Otros libros que te pueden interesar

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  A Man's House Catches Fire

  Tom Sastry

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  What to do when everything goes up in flames? Summon up A Man's House Catches Fire, Tom Sastry's debut collection of poetry, with all its elegant, satirical and hurt-quenching power: here are nightmares and fairytales, museums full of regret, mis-enchantments and magic for dark times.
  Whilst the accelerants of complicity and violence seep from these exacting poems, Sastry's wit and stoicism slake the bonfire of modern troubles. They defiantly ask us: why do "the great marquees of England" stand empty? How old is your heart? Why aren't we listening to the sea, and what it has to say? Funny, marvellously frank and often courageous, A Man's House Catches Fire urges us to take a long hard look into the flames and avert the disasters of the heart, home and nations that threaten to befall us all.
  "Tom Sastry is a magician of deadpan. He's kind of like if the Atlantic Ocean had a laugh track. Terrifying and hypnotic, but also desperately funny. This collection is generous in both its clarity and mystery." — Hera Lindsay Bird
  "Tom Sastry's poems stare down the ridiculousness of the world we live in, and offer us ways to carry on in spite of it. These are poems of bright wit and astonishing vulnerability, with one eye always on the future. A Man's House Catches Fire gives us the simultaneous pain and joy of being a human being; reminds us it is marvellous / that it still hurts." – Suzannah Evans

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  All of Us (NHB Modern Plays)

  Francesca Martinez

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  Jess has a great life: a job she loves, a sharp sense of humour and a close group of friends.
  When austerity threatens the world she has worked hard to build, Jess makes a stand to protect those she holds most dear.
  Capturing the humour, sadness and joy of everyday life, Francesca Martinez's play All of Us is a passionate and timely look at the human cost of abandoning those who struggle to fit in.
  It premiered at the National Theatre, London, in 2022, in a production directed by Ian Rickson, with an ensemble cast featuring Francesca Martinez in the role of Jess.

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  The Raven (Multilingual)

  Edgar Allan Poe

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  The Raven, by Edgar Alan Poe, is one of the most famous poems ever written. First published in 1845, it was soon reprinted, illustrated, emulated, becoming one of the icons of American literature and giving its author immediate and lasting fame. Its popularity is represented in this collection, that brings together the original poem and a series of translations by various translators, who tried to bring the musicality, theme and atmosphere of "The Raven" to their native languages. (Summary by Leni)

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  How to Tame a Wild Tempest

  Helle Gade

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  This new edition contains an award-winning collection of poems will draw you in with their beauty and elegance. Encourage self-reflection and help you on your journey to find yourself. Deeply felt and from the heart this collection showcases the authors immense talent as she celebrates the true emotions in each of us.

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  Granny's Wonderful Chair

  Frances Browne

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  Her most famous work, Granny's Wonderful Chair, was published in 1856 and it is still in print to this day. It is a richly imaginative book of fairy stories and has been translated into many languages. This work, read as a child by Frances Hodgson Burnett, inspired the writings of Little Saint Elizabeth and Other Stories (Summary by Wikipedia and Linette Geisel)Cast:Narrator: Linette GieselStorytelling Chair: Phil ChenevertFemale 1: Beth ThomasFemale 2: Amy GramourFemale 3: rashadaFemale 4: ChyAnne DonnellFemale 5: Joyce CouchFemale 6: KalyndaMale 1: Glenn PreviteraMale 2: Algy PugMale 3: bishMale 4: Matthew ReeceMale 5: David LawrenceMale 6: Ernst PattynamaMale 7: Steve BelleguelleMale 8: Ken FeltMale 9: Ken FeltProject Editor: Phil Chenevert

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  Monster - Poems

  Robin Morgan

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  The debut poetry collection from one of feminism’s most passionate voices, with a new preface by the author Well before Robin Morgan was known as a feminist leader, literary magazines published her as a serious poet, and in 1979 she received a National Endowment for the Arts Creative Writing Fellowship in poetry. Monster, her first collection, originally published in 1972, contains work that will astonish, disorient, and move readers in powerful ways. But Monster is more than just a book; it has become a phenomenon. Written at a time of political turmoil during the birth of contemporary feminism, the title poem was adopted by women as the anthem of the women’s movement; it was chanted at demonstrations and some of its lines became slogans. “Arraignment” stirred an international controversy over Ted Hughes’s influence on Sylvia Plath’s suicide—complete with lawsuits, the banning of this book, and the publication of underground, pirated feminist editions, all of which Morgan reveals in her new preface. From her well-wrought poems in classical forms to the searing energy and poignant lyricism of the longer, later ones, Morgan’s work when it was first released spoke to women hungry for validation of their own reality—and the book sold thirty thousand copies in hardcover alone in its first six months, which was unheard of for poetry.      Available now for the first time in years, Monster is an intense, propulsive journey deep into the heart of one of feminism’s greatest heroes.

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