Outros livros que poderiam interessá-lo

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  rib cage: poems

  Rosaly Puthucheary, Arunditha, ...

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  Our ALLTHETIME folios present three poets across the generations in conversation with one another.  
    
  Pounding beneath rib/cage is a visceral struggle for selfhood and belonging. These poems shatter through the suffocating grip of silence and constraint. These are words carved into verse as sharp as bone—voiced into the stillness of night. 
    
  Within the pages of our first ALLTHETIME folio lies a collection spanning five decades. This chorus of voices across time confront unyielding questions about alienation and autonomy, reminding us that the fight remains as fierce as ever. Let these lines take root in your breath; we dare you to recite them with your whole damn chest.

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  Museum of My Soul: Redux - The...

  Dornel Phillips AKA D-Nice Keoma

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  Redux has 30 more poems, reshaping the narrative created in the first book. This version tells a longer and more heartfelt story. Museum of The Soul is a collection of poems that tell a love story. These poems cover the real dynamics of romantic relationships, seen through my eyes. The title The Time IT Took originates from the time it took to put together a body such as this. The title also loosely represents my romantic relationship history. Museum of My Soul in that sense is a collection of artifacts (poems) from different periods of my life and relationships. The book still obliges to three exhibits set forth in the first book: Exhibit A: Falling, Exhibit B: Being broken, and Exhibit C: Ending

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  On Hearing That Constantinople...

  Amelia Opie

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  Amelia Alderson, an only child, was born on the 12th November 1769 in Norwich, England. 
  After the death of her mother on New Year’s Eve 1784 she became her father's housekeeper and hostess. 
  The young Amelia was energetic, attractive, and an admirer of fashion.  She spent much of her youth writing poetry and plays and putting on local amateur theatricals.  At 18 she had published anonymously ‘The Dangers of Coquetry’. 
  Amelia married in the spring of 1798 to the artist John Opie at the Church of St Marylebone, in Westminster, and together they lived in Berners Street where Amelia was already living. 
  Her next novel in 1801 ‘Father and Daughter’, was very popular even though it dealt with such themes as illegitimacy, a socially difficult subject for its times.  From this point on published works were far more regular.  The following year her volume ‘Poems’ appeared and was again very popular.  Novels continued to flow and she never once abandoned her social activism and her call for better treatment of women and the dispossessed in her works.  She was also keenly involved in a love of society and its attendant frills. 
  Encouraged by her husband to write more she published Adeline Mowbray in 1804, an exploration of women's education, marriage, and the abolition of slavery.  
  Her husband died in 1807 and she paused from writing for a few years before resuming with further novels and poems.  Of particular interest was her short poem ‘The Black Man's Lament’ in 1826.  Her life now was in the main spent travelling and working for charities and against slavery.  She even helped create a Ladies Anti-Slavery Society in Norwich which organised a parliamentary petition of 187,000 names of which hers was the first name. 
  After a visit to Cromer, a seaside resort on the North Norfolk coast, she caught a chill and retired to her bedroom.  
  Amelia Opie died on the 2nd December 1853 in Norwich.  She was 84.

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  David Copperfield

  Charles Dickens

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  Every extraordinary life begins with a single story.
  
  In David Copperfield, Charles Dickens presents a deeply moving coming-of-age novel that follows one young man's journey through childhood, adversity, ambition, and personal growth. Along the way, he encounters unforgettable friends, formidable challenges, and life-changing experiences that shape his character and reveal the enduring strength of hope and perseverance.
  
  Widely regarded as one of Dickens's greatest achievements, this literary masterpiece blends heartfelt emotion, memorable characters, humor, and social insight into a richly rewarding reading experience. Through vivid storytelling and timeless themes, Dickens explores family, friendship, resilience, love, and the pursuit of a meaningful life.
  
  Rich in warmth, humanity, and unforgettable moments, David Copperfield continues to captivate readers with its emotional depth and remarkable cast of characters. Its enduring message of courage, determination, and self-discovery has made it one of the most beloved novels in English literature.
  
  Often considered Charles Dickens's most personal and accomplished novel, David Copperfield has inspired generations of readers, writers, and filmmakers. Celebrated as a cornerstone of Victorian literature, it remains an essential classic for anyone who appreciates powerful storytelling and unforgettable characters.
  
  Embark on a timeless journey of hope, resilience, and self-discovery. Download David Copperfield today and experience one of the greatest novels ever written.

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  Pastors Eat Pwussy Too

  Quan Millz

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  Nashawna "NuNu" Spearman, a local Chicago native, lives her life by one simple motto: Use what you got to get what you want. She's a certified bad bish that knows how to use her honey to make money. But when her one of her many honey moneymaking plans falls through, she suddenly finds herself having to life normally...for once. The prospect of prison forces her to take a plea deal that requires community service. That's how she ends up in the company of a popular south side of Chicago pastor who is also running for mayor of the city. One thing leads to another, and NuNu finds herself scheming and scamming once again. But will her plan backfire? Find out more in Pastors Eat Pwussy Too!

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  Coda

  Steven Seidenberg

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  The nameless narrator of Steven Seidenberg's latest work, Coda, attempts to trace the origins of linguistic and perceptual differentiation—of experience through the cipher of the subject, broadly understood—by advancing the linguistic experiments of contemporary lyric and narrative forms, moving between extravagant prosody and obsessive disquisition to reconfigure the conceptual imperatives common to many throughlines in philosophy and theology. Continuing the focus on the structure of memory and the decadence of body he began in his book Anon, Seidenberg here describes the epistemological regress of desire, intention, knowledge, and discernment, coupling the language and concerns of authors as diverse as Spinoza, Kant, Hegel, and Wittgenstein with a raucous humor in the tradition of Rabelais, Beckett, Lispector, and Sterne. 
  An unnamed narrator, possibly afloat, adrift, possibly asleep, or dreaming, or already dead, or as good as, being an exile, or a condemned fool on a ship of fools, takes the opportunity of this voyage of sorts, to try and make sense of their life and mental state. Through a dizzying, meandering syntax, and farcical flourish, the adventure takes us through philosophical events with dogs, how to tell one’s tale, plead one’s case, how to walk through doors, lose one’s limbs, if not one’s mind, how to make a liveable self in the world, while puffing out smokes of language to fight off the existential crisis at play: “I am waiting for something to wait for”. It might take a little while to adjust to this spinning language feast, adapted from bygone literary models, from Rabelais to Sterne, but once you’re in, you will find yourself unable to put down the addictive, comical and strangely urgent twists and turns of Seidenberg’s latest proposition. —Caroline Bergvall, author of Drift, Alisoun Sings, and Meddle English

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