Other books that might interest you

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  Mad Madame LaLaurie - New...

  Victoria Cosner Love, Lorelei...

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  The truth behind the legend of New Orleans's infamous slave owner, madwoman, and murderess, portrayed in the anthology series, American Horror Story. On April 10, 1834, firefighters smashed through a padlocked attic door in the burning Royal Street mansion of Creole society couple Delphine and Louis Lalaurie. In the billowing smoke and flames they made an appalling discovery: the remains of Madame Lalaurie's chained, starved, and mutilated slaves. This house of horrors in the French Quarter spawned a legend that has endured for more than one-hundred-and-fifty years. But what actually happened in the Lalaurie home? Rumors about her atrocities spread as fast as the fire. But verifiable facts were scarce. Lalaurie wouldn't answer questions. She disappeared, leaving behind one of the French Quarter's ghastliest crime scenes, and what is considered to be one of America's most haunted houses.

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  Flyfishing the High Country

  John Gierach

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  ● Tactics for fishing high country lakes, the conflicting currents of high mountain streams, and the ever-changing waters of beaver ponds● Cutthroats, brook trout, goldens, rainbows, grayling● The best weather and seasons to fish and the tackle and flies to take into the high country"The mountains—any mountains—can make you pay for your fishing with time, shoe leather, exertion, and even disappointment. But they usually give back more than they take in terms of solitude and a sense of adventure that you just won't find on more civilized waters." —John GierachFly-fishing in scenic and remote mountain waters is a special kind of fishing, explored in depth by veteran fly fisher John Gierach. Along with Fly Fishing Small Streams, this guide, Gierach's first book, explains how to find the best waters and how to fish them to the best advantage.

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  Admiral Alfred Thayer Mahan: The...

  Charles River Editors

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  Alfred Thayer Mahan is arguably the most influential military strategist in American history, and one of the world’s most important naval theorists. His work has been nearly as influential as the famous German military theorist Carl von Clausewitz (1780-1831), and the lesser-known but nearly as influential Swiss military writer Antoine-Henri Jomini (1779-1869). 
  Alfred decided to go to the Naval Academy in Annapolis, which he was admitted to via the influence of Secretary of War Jefferson Davis. He graduated in 1859 and started a career lasting almost 40 years. He served aboard a wide variety of ships, from a powerful frigate under sail to a variety of steam sloops, corvettes, and gunboats, many of which were side wheelers and all of which had auxiliary sails. 
  He started as a Midshipman and worked his way up the naval ranks to Captain and Commander. He also had several independent commands. He was stationed off the Atlantic Coast and in the Gulf of Mexico during the Union blockade of the Confederacy. He was on a sidewheeler tasked with keeping an eye on the French in Mexico, where Napoleon II had installed a Hapsburg archduke as emperor. He spent more than two years on station in the Far East, spent a couple of years with the South Atlantic Squadron based in Montevideo in Uruguay, and then a year off the west coast of South America, in a ship observing events during the War of the Pacific. 
  After a lengthy naval career, Mahan had assignments at the Naval Academy and the Brooklyn Naval Yard. He was invited to lecture at the Naval War College, and it was there that he collected together his notes and wrote a book, The Influence of Naval Power upon History, which somehow became an international bestseller in 1890. His book resulted in an invitation to dine with the Queen in Britain. It was translated into German and the Kaiser ordered a copy be placed on every German warship and in every school.

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  In Sunlight Or In Shadow -...

  Lawrence Block

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  In a truly unprecedented literary achievement by author and editor Lawrence Block, this newly-commissioned anthology of seventeen superbly-crafted stories, each inspired by the paintings of Edward Hopper. Contributors include Stephen King, Joyce Carol Oates, Robert Olen Butler, Michael Connelly, Megan Abbott, Craig Ferguson, Nicholas Christopher, Jill D. Block, Joe R. Lansdale, Justin Scott, Kristine Kathryn Rusch, Warren Moore, Jonathan Santlofer, Jeffery Deaver, Lee Child, and Lawrence Block himself. Even Gail Levin, Hopper's biographer and compiler of his catalogue raisonee, appears with her own first work of fiction, providing a true account of art theft on a grand scale and told in the voice of the country preacher who perpetrated the crime.

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  From New York to Nebo - The...

  Martha R. Severens

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  “Art lovers will enjoy reading about and admiring the paintings of this talented regional southern artist.” —Lowcountry Companion 
   
  A product of the industrialized New South, Eugene Healan Thomason (1895–1972) made the obligatory pilgrimage to New York to advance his art education and launch his career. Like so many other aspiring American artists, he understood that the city offered unparalleled personal and professional opportunities—prestigious schools, groundbreaking teachers, and an intoxicating cosmopolitan milieu—for a promising young painter in the early 1920s. The patronage of one of the nation’s most powerful tycoons afforded him entrance to the renowned Art Students League, where he fell under the influence of the leading members of the Ashcan School, including Robert Henri, John Sloan, and George Luks. In all, Thomason spent a decade in the city, adopting—and eventually adapting—the Ashcan movement’s gritty realistic aesthetic into a distinctive regionalist style that utilized thick paint and simple subject matter. 
   
  Eugene Thomason returned to the South in the early 1930s, living first in Charlotte, North Carolina, before settling in a small Appalachian crossroads called Nebo. For the next thirty-plus years, he mined the rural landscape’s rolling terrain and area residents for inspiration, finding there an abundance of colorful imagery more evocative—and more personally resonant—than the urbanism of New York. Painting at the same time as such well known Regionalists as Thomas Hart Benton and Grant Wood, Eugene Thomason embraced and convincingly portrayed his own region, becoming the visual spokesman for that place and its people.

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  Memoirs of the Confederate War...

  Heros von Borcke

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  "Borcke's book is one that no student of Confederate history will forget."—Douglas Southall Freeman.
  Memoirs of the Confederate War for Independence is one of the best account of the American Civil War written from the Confederate point of view. The book was written by Heros Von Borcke, a Prussian cavalry officer, who served in service in the cavalry of the army of Northern Virginia. The Memoirs follow his service that begun in the spring of 1862. He was a direct witness and a participant of many great battles of the American Civil War (Seven Pines, the Seven Days, Fredericksburg, Chancellorsville and Brandy Station). Borcke's participation in the war ended in the early part of the Gettysburg campaign, when he was wounded.

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