Outros livros que poderiam interessá-lo

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  Born in England – Exploring...

  Geoffrey Chaucer, William Blake,...

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  Poetry. A form of words that seems so elegantly simple in one verse and so cleverly complex in another.  Each poet has a particular style, an individual and unique way with words and yet each of us seems to recognise the path and destination of where the verses lead, even if sometimes the full comprehension may be a little beyond us. 
   
  Through the centuries every culture has produced verse to symbolize and to describe everything from everyday life, natural wonders, the human condition and even in its more hubristic moments, the crushing triumph of an enemy. 
   
  In the volumes of this series, we take a look at poetry through the prism of individual regions of England, or sometimes more quaintly known as ‘Albion’, or ‘Blighty’, through the centuries of its gloried history. 
   
  England, despite its perception of reserve and under-statement has, in reality, strode the global stage at various time in many things, both good and bad, from Empire to long distance running. Here our focus in on its literature.  Famed for its fiction and dramas, it is equally admired for its plethora of gifted poets and the dazzling verse which has added so much to its artistic legacy.  These classic poets are wonders of their age and of their art.  Genius is written in their names. 
   
  In this volume the instantly globally recognisable city of London has, for century after century, dominated the country.  Its rich history of art, culture and commerce interweave with generation after generation of poets to produce a supremely rich tapestry of undimmed brilliance.  Our poets include Alexander Pope, Amy Levy, Edmund Spenser, John Keats, G K Chesterton and a host of others.  Genius has many names.

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  A Rare Recording of Sylvia Plath...

  Sylvia Plath

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  Sylvia Plath born on October 27, 1932, in Boston, MA, was an American poet, novelist, and short story writer. She is credited with advancing the genre of confessional poetry and is best known for two of her published collections, The Colossus and Other Poems (1960) and Ariel (1965), and also The Bell Jar, a semi-autobiographical novel published shortly before her suicide on February 11, 1963. In this recording, Plath reads "Tulips," "Poppies In October," "Daddy," "Ariel," "Lady Lazarus," and "The Applicant."

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  Ten Bridges I've Burnt - A...

  Brontez Purnell

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  In Ten Bridges I've Burnt, Brontez Purnell—the bard of the underloved and overlooked—turns his gaze inward. A storyteller with a musical eye for the absurdity of his own existence, he is peerless in his ability to find the levity within the stormiest of crises. Here, in his first collection of genre-defying verse, Purnell reflects on his peripatetic life, whose ups and downs have nothing on the turmoil within. "The most high-risk homosexual behavior I engage in," Purnell writes, "is simply existing." 
   
   
   
  The thirty-eight autobiographical pieces pulsing in Ten Bridges I've Burnt find Purnell at his no-holds-barred best. He remembers a vicious brawl he participated in at a poetry conference and reckons with packaging his trauma for TV writers' rooms; wrestles with the curses, and gifts, passed down from generations of family members; and chronicles, with breathless verve, a list of hell-raising misadventures and sexcapades. Through it all, he muses on everything from love and loneliness to capitalism and Blackness to jogging and the ethics of art, always with unpredictable clarity and movement. 
   
   
   
  With the same balance of wit and wisdom that made 100 Boyfriends a sensation, Purnell unleashes another collection of boundary-pushing writing with Ten Bridges I've Burnt, a book as original and thrilling as the author himself.

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  Home Burial - Poem about the...

  Robert Frost

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  Robert Lee Frost was born on the 26th March 1874 in San Francisco, California. 
  His father found providing for the family a constant challenge and he died, when Frost was 11, from tuberculosis and left an estate valued at only $8.  The family moved east to Lawrence, Massachusetts, and a better life with his grandfather. 
  After graduating from High School, and then a few months at Dartmouth college, he returned home to take on a variety of menial jobs to help support his mother.  Their drudgery and poor money encouraged him to move in a different direction: a career as a poet. 
  He sold his first poem in 1894 for $15.  With this milestone he proposed to his high school sweetheart who declined as she was still studying at university.  The following year she graduated and they married.  A year later the first of their six children arrived.   
  After a stint at Harvard for two years he received the gift of a farm from his ailing grandfather.  Frost worked the farm and wrote unpublished poetry for several years before turning to a teaching position. 
  Upon the death of one of his children the grief-stricken family decided to quit everything and live in England, moving across the Atlantic in 1912.  The following year he published his first poetry book and with it came critical acclaim.  He was now in his late thirties. 
  The onset of World War I saw Frost return to America with a glowing reputation, and here he launched himself into a career of writing, teaching and lecturing.  
  In 1924 he received the first of four Pulitzer Prizes, for his book ‘New Hampshire: A Poem with Notes and Grace Notes’.  He received a second Pulitzer in 1931 for ‘Collected Poems’.  A third Pulitzer Prize was presented in 1937 for ‘A Further Range’.  His fourth Pulitzer was awarded in 1943 for ‘A Witness Tree’. 
  Frost was also nominated for the Nobel Prize in Literature 31 times. 
  During these years personal tragedy had enveloped him.  A daughter had died in her late 20s from the effects of her puerperal fever at childbirth, his wife had died of breast cancer, and a son had committed suicide.  
  Then, at the age of 86, was asked to read his poem ‘The Gift Outright’ at President John F Kennedy’s inauguration on the 20th January, 1961.  
  Robert Frost died on the 29th January 1963 in Boston of complications arising from prostate surgery.  He was 88.

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  Mary Oliver - Naturale

  Mike Blake

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  MARY OLIVER ~ Naturale.A Poem about the acclaimed U.S. Poet Mary Oliver.She represented all things bright and beautiful in Nature, and encompassed the less bright in heraccomplished Poems.This poem doesn't describe her life, rather her poetry vision with snippets of her famous poems intertwined.***** Please leave your Review/feedback, Not just Rating! many thanks. *****To see more Poems by the same Author please click the Link HERE:https://www.amazon.com/-/e/B00SG40RM8To contact the Author: Please add me Mike Miko on Facebook & then message me, thanks.https://www.facebook.com/mike.cco1I will then contact the Author your behalf.or on Twitter: miko_1_dollar ~ Tumblr : ccobes ~Instagram: wild_poetrys / wild.poetry.websTikTok: @wild_poetrys  - mikecharliechaplinsofficeWebsite:  www.wild-poetry.comhttps://www.facebook.com/New.Poets.CornerWOW https://www.facebook.com/wow.fact

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  Footprints

  James Ten Eyck

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  Footprints are a collection of poems that were either written or revised recently or recalled from work begun and lost fifty years before. Some recall pleasant memories of my beloved Veronica and some of her later struggles with ill health. She was born and grew up in Dublin and Ireland remained a special place for both of us. The DART from Howth to Greystones "tunnels under Queen V's crown and pops out for the view above Killiney Bay" where "the magic face of Ireland is found." We met and married in Syracuse. Events and places from that time are featured in some of the poems. Newtown Plus Five was written shortly after news coverage of the fifth anniversary of the Sandy Hook school massacre. An Elegy for One and Many commemorates the life of a friend of the victims of the Pittsburgh synagogue rampage who died during the same period of time. Many of the poems are written in traditional verse forms and rhyme schemes. 
  A number of poems reflect concerns about America: the face it presents to the world and the state of its democracy. Ode from a Colonial Bowl recounts a family history of its founding. 
  Flint where "once-upon-a-time America coursed through (its) leaden arteries to nurse its middle class." In Vietnam "we've grown old, some fifty years removed from when our universe was rolled into a white-hot ball," to find the common threads we shared in youth to pursue our common legacy. American Graffiti asks, "Can Cicero and Caesar coexist within republican constraint?" 
  Let Freedom Ring calls upon us to answer "the distant bells of freedom pealing " in Ukraine. The challenge is to understand how both poems can be compatible in our logic.

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