Outros livros que poderiam interessá-lo

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  Æpyornis Island - From their...

  H G Wells

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  Herbert George Wells was born on September 21st, 1866 at Atlas House, 46 High Street, Bromley, Kent. He was the youngest of four siblings and his family affectionately knew him as ‘Bertie’.  
  The first few years of his childhood were spent fairly quietly, and Wells didn’t display much literary interest until, in 1874, he accidentally broke his leg and was left to recover in bed, largely entertained by the library books his father regularly brought him. Through these Wells found he could escape the boredom and misery of his bed and convalescence by exploring the new worlds he encountered in these books.  
  From these humble beginnings began a career that was, after several delays, to be seen as one of the most brilliant of modern English writers.    
  Able to write comfortably in a number of genres he was especially applauded for his science fiction works such as The Time Machine and War of the Worlds but his forays into the social conditions of the times, with classics such as Kipps, were almost as commercially successful.  His short stories are miniature masterpieces many of which bring new and incredible ideas of science fiction to the edge of present day science fact.  Wells also received four nominations for the Nobel Prize in Literature 
  Despite a strong and lasting second marriage his affairs with other women also brought the complications of fathering other children.  His writings and work against fascism, as well as the promotion of socialism, brought him into increasing doubts with and opposition to religion.  His writings on what the world could be in works, such as A Modern Utopia, are thought provoking as well as being plausible, especially when viewed from the distressing times they were written in. 
  His diabetic condition pushed him to create what is now the largest Diabetes charity in the United Kingdom.  Wells even found the time to run twice for Parliament. 
  It was a long, distinguished and powerfully successful career by the time he died, aged 79, on August 13th, 1946.

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  How To Burn This Book

  Evan Witmer

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  Step one of burning a book is finding a disagreeable premise within. To simplify this process, each story is followed by a reason it should be immolated, opined by the author’s critics. 
  "Lucky Girl Noir" is about a cop solving the murder of a ‘Lucky Girl,’ a woman born with probability consistently in her favor. Burning this story would be a win against plagiarism. 
  "Three Days West" is an acid-Western about cowboys exploiting their otherworldly connection in frontier Colorado. This story deserves burning for ruining pulp heroes. 
  "Zantar" is Tarzan with aliens and raccoons. Burning seems appropriate, as it continues the author’s insatiable bloodlust. 
  "Sea Creatures" is a sapphic love story between a siren and a mermaid. The story deserves burning for suggesting bras are an art form. 
  "Lizard People Take Orlando" tells the story of Zaffre Davis, a student running for mayor while keeping his life as a scalie secret. Burning should be considered due to its depictions of furries as Democrats. 
  "The Spirit Realm" is about the survivor of a mass poisoning who wakes up to find he can talk to alcohol. No character represents absinthe, a crime best punished by burning. 
  "The Pimp That Slapped the Ripper" is about the fall of Jack the Ripper at the hands of a procurer who will protect her property at any cost. The author’s softness has robbed the story of graphic detail; their omission begets burning. 
  "Washed" is the story of a man who loses his memory when he showers. Burn this one to eliminate the author’s ugly past. 
  "An American Weekend" is about a boy visited by the human embodiments of Friday, Saturday, and Sunday, who guide him out of his funk. Turn it to ashes; this interpretation of the weekend reeks of privilege. 
  "Roadwork" is about a lemurtologist, an exorcist for the DMV who removes ghosts from road accidents. Tossing this story in the fire could wound a hateful author, smudging the name of the DMV.

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  3 Stories - Set Entirely on...

  Virginia Woolf, Saki Saki, W G...

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  There is something about the number 3.    
   
  The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two.   
   
  Most religions also have 3 this and 3 that and, of course, in these more modern times, three’s a crowd may be too many, except when it’s a ménage à trois.  It seems good things usually come in threes. 
   
  Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating. 
   
  From their pens to your your ears.

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  And I Do Not Forgive You -...

  Anônimo

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  Feminism fuels fantasy in this genre-busting collection by "master of the fantastic" (Roxane Gay) Amber Sparks. 
   
   
   
  Exciting fans of such writers as Kelly Link, Karen Russell, and Carmen Maria Machado with prose that shimmers and stings, Amber Sparks holds a singular role in the canon of the weird. Now, she reaches new, uncanny heights with And I Do Not Forgive You. In "Mildly Happy, With Moments of Joy," a friend is ghosted by a simple text message; in "Everyone's a Winner at Meadow Park," a teen precariously coming of age in a trailer park befriends an actual ghost. At once humorous and unapologetically fierce, these stories shine an interrogating light on the adage that "history likes to lie about women"—as the subjects of "A Short and Speculative History of Lavoisier's Wife" and "You Won't Believe What Really Happened to the Sabine Women" (it's true, you won't) will attest. Blending fairy tales and myths with apocalyptic technologies, all tethered intricately by shades of rage, And I Do Not Forgive You offers a mosaic of an all-too-real world that fails to listen to its silenced goddesses.

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  The Canary

  Katherine Mansfield

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  A lonely woman's cherished canary, her only companion, dies, leaving her isolated once more.

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  Top 10 Short Stories The - Men...

  Joseph Conrad, Anton Chekhov,...

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  Short stories have always been a sort of instant access into an author’s brain, their soul and heart.  A few pages can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. 
   
  In this series we try to offer up tried and trusted ‘Top Tens’ across many different themes and authors. But any anthology will immediately throw up the questions – Why that story? Why that author?  
   
  The theme itself will form the boundaries for our stories which range from well-known classics, newly told, to stories that modern times have overlooked but perfectly exemplify the theme.  Throughout the volume our authors whether of instant recognition or new to you are all leviathans of literature. 
   
  Some you may disagree with but they will get you thinking; about our choices and about those you would have made.  If this volume takes you on a path to discover more of these miniature masterpieces then we have all gained something. 
   
  As the Century staggers to a close under the burdens of its expansive history authors, freed from many constraints, are exploring new ideas on a more intimate scale but on a wider landscape.  Their now everyday names and reputations are forged in these stories.  
   
  1 - The Top 10 - The 1890's - The Men - An Introduction 
  2 - Youth - Part 1 by Joseph Conrad 
  3 - Youth - Part 1 by Joseph Conrad 
  4 - About Love by Anton Chekhov 
  5 - Twenty-Six Men and a Girl by Maxim Gorky 
  6 - B24 by Arthur Conan Doyle 
  7 - Lost Hearts by M R James 
  8 - The Burial of the Rats by Bram Stoker 
  9 - An Occurrence At Owl Creek Bridge by Ambrose Bierce 
  10 - The Inconsiderate Waiter by J M Barrie 
  11 - Hide And Seek or Pliatki by Fyodor Sologub 
  12 - The Repairer of Reputations - Part 1 by Robert W Chambers 
  13 - The Repairer of Reputations - Part 2 by Robert W Chambers

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