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  Knocked Down - A High-Risk Memoir

  Aileen Weintraub

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  A laugh-out-loud memoir about a free-spirited Brooklyn girl who, after a whirlwind romance, finds herself living in a rickety farmhouse, pregnant, and faced with five months of doctor-prescribed bed rest because of unusually large fibroids.Aileen Weintraub has been running away from commitment her entire life, hopping from one job and one relationship to the next. When her father suddenly dies, she flees her Jewish Brooklyn community for the wilds of the country, where she unexpectedly falls in love with a man who knows a lot about produce, tractors, and how to take a person down in one jiu-jitsu move. Within months of saying "I do," she's pregnant, life is on track, and then wham! Her doctor slaps a high-risk label on her uterus and sends her to bed for five months. As her husband's farmhouse begins to collapse and her marriage starts to do the same, Weintraub finally confronts her grief for her father while fighting for the survival of her unborn baby. Will she stay or will she once again run away from it all?  Knocked Down is an emotionally charged roller-coaster ride of survival and growth. It is a story about marriage, motherhood, and the risks we take.

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  Parents Behaving Badly

  Scott Gummer

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  Parents Behaving Badly is an uproarious, surprising, and poignant satire of American suburbia and youth sports gone wild. Everyone that has ever been involved with youth sports can relate. Kids, coaches, friends, family - everyone knows 'that guy' or 'that mom. The setting is Little League, but the experiences and issues are universal. Layered beneath the book's laugh out loud action are provocative questions about the what ifs of our adolescence, the lost art of personal interaction in the age of texting and Twitter and Facebook, what constitutes infidelity, and blurring the line between fair play and bad sports. Parents Behaving Badly is a good, fun read that will make you laugh, make you think, and make for conversation in bleachers and on sidelines everywhere.

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  Treasure Island!!!

  Sara Levine

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  A young slacker decides to live her life according to Robert Louis Stevenson’s classic adventure: “A rollicking tale, shameless, funny and intelligent” (The New York Times).   When a college graduate with a history of hapless jobs (ice cream scooper, gift wrapper, laziest ever part-time clerk at The Pet Library) reads Robert Louis Stevenson’s novel Treasure Island, she is dumbstruck by the timid design of her life. When had she ever dreamed a scheme? When had she ever done a foolish, overbold act? When had she ever, like Jim Hawkins, broken from her friends, raced for the beach, stolen a boat, killed a man, and eliminated an obstacle that stood in the way of her getting a hunk of gold?   Convinced that Stevenson’s book is cosmically intended for her, she redesigns her life according to its Core Values: boldness, resolution, independence, and horn-blowing. Accompanied by her mother, her sister, and a hostile Amazon parrot that refuses to follow the script, our heroine embarks on a domestic adventure more frightening than anything she’d originally planned. Treasure Island!!! is the story of a ferocious obsession, told by an original voice—“insane, hilarious, and irreverent” (Alice Sebold).   “Highly original . . . will keep you entertained in spite of (or more accurately, because of) its toxic narrator.” —Library Journal   “A hoot.” —Kirkus Reviews

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  Users

  Colin Winnette

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  Miles, a lead creative at a midsize virtual reality company known for its "original experiences," has engineered a new product called The Ghost Lover. Wildly popular from the outset, the "game" is simple: a user's simulated life is almost identical to their reality, except they're haunted by the ghost of an ex-lover. However, when a shift in the company's strategic vision puts The Ghost Lover at the center of a platform-wide controversy, Miles becomes the target of user outrage, and starts receiving a series of anonymous death threats. Typed notes sealed in envelopes with no postage or return address, these persistent threats push Miles into a paranoid panic, blurring his own sense of reality, catalyzing the collapse of his career, his marriage, and his relationship with his children.The once-promising road to success becomes a narrow set of choices for Miles, who, in a last ditch effort to save his job, pitches his masterpiece, a revolutionary device code-named the Egg, which will transform the company.In a world rife with the unchecked power and ambition of tech, Users investigates—with both humor and creeping dread—how interpersonal experiences and private decisions influence the hasty developments that have the power to permanently alter the landscape of human experience.

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  How to avoid sudden guest? How...

  BARAKATH

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  Hilarious fictional ways to avoid sudden guest and to make someone angry.

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  The Way We Live Now

  Anthony Trollope

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  “A wonderful, melodramatic tale-of-the-times, by a master of his craft. It begins in satire and finally resolves into entertaining social comedy.” —The Guardian   A classic satirical novel by the author of the Chronicles of Baretshire series, The Way We Live Now exposes the financial impropriety, greed, and dishonesty that pervaded all aspects of English society at the time it was published, in 1875.   “One of the last examples of the three-volume serialized Victorian novel. If the genre seems nearly as alien to contemporary American readers as the Renaissance epic poem, the world that Trollope portrays is not so remote. Trollope’s London is a satirical distortion of the city that he found upon returning from eighteen months of overseas travel: the luxurious center of a vast empire floating on limitless credit, a society defined entirely by commercial interest, a hothouse of financial speculation and status competition, a place where relationships have become purely transactional. . . . Trollope has the advantage of being unafraid, which gives his social criticism its vivid power. This, he tells us, is what extremely civilized people become when the money gets too big.” —The New Yorker   “Recognized as Trollope’s masterpiece . . . As a savage commentary on mid-Victorian England by a marvelously addictive writer steeped in every aspect of an extraordinary society, it could hardly be bettered.” —The Guardian

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