Otros libros que te pueden interesar

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  Scandalous Vultures 2 - Looks...

  Shantress Nicole

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  Revenge And Family Betrayal 
  Sherri's world collapses as the lies she's been told come to light, causing the once-solid foundation of her relationship with Lamont to crumble beneath her. The betrayal reaches its zenith. A pivotal figure in Lamont's empire, his brother Taz, is both supportive and cunning. Amidst a mix of allies and adversaries, hidden agendas are everywhere.

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  Living in Language -...

  Erica Hesketh

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  Living in Language brings together reflections on the craft and purpose of poetry, by 21 leading poets from around the world. The lyric essays, fragments, letters and new poems in this groundbreaking anthology shed light on topics as diverse and vital as writing the body, writing in exile, writing as witness, writing as a shamanic act, grappling with traditional forms, discovering your own voice, and even translation and self-translation. This is an essential resource for anyone looking to broaden their horizons and engage with the cutting edge of poetry as it is practised, around the world, in the 21st century.

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  Fast Talking PI & Other Poems

  Selina Tusitala Marsh

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  A selection of Selina Tusitala Marsh' s most beloved poems, set to music and performed by the poet herself.
  ' She blows in like a song carried on a powerful current: a wild-haired woman, larger than life, carrying a tall carved stick. She loses things in that hair, she says; finds pens in there days after they went missing.'
  — from ' Never Piss Off a Poet' , The Guardian
  Selina Tusitala Marsh is a celebrated poet and performer from Aotearoa New Zealand. Professor and poet laureate, a Pasifika woman who has performed for queens and presidents, Selina says ' poetry is a way to tell our stories and make the invisible visible.'
  This audiobook features the poet performing thirty-six of her most powerful poems, both occasional pieces and selections from the collections Fast Talking PI, Dark Sparring and Tightrope. In ' Guys like Gaugin' and ' Kickboxing Cancer' , ' Airport Road to Apia' and ' Fast Talking PI' , and many more, Selina brings whole new worlds to life.
  All poems written and performed by Selina Tusitala Marsh; all music composed, produced and engineered by Tim Page.

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  The Poetry of Sarojini Naidu -...

  Sarojini Naidu

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  Sarojini Chattopadhyay was born into a Bengali family in Hyderabad, India on 13th February 1879, the eldest of the eight siblings. The family was well-respected in Hyderabad and were established artists. 
   
  Naidu passed her matriculation examination at the University of Madras and took a four-year break from her studies.  
   
  In 1895, H.E.H. the Nizam's Charitable Trust founded by the 6th Nizam, Mahbub Ali Khan, gave her the chance to study in England, first at King's College, London and later at Girton College, Cambridge.  
   
  Even in these early times she was a social activist.  It was whilst in England that she worked as a suffragist and was first drawn to the Indian National Congress' Hindu movement for India's independence from British Colonial rule.  
   
  She began writing at the age of twelve. Her play, ‘Maher Muneer’, written in Persian, impressed the Nawab of Hyderabad. It was an auspicious start. 
   
  Sarojini met Paidipati Govindarajulu Naidu, a physician, and after finishing her studies at age 19 married him. The couple would have five children.  Interestingly their families approved their marriage even though they were from different castes and society was not as tolerant as it might be today.  Additionally, Sarojini was from Bengal and Naidu from Andhra Pradesh and marriages between those from the north and south were frowned upon.  Happily, they overcame these problems and both marriage and careers thrived. 
   
  In 1905, her first collection of poems, ‘The Golden Threshold’ was published. 
   
  Naidu became a part of the Indian nationalist movement and was a follower of Mahatma Gandhi and his idea of swaraj (this was an India without its colonial administration systems).  Despite her growing political career she still found time to write and published several further volumes of poetry. Such was her eloquence that she became known as the ‘Nightingale of India’. 
  Sarojini was appointed the President of the Indian National Congress in 1925 and was a major influence and figure in the Independence movement.  
   
  Along with several other Congress leaders including Gandhi and Jawaharlal Nehru she was arrested for taking part in the 1930 Salt March.  Indeed Sarojini faced frequent arrest by the British Authorities and spent, in total, many months in prison. 
   
  Following India's independence from British rule in 1947, Sarojini was appointed as the governor of the present-day Uttar Pradesh in so doing she became India's first female governor. 
   
  Returning from work in New Delhi on 15th February, 1949 she was advised to rest by her doctors, and her official engagements were cancelled.  Her health deteriorated rapidly and on 1st March bloodletting was performed after she complained of severe headache.  
   
  Sarojini Naidu died of a cardiac arrest on 2nd March 1949.  She was 70.

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  I hate to be the one to tell you...

  Zoë Walkington

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  It's a shame, isn't it, to have to rat on your neighbours? Upsetting to find out that both your husband and the dog have been telling you lies? And I hate to be the one to tell you this, but there are bad people everywhere, at large, going about their business. Financial insolvents on online-dating sites, contortionist plumbers with a point to prove, and a bloke named Barry, from Halifax, who is singlehandedly ruining the livelihoods of perfectly legitimate psychics.
  It's not all bad news though, there are sham marriages to look forward to, ducklings to be held captive by, and that dog, well, you can always put him up for sale. Life, I'm afraid, is based on nothing more than slippery moorings, and this debut pamphlet breaks the bad news with humour and a twist of darkness.
  The poems in this collection erupt with beauty and emotional resonance. These are graceful meditations on human relationships with each other and with themselves. The voice of the poet is strikingly unique, but there are also moments when it seems to be coming from within us, from the place of personal wonder: 'Outside a wood-pigeon coos monotonously / its slung together nest is hidden from view, / just like your knickers are, mostly, / and your feelings about your mother.' – Romalyn Ante, co-judge of the International Book & Pamphlet Competition

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  Tumbling for Amateurs

  Matthew Gwathmey

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  SHORTLISTED FOR THE 2023 FIDDLEHEAD POETRY BOOK PRIZEA reimagining of an instructional text on tumbling supports poems about the amateurishness of being human.  
  Tumbling for Amateurs is a reimagining of James Tayloe Gwathmey’s 1910 book of the same name, published as part of Spalding’s Athletic Library. Bookended with “Propositions” on why tumbling is a skill that everyone should learn and “Extracts from Letters of Support,” each verso poem in this collection pairs with a recto illustration based on drawings from the source text. In the spirit of William Blake’s Songs of Innocence and of Experience, word and image work for each other, creating something more than just an instructional manual.  
  Tumbling is, well, a metaphor for everything. And we all are, well, amateurs. Experimentation abounds in these poems and manipulated pictures. There are anaphoras, list sonnets, erasures, palimpsests and concrete poems, all working from tumbling’s limited vocabulary and central focus of acrobatics and gymnastics. In this experimentation of form and text is a search for the lyric, for an emotional connection when one isn’t always possible, in bodies, in movement, in desire. “We measure our lives by what our bodies can do.”  
  “We have no other way to touch each other. / Really no other way to touch each other. / We seek this particular exercise because / we have no other way to touch each other." Like the tumbling acts from which they spring, Gwathmey's poems are delightfully performative. They leap, loop, and reconfigure familiar forms into fresh and acrobatic new intimacies. Slyly queering his source text — an early 20th century tumbling manual for young men salvaged from the dusty closet of family history — Gwathmey transforms instruction into seduction as he conducts a tender and playful archeology of desire." – Suzanne Buffam, author of A Pillow Book 
  "Matthew Gwathmey’s poems, springboarding from a genre of fitness manual popular in the early twentieth century, tumble us into the present through tests gamily set for body and mind. As ripped as his gymnast protagonists—evoked so fetchingly in the book’s illustrations—Gwathmey writes a poetry eschewing the lyrical in favour of a stripped-down, athletic language that gives shape to 'what must remain / nameless.' There’re so many ways to read ourselves into Tumbling for Amateurs. Go toe to toe with these poems and they’ll tone up your grip on what poetry is."
    – John Barton, author of Lost Family 
  "Gwathmey's poems go together like a troupe, somersaulting through the vocabulary of the way a body moves. They turn the still past into this moving present." – Paul Legault, author of The Tower

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