Outros livros que poderiam interessá-lo

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  Identity in the Trenches - The...

  Will Thibeau

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  The military is often perceived by well-meaning Americans as the last stronghold against the progressive march through America’s institutions. But this is no longer simply the case. Our Armed Forces were once the envy of the world, in large part because we selected based on merit, and instilled in our fighting men an unshakeable military ethos. Both the ethos and the selection, however, have been in steady decline as the Department of Defense succumbs to a dangerous ideology: selection and promotion based on racial and gender identity. This has already led to major problems and may well lead us down the path of disaster.

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  Practicing New Worlds -...

  Andrea J. Ritchie, Alexis...

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  Practicing New Worlds explores how principles of emergence, adaptation, iteration, resilience, transformation, interdependence, decentralization, and fractalization can shape organizing toward a world without the violence of surveillance, police, prisons, jails, or cages of any kind, in which we collectively have everything we need to survive and thrive. 
   
   
   
  Drawing on decades of experience as an abolitionist organizer, policy advocate, and litigator in movements for racial, gender, economic, and environmental justice and the principles articulated by adrienne maree brown in Emergent Strategy: Shaping Change, Changing Worlds, Ritchie invites us to think beyond traditional legislative and policy change to create more possibilities for survival and resistance in the midst of the ongoing catastrophes of racial capitalism—and the cataclysms to come. Rooted in analysis of current abolitionist practices and interviews with on-the-ground organizers resisting state violence, building networks to support people in need of abortion care, and nurturing organizations and convergences that can grow transformative cities and movements, Practicing New Worlds takes listeners on a journey of learning, unlearning, experimentation, and imagination to dream the worlds we long for into being.

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  The Knotsman

  Math Jones

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  The Knotsman does not exist, you will not find him in history books or collections of 'bygone' skills. But Math Jones has created him, and his fellows, in a time very like the English Civil War. There he is, going from house to house, village to village, battlefield to gallows, unravelling knots and problems, physical, emotional and psychological; a new kind of cunning man, not always welcome, not always quite as clever as his fingers and picks would have him believe.

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  The Politics of Maps -...

  Izhak Schnell, Christine...

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  Blending science and technology studies, sociology, and geography with a host of archival material, in-depth interviews, and ethnographies, The Politics of Maps explores how the geographical sciences came to be entangled with the politics, territorial claim-making, and nation-state building of Israel/Palestine. Chapters chart the cartographic history of the region, from the introduction of Western scientific and legal paradigms that seemingly legitimized and depoliticized new land regimes to the rise of new mapping technologies and software that expanded access to cartography into the public sphere. Maps produced by various sectors like the "peace camps" or the Jewish community enhanced national belonging, while others, like that of the Green Line, served largely to divide. 
   
   
   
  The stories of Israel's many boundaries reveal that there is no absolute, technocratic solution to boundary-making. As boundaries continue to be controversial and the Israeli-Palestinian conflict remains intractable and unresolved, The Politics of Maps uses nationally-based cartographic discourses to provide insight into the complexity, fissures, and frictions within internal political debates, illuminating the persistent power of the nation-state as a framework for forging identities, citizens, and alliances.

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  I'm Not Your Muse - Uncovering...

  Lori Zimmer

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  An illuminating exploration of 31 incredible women—across art, architecture, dance, literature, and more—whose culture-defining contributions have, until now, been overshadowed by their role as "muses" to history's better-known men.  What does it mean to be someone's "muse"? Historically, to be called a “muse” among artistic circles has been marketed as a flattering title. It is a commendation that most often refers to a woman whose vivacity and beauty are the source of inspiration for a (usually) male artist or creator. Perhaps her inspiring presence is even credited in the story of his success. But the very concept of a muse underestimates these women and their abilities. At its root, muse is a support role, the title a consolation prize that claims to recognize a woman’s greatness—but only in her support of another.I'm Not Your Muse reclaims the narrative of 31 of these extraordinary women, from "The Mother of the Movies" Alice Guy-Blaché to Modernist designer Eileen Gray, prima ballerina Maria Tallchief, storied Harlem Renaissance editor Jessie Redmon Fauset, and many more. Each of these women advanced the narrative of culture and society, pushing the boundaries of visual arts, dance and movement, commercial architecture, music, journalism, and the performing arts. Whether by historical accident or cruel design, their contributions have historically been overshadowed by those of their male counterparts, and often collaborators. In this briskly written, incisively researched compendium, author and researcher Lori Zimmer repositions these women as the main characters of their own lives. Each profile is accented with original illustrations—including jaunty portraits in playfully constructed frames—by artist Maria Krasinski. Together, they highlight the contemporary accomplishments and historical legacies of a wide-ranging group of revolutionary women. Featured women include:  Louise Blanchard Bethune  Claude Cahun and Marcel Moore  Minnette de Silva  Clara Driscoll  Jessie Redmon Fauset  Loie Fuller  Martha Gellhorn    Eileen Gray  Belle da Costa Greene  Alice Guy-Blaché  Miss La La  Edmonia Lewis  Neysa McMein  Hildreth Meière  Lucia Moholy  May and Jane Morris    Na Hye-Sŏk  Fernande Olivier  Pan Yuliang    Ethel Reed    Clara Rockmore    Ada Bricktop Smith  Maria Tallchief  Alice B. Toklas  Suzanne Valadon    Baroness Elsa von Freytag-Loringhoven  Leonora Carrington  Remedios Varo  Kati Horna

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  A Grotesque Animal

  Amy Lee Lillard

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  At the age of forty-three, Amy Lee Lillard learned she was autistic. She learned she was part of a community of unseen women who fell through the gaps due to medical bias and social stereotypes. 
   
   
   
  A Grotesque Animal explores the making, unmaking, and making again of a woman with an undiagnosed disorder. How did a working-­class background and a deep-rooted Midwest culture of silence lead to hiding in plain sight for decades? How did sexuality and anger hide the roots of trauma among the women in her family? And what does it mean to be a queer, disabled, aging woman, a descendant of wild but tamed mothers and a survivor of the things patriarchy inflicts? 
   
   
   
  Through wide-ranging styles and a combination of personal storytelling and cultural analysis, Lillard dissects anger, sexuality, autistic masking, bodies, punk, and female annihilation to create a new picture of modern women.

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