Otros libros que te pueden interesar

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  Notes After Terawih

  Ziks

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  ‘Tarawih’ (Arabic) comes from the root word that means to take a rest, and take rest I did.Notes After Terawih is a series of word sketches I drew based on my distracted observation during night prayers, or terawih prayers, done in a single mosque during Ramadhan. Thousands of us here in Singapore engage in terawih for thirty nights in a row – that’s a huge multitude of experiences. Yet, all these experiences are tucked within the walls of the mosque and ultimately remain in Ramadhan... As a new kid in this terawih thing, I decided to take some notes. None of these were written on the spot. Instead, they were recalled and typed on my phone as I headed home for the night.

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  No Thoroughfare

  Wilkie Collins, Charles Dickens

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  Walter Wilding has lived his life secure in the knowledge that he was the son of his mother. But a chance encounter shocks him to his deathbed, leaving his friend and Executor George Vendale charged with the finding of the real Walter Wilding. Meanwhile, George pitches woo to Margerite Obenreizer, but has to deal with her dastardly guardian and uncle. The story twists and turns from the wine cellars of England, to Soho and then to the Alps of Switzerland, where George discovers that Mr Obenreizer is right about one thing to the last... "So little is the world, that one cannot keep away from persons." Originally written as a stage play by Wilkie Collins and Charles Dickens, it was later turned into a collaborative novel by the two.  
  Narrated by Michael Ward.

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  We're jumping tomorrow

  B. J. Birkmann

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  Written for boys who like to eat other people's sorrows, or not eat at all, and for girls who love them regardless. 
  Nick and Mark are 20-something nihilists with nothing but Thursday evenings, a mattress, and the weight of their own thoughts. In one final attempt to find meaning, they give themselves a week to search. If they fail, they jump. 
  We’re Jumping Tomorrow is an intimate, hauntingly poetic novella designed to be read in one sitting, like stumbling upon a stranger’s tragic story online, finding empathy for them, and then scrolling away. Combining sharp cynicism with raw, visual prose, it captures the fleeting yet profound nature of human connection, mental illness, and the quiet desperation of young adulthood. 
  Never quite meant for the public eye, We’re Jumping Tomorrow holds enough importance to be released anyway. Though darkness and pessimism spread throughout its pages, an unshakable sense of humor and self-deprecation stand firm, reflecting this generation’s ability to face even the most gruesome thoughts with a grin.

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  Female Poets of the Nineteenth...

  Ella Wheeler Wilcox

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  For much of history women have been seen rather than heard. Their thoughts, their views have lain too long in the shadows of our culture.  Whilst this traditional view has some merit it is not entirely accurate. 
  Here, gathered together in these volumes, we can, through their words, experience their lives; we can hear their voices, their thoughts, joys, loves and losses. 
  For the Female Poet there was always the confining hand of men to instruct that their time was perhaps spent more productively elsewhere.  These lines, these gilded verses often protest otherwise. 
  The contribution of women in these earlier centuries is immense and in this series we bring together poets who have created some of the most beautiful and expressive verses ever written.  And remember these words, these telling lines, have been written against the grain of society's male bias.  With their remembered words these female poets have given us a history that we can all now share. 
  This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.

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  Harbour Grids

  Zane Koss

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  Harbour Grids is a long poem in four parts that investigates ideas of community and belonging. Beginning as a meditation on the surface of New York Harbor, the poem radiates outward through issues of labour, location, history, belonging, and subjectivity. How do we experience our complex relations to the world we live in? Harbour Grids seeks to answer this question by combining the sonic texture and investigative poetics of Daphne Marlatt, the improvisatory spirit and ethical engagement of Fred Wah, the experimental attention to the structures of language of Nasser Hussain, and the dazzling sense of visual space of Jordan Abel.

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  After Party

  Dean Browne

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  A Poetry Book Society RecommendationDean Browne arrives at the After Party with the maturity and style of an altogether more seasoned poet. In a debut collection of standout and stand-alone poems, each tests the boundaries of its unique universe. Browne is a mesmeric teller of strange tales, imaginings that can seem origamically contained within the compressed dimensions of a poem. A leg sets off on a long train journey; a Parisian alley cat is launched into space; earthbound lovers attempt to connect while their inner lives prove unbridgeable.Losses are mourned: two poets elegized here – Charles Simic and the late Donegal poet Matthew Sweeney – might offer a fingerpost of sensibilities, though Browne’s significant talent is distinctly his own. After Party introduces a beguiling, resonant new voice, a raised eyebrow and fidelity to the image – sometimes carried along the tightrope much further than seems possible. In poems that are both death-haunted and youthful, and thrumming with a delicious dark humour, Dean Browne brings a much-needed injection of the surreal – or the surreal-ish as he might prefer to say – to Ireland’s rising generation.‘Poems that sneak in the side-door then exit through the ceiling’ – Caroline Bird‘Dean Browne is a terrific poet: his language is agile and fresh, his ideas surprising, and the reader feels invigorated, renewed – and lucky to have met such poems’ – Nick Laird

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