 
   
  An L.A. Theatre Works full-cast recording, starring: 
   
  Lucy DeVito as Degna Marconi 
  Martin Jarvis as Mr. Preece, King Edward, Captain Smith 
  Kurt Kanazawa as Alfonso Marconi, George Parkin 
  Henri Lubatti as Giuseppe Marconi, Teddy Roosevelt 
  Moira Quirk as Annie Jameson 
  Darren Richardson as George Kemp, Jack Phillips 
  André Sogliuzzo as Guglielmo Marconi and Older Marconi 
  Mark Jude Sullivan as Luigi Solari, Harold Bride, Pagent 
   
  Senior Producer: Anna Lyse Erikson 
  Prepared for Audio by Mark Holden 
  Recorded and edited by Neil Wogenson 
  Designed by Neil Wogenson, Charles Carroll and Mark Holden, and mixed by Charles Carroll for The Invisible Studios, West Hollywood. 
  Technical Advisor and Morse Code Performer: Mark Holden. 
  Senior Radio Producer: Ronn Lipkin 
  Foley Artist: Stacey Martinez 
  Antique Morse Code and radio equipment provided by Ken Holden

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  Poets & Their Inner Demons –...

  Samuel Taylor Coleridge, Charles...

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  The stereotypical image of a poet is one of unknown talent starving in a garret and who’s faithfulness and legacy to the art is discovered only after their death. 
  In some cases this is undoubtedly true, but Poets being human and with the same building blocks of physical and mental health as the rest of us, also had the same afflictions and problems as the rest of us.   
  The long roll call of names and the truncated legacies that were left behind is filled with these lost talents. 
  In this volume we bring together the poems and verse of those wordsmiths whose lives were blighted by drink and the seemingly unending consumption of it.   
  The long roll call and the truncated legacies that were left behind is filled with the names of these lost talents.

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  Embark

  Sean O'Brien

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  A new collection by Sean O’Brien – ‘Auden’s true inheritor’, and one of our wisest poetic chronographers – is not just a literary event, but also, invariably, a reckoning of the times. Given the nature of our times, his voice is an essential one: there is no other poet currently writing with O’Brien’s intellectual authority, historical literacy and sheer command of the facts. Embark also registers our unique cultural climacteric, where the larger crises of the planet – the pandemic and the terrifying spectre of revanchist nationalism among them – impact all of us, and where the illusion of a church-and-state separation of the personal and political can no longer hold. As the poet turns seventy, he shows us how the inevitable absences that age brings are assuaged by how we furnish them; the result is not just a logic made from loss and pain, but a music, a metaphysic, and finally a redemptive art. Embark reminds us of the enduring consolations of love, of friendship, of the freedoms and possible futures still afforded by the imagination – and, through O’Brien’s own exemplary model, of poetry itself.

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