Other books that might interest you

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  Poetry Everywhere

  W. S. Gilbert

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  Sir William Schwenck Gilbert was an English dramatist, librettist, poet and illustrator best known for the fourteen comic operas (known as the Savoy operas) produced in collaboration with the composer Sir Arthur Sullivan. The most famous of these include H.M.S. Pinafore, The Pirates of Penzance and one of the most frequently performed works in the history of musical theatre, The Mikado.Gilbert also wrote the Bab Ballads, an extensive collection of light verse accompanied by his own comical drawings. His creative output included over 75 plays and libretti, numerous stories, poems, lyrics and various other comic and serious pieces. His plays and realistic style of stage direction inspired other dramatists, including Oscar Wilde and George Bernard Shaw. According to The Cambridge History of English and American Literature, Gilbert's "lyrical facility and his mastery of metre raised the poetical quality of comic opera to a position that it had never reached before and has not reached since" - Summary by Wikipedia

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  The Misanthrope And Tartuffe

  Molière Molière

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  The Pulitzer Prize winner’s classic translations of Moliere’s comic masterpieces satirizing shallowness, self-righteousness, and hypocrisy. 
   
  The Misanthrope is a searching comic study of falsity, shallowness, and self-righteousness through the character of Alceste, a man whose conscience and sincerity are too rigorous for his time. In Tartuffe, a wily, opportunistic swindler manipulates a wealthy prude and bigot through his claims of piety. This latter translation earned Wilbur a share of the Bollingen Translation Prize for his critically acclaimed work of this satiric take on religious hypocrisy. 
   
  In brilliant rhymed couplets, Pulitzer Prize-winning poet Richard Wilbur renders two of seventeenth-century French playwright Moliere's comic masterpieces into English, capturing not only the form and spirit of the language but also its substance. 
   
  “Mr. Wilbur has given us a sound, modern, conversational poetry and has made Moliere’s The Misanthrope brilliantly our own.” —The New York Times Book Review 
   
  “Richard Wilbur’s translation of Tartuffe is a continuous delight from beginning to end.” —Pulitzer Prize and National Book Award–winning poet Richard Eberhart

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  Richard Cory

  Edwin Arlington Robinson

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  This was the weekly poetry project for 3 June 2006. Many “character” poems cut straight to the inmost psychology of their subjects, but here, the eponymous Richard Cory with all his wealth and charm is viewed entirely from the outside. Indeed as the poem ends, we realise with an unforgettable shock just how little we, the narrator, or perhaps anyone really knew about him. (Summary by LauraFox)

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  Othello

  William Shakespeare

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  Shakespeare’s Othello is one of his finest and most famous tragedies. This highly acclaimed performance, which ran between November 2007 and February 2008 at the Donmar Warehouse in London, features Chiwetel Ejiofor as the Moor Othello, Ewan McGregor as the scheming Iago, and Kelly Reilly as the gentle Desdemona. This recording features music written specifically for the stage production which enjoyed huge success – each performance was a sell-out.

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  Build Yourself a Boat

  Camonghne Felix

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  2019 National Book Award Longlist: “Centering on black, female identity, [this is] an exquisite and thoughtful collection.” —Bustle This is about what grows through the wreckage. This is an anthem of survival and a look at what might come after. A view of what floats and what, ultimately, sustains. A finalist for the PEN Open Book Award, Build Yourself a Boat redefines the language of collective and individual trauma through lyric and memory.“With Build Yourself a Boat, Camonghne Felix heralds a thrillingly new form of storytelling.” —Morgan Parker, author of Magical Negro

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  A Generous Latitude - Poems

  Lenea Grace

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  Lenea Grace’s debut collection maps a series of relationships within a greater exploration of Canadiana, barreling through shield and crag, river and slag. A Generous Latitude is not afraid of beer, bears, internal rhyme, David Hasselhoff, sediment, or sentiment. It does, however, eschew sliding down lampposts, CBC sitcoms, McGarrigles, and the sentimental. Taking humor in the human condition, A Generous Latitude toys with juxtapositions of the serious with the silly, the irreverent with more somber realities. Music both teases and generates the poems within the collection. Here, Guy Lafleur’s hockey-disco hybrid album is on par with the Righteous Brothers and Fleetwood Mac. Here, “I’m not smoking and it’s not analog, / but at 2 a.m., it is always 1979.” A Generous Latitude takes a wild, peculiar joy in supplanting the expected with rich imagery that lights the mundane and “strips the Atlantic bare.”

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