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  Biffin on the Bassoon

  Harry Graham

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  Harry Graham made a great name for himself as a writer of light verse and humorous stories, including the inimitable Ruthless Rhymes for Heartless Homes. His classic story, 'Biffin on the Bassoon', recounts a tale of decidedly amateur musician who inadvertently finds himself playing the bassoon solo at the inaugural performance by the London Philmelodic of Heinzmacher's Die Schöpfung, with comic results. Written very much in the vein of P. G.Wodehouse, Harry Graham's work should be compulsory reading for all lapsed instrument players.

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  Good Wives - Little Women

  Louisa May Alcott

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  When Little Women came to its last chapter Meg was engaged and the other three March sisters, Beth, Jo and Amy, were at the threshold of young-womanhood. Good Wives opens three years later, with Meg and her family happily preparing for her marriage to John Brooke. Tomboyish Jo’s curly crop is lengthening into long coils, and she is learning to carry herself with ease, if not quite with grace. Beth has grown slender, pale, and more quiet than ever, with beautiful eyes brimming with kindness. And Amy, the flower of the family, at sixteen already has the air and bearing of a full-grown woman, and exerts an indescribable charm, especially on young men. Good Wives is the sequel to Louisa May Alcott’s beloved work, Little Women.

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  David Copperfield

  Charles Dickens

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  David Copperfield is a novel by Charles Dickens and was published in 1850. The story is told in the first person by David Copperfield. Now he is a grown man and tells us the story of his youth and his journey of self-discovery. He had an unhappy childhood, and his father died before he was born. We read his story until his middle-age when he becomes a successful novelist. His journey is full of adventures and numerous friends and enemies. Charles Dickens' prose is Full of tragedy and comedy in equal measure. David Copperfield is considered to be an autobiography. Dickens related early personal experiences that had meant much to him – like his work in a factory as a child, his schooling and his journey towards a successful writer.This version of the book is translated by Mohsen Soleimani to Persian (Farsi) and narrated by Nor-Al-Din Djavadian. The Persian version of David Copperfield's audiobook is published by Maktub worldwide.

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  Dracula (Special Edition)

  Jason Hill

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  This classic audiobook revolves around a struggle between good and evil, tradition and modernity, and lust versus chastity. The author didn’t invent vampires, but his novel has so captured the public’s imagination that he is rightly considered their popularizer. Listen and you will meet not only the Count himself, but heroes Jonathan Harker and Abraham Van Helsing.

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  Oliver Twist (Unabridged)

  Charles Dickens

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  The story of Oliver Twist - orphaned, and set upon by evil and adversity from his first breath - shocked readers when it was published. After running away from the workhouse and pompous beadle Mr Bumble, Oliver finds himself lured into a den of thieves peopled by vivid and memorable characters - the Artful Dodger, vicious burglar Bill Sikes, his dog Bull's Eye, and prostitute Nancy, all watched over by cunning master-thief Fagin. Combining elements of Gothic Romance, the Newgate Novel and popular melodrama, Dickens created an entirely new kind of fiction, scathing in its indictment of a cruel society, and pervaded by an unforgettable sense of threat and mystery.

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  Apology (version 2)

  Plato

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  The Apology is Plato's version of the speech given by Socrates as he defended himself in 399 BC[2] against the charges of "corrupting the young, and by not believing in the gods in whom the city believes, but in other daimonia that are novel" . "Apology" here has its earlier meaning of speaking in defense of a cause or of one's beliefs or actions. The general term apology, in context to literature, defends a world from attack (opposite of satire-which attacks the world).the text is written in the first person from Socrates' point of view, as though it were Socrates' actual speech at the trial. During the course of the speech, Socrates twice mentions Plato as being present.  There is, however, no real way of knowing how closely Socrates' words in the Apology match those of Socrates at the actual trial, even if it was Plato's intention to be accurate in this respect - Summary by Wikipedia

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