Otros libros que te pueden interesar

• 

  For No Reason at All - The...

  Jeffrey A. Hinkelman

  • 0
  • 0
  • 0

  The years following the signing of the Armistice saw a transformation of attitudes regarding military conflict as America attempted to digest the First World War. During these years popular film culture in the US created new ways of addressing the impact of the war on individuals and society. Filmmakers created works that promoted their own ideas about the depiction of wartime service—ideas that frequently conflicted with established, heroic tropes for the portrayal of warfare on film.Filmmakers spent years modifying existing standards and working through storytelling options before achieving a consensus regarding the fitting method for rendering war on screen. This process reached its peak during the Pre-Code Era of the early 1930s when the initially prevailing narrative would be briefly supplanted by an entirely new approach that questioned the premises of wartime service. The rhetoric of these films argued for an antiwar stance that questioned the wartime experience.For No Reason at All: The Changing Narrative of the First World War in American Film discusses a variety of Great War–themed films made from 1915 to the present, tracing the changing approaches to the conflict over time.

  Ver libro

• 

  Handel's Bestiary - In Search of...

  Donna Leon

  • 0
  • 0
  • 0

  The New York Times–bestselling author delivers “a real tour de force” celebrating the fauna in Handel’s operas—with original illustrations by Michael Sowa (News—Austria).   When acclaimed novelist Donna Leon is not conjuring up tales of crime and corruption in Venice—or appreciating its delicious cuisine—she revels in music. And for Leon, that usually means the work of her favorite composer, George Frideric Handel.   Over the years, Leon has noticed that the great musician filled his operas with arias that make reference to animals. Rich in symbolism, the perceived virtues and vices of the lion, bee, nightingale, snake, elephant, and tiger, among others, resonate in his works.   Here, Leon draws on her love of Handel and her expertise in medieval bestiaries, illustrated collections of animal stories, to assemble a one of her own—twelve chapters that trace twelve animals through history, mythology, and the Handel arias they inhabit. Each exploration is joined by whimsical original illustrations by German painter Michael Sowa.   A fascinating, utterly original book that is “as clever as it is entertaining,” Handel’s Bestiary springs to life with Leon’s knowledge, passion, and wit (Westdeutsche Allgemeine Zeitung—Germany).

  Ver libro

• 

  Horror storyline - A Musical...

  SaveEco

  • 0
  • 0
  • 0

  A  digital product of artist SaveEco & recorded by S Music House Publication , full track is basically a tracing of horrifying rhythmic beats eventually approaching to climax with  a periodic musical  sequencing

  Ver libro

• 

  Good Morning Olive - Haunted...

  Robert Viagas

  • 0
  • 0
  • 0

  Hamlet calls death "that undiscovered country from whose bourn no traveler returns."But he's wrong. Some do return.Each night after the applause dies, the curtain falls, the audience vanishes, the cleaners dust, and the lights are killed, great theatres become dark and silent places. But not always quite empty.That's when the theatre ghosts make their entrance and strut and fret their hour upon the shadowed boards, illuminated only by the ghost light, the solitary lamp that is required to burn through the night on every Broadway stage.Many of Broadway's busiest theatres continue to be just as busily haunted by spirits, some with well-known names and histories.Good Morning, Olive (named for one of the most beautiful and temperamental of Broadway's ghosts) is about the ghosts that haunt theatres in New York and around the world.Broadway is the playground of stars, so it's probably not surprising to learn that even its ghosts are stars. Meet some of Broadway's best known—and most active—celebrity ghosts. Don't worry: like Casper, they tend to be friendly. For the most part.

  Ver libro

• 

  How The First Black Head Of A...

  PBS NewsHour

  • 0
  • 0
  • 0

  In the wake of protests against systemic racism in the U.S., many industries are reexamining past practices and facing questions about their own racial biases. One new effort puts a spotlight on the world of publishing. Jeffrey Brown reports and talks to Simon & Schuster’s Dana Canedy, the first Black person to head a major publishing house, for our ongoing series about arts and culture, Canvas.

  Ver libro

• 

  Pepsodent Show The - Volume 5 -...

  Staff Writer

  • 0
  • 0
  • 0

  The name Leslie Townes Hope is not the most familiar to us.  Born in Eltham, London on May 29th, 1903 he and his family emigrated to the United States aboard the SS Philadelphia before moving to Cleveland, Ohio. 
   
  Although he entered show business in the 1920s it was only in 1928 that he changed his name to the one and only Bob Hope. 
   
  Stints in Vaudeville and then Broadway were followed by his radio debut in 1932 and feature films in 1938.   
   
  1938 was a banner year for Bob Hope as it was also the debut season for the eventual decade running smash-hit radio show: The Pepsodent Show.  Despite the sponsors, name getting the billing this was Hope’s show.   
   
  His opening monologue was the result of his hiring from his own pocket – he had an extravagant salary from the sponsor - of a team of 8 writers to write top notch jokes and skits.  His comic timing turned him into a sensation.  The show was so popular that it had its pick of the best of show business stars. Everyone wanted in. 
   
  Now its time to cut the talk and get ready for laughs.  It’s time for Bob Hope and his guests.

  Ver libro