Maison d'édition: Imagination Books
Winter - Nature Through Watercolors A wonderful collection of beautiful watercolor paintings, showcasing the sublime, wild and amazing power of this season through the beauty of the brush stroke...Get it now!
What exactly is the purpose of the BBC nowadays - to entertain, educate and inform? But is that all? The broadcaster itself claims to be a fearless and independent provider of news tasked with ‘speaking truth to power’ – a true champion of the underdog. However, as David Sedgwick reveals in his new book the reality is somewhat different: not only does the BBC diligently protect power from scrutiny, it attacks and attempts to discredit those who dare to challenge the status quo. Formed in 1922 by the British establishment, the BBC has always been a reliable ally of ultra-wealthy and powerful interests. Indeed, the broadcaster occupies a pivotal position within an international corporate-political alliance which promotes only those narratives which consolidate the ‘global order.’ Using multiple examples of BBC reporting, the author argues that the tax-payer funded broadcaster is a proxy which acts on behalf of a tiny, but very powerful clique - a role which compels it to pump out disinformation on an industrial scale, misleading all those who consume its content.Voir livre
YouTube features a wide array of multimodal musical figurations, including fan-made music videos, musical aestheticisations of pre-circulating content, and musical self-performances. Jonas Wolf explores open-ended forms of musical creative relay on YouTube, delving into formal, imitative, affective, and (non-)institutional aspects of networked media remix and (self-)aestheticisation. Beyond creating value for non-musical fields of discourse, this study is directed at filling a gap in a largely ocularcentric domain of study. It provides a concise theory of vernacular composition within our time's total digital archive that accounts for socio-aesthetic phenomena and their relation to systems of knowledge, control, and discourse.Voir livre
TITANIC THE ULTIMATE TRIVIA COLLECTION FROM THE MOVIE DIRECTED BY JAMES CAMERON CREATED BY FILM TRIVIA METAVERSE ABOUT THE FILM Titanic (1997), directed by James Cameron, is an epic romance and disaster film set aboard the ill-fated RMS Titanic. The story follows Rose, a young woman from an aristocratic family, and Jack, a poor artist, who fall in love during the ship’s maiden voyage in 1912. Their love story unfolds against the backdrop of class division and the impending disaster. The film explores themes of love, sacrifice, and the human spirit, while juxtaposing the romance with the historical tragedy of the Titanic's sinking. With stunning visuals and an emotional narrative, Titanic remains a cinematic landmark. TRIVIA SAMPLES: “After learning she would be required to be naked in front of Leonardo DiCaprio, Kate Winslet decided to lighten the mood by flashing him when they first met.” “In the scene where water rushes into the Grand Staircase room, the filmmakers only had one chance to film it, as the entire set and its furnishings were going to be destroyed.” “The movie's scenes set in 1912, which make up the entire movie except for the present-day scenes and credits, last exactly two hours and forty minutes — the exact duration it took for the Titanic to sink. The collision with the iceberg lasts 37 seconds, mirroring the actual event.”Voir livre
Grief is all around us. Even at the heart of the brightly coloured, vividly characterised, joyful films of Studio Ghibli, they are wracked with loss – of innocence and love, of the world itself and our connection to it. Whether facing the realities of death, the small and continual losses we encounter through our daily lives, or the anticipatory grief of the environment's ongoing decline, each has a distinct presence in these beloved films, with their own lesson to hold close in our lives, and comfort to be found. Now Go enters the emotional waters to interrogate not only how Studio Ghibli navigates grief, but how that informs our own understanding of its manifold faces. Touching on some of the cornerstone films and characters — from My Neighbor Totoro, Spirited Away and beyond — and their intersections with his own life, the broader spectrum of loss, and how we can move forward, Smith invites us to consider how these beacons of joy offer us a winking light in the darkness. (Please note this title is unaffiliated with Studio Ghibli.)Voir livre
Ever wonder how legendary linebacker Bobby Wagner applies Jay-Z's entrepreneurial lessons to his football career? Or what studying the music business taught graffiti pioneer Fab 5 Freddy about distributing his art? Any entrepreneur or professional can gain a greater understanding of what's happening in the world -- from trends like NFTs to changes in the broader business climate -- by observing what has happened to (and because of) musicians. Doing so offers a path to wrapping one's brain around what may yet be coming down the pike in any industry. Take the shift from analog to digital, in which vinyl and cassettes were replaced by CDs long before DVDs conquered VHS. Or the move from physical to virtual, where Napster decimated record stores even as bricks-and-mortar retailers like Blockbuster blindly chugged toward their doom. In "We Are All Musicians Now," former Forbes senior editor Zack O'Malley Greenburg educates and enlightens while offering the audience backstage passes to the most fascinating industry transformations of the past fifty years.Voir livre
Susan Sontag meets Hanif Abdurraqib in this fascinating exploration of the unexpected connections between how we consume images and the insidious nature of Fascism. Images come at us quickly, often without context. A photograph of Syrian children suffering in the wake of a chemical attack segues into a stranger's pristine Instagram selfie. Before we can react to either, a new meme induces a laugh and a share. While such constant give and take might seem innocent, even entertaining, this barrage of content numbs our ability to examine critically how the world, broken down into images, affects us. Images without context isolate us, turning everything we experience into mere transactions. It is exactly this alienation that leaves us vulnerable to fascism—a reactionary politics that is destroying not only our lives and our nations, but also the planet's very ability to sustain human civilization. Who gets to control the media we consume? Can we intervene, or at least mitigate the influence of constant content? Mixing personal anecdotes with historical and political criticism, Image Control explores art, social media, photography, and other visual mediums to understand how our culture and our actions are manipulated, all the while building toward the idea that if fascism emerges as aesthetics, then so too can anti-fascism.Voir livre
