Other books that might interest you

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  The Thibodaux Massacre - Racial...

  John DeSantis

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  On November 23, 1887, white vigilantes gunned down unarmed black laborers and their families during a spree lasting more than two hours. The violence erupted due to strikes on Louisiana sugar cane plantations. Fear, rumor and white supremacist ideals clashed with an unprecedented labor action to create an epic tragedy. A future member of the U.S. House of Representatives was among the leaders of a mob that routed black men from houses and forced them to a stretch of railroad track, ordering them to run for their lives before gunning them down. According to a witness, the guns firing in the black neighborhoods sounded like a battle. Author and award-winning reporter John DeSantis uses correspondence, interviews and federal records to detail this harrowing true story.

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  Contemporary Ukrainian and...

  Svitlana Biedarieva

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  This volume focuses on political and social expressions in contemporary art of Ukraine, Estonia, Lithuania, and Latvia. It explores the transformations that art in Ukraine and the Baltic states has undergone since their independence in 1991, discussing how the conflicts and challenges of the last three decades have impacted the reconsideration of identity and fostered resistance of culture against economic and political crises. It analyzes connections between the past and the present as seen by the artists in these countries and looks at their visions of the future. 
  
  Contemporary Ukrainian art portrays various perspectives, addressing issues from controversial historical topics to the present military conflict in the East of the country. Baltic art speaks out against the erasure of past historical traumas and analyzes the pertinence of its cultural scene to the European community. The contributions in this collection open a discussion of whether there is a single paradigm that describes the contemporary processes of art production in Ukraine and the Baltic countries. 
  
  With contributions by Ieva Astahovska, Svitlana Biedarieva, Kateryna Botanova, Olena Martynyuk, Vytautas Michelkevičius, Lina Michelkevičė, Margaret Tali, and Jessica Zychowicz.

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  Breaking Time's Arrow -...

  Matthew McDonald

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  A critical look at the work of and philosophical influences upon the American Modernist composer. 
   
  Charles Ives (1874–1954) moved traditional compositional practice in new directions by incorporating modern and innovative techniques with nostalgic borrowings of 19th century American popular music and Protestant hymns. Matthew McDonald argues that the influence of Emerson and Thoreau on Ives’s compositional style freed the composer from ordinary ideas of time and chronology, allowing him to recuperate the past as he reached for the musical unknown. McDonald links this concept of the multi-temporal in Ives’s works to Transcendentalist understandings of eternity. His approach to Ives opens new avenues for inquiry into the composer’s eclectic and complex style. 
   
  “A trenchant and intellectually expansive reading of Ives’s relationship to time by connecting several compositions?and indeed, the composer’s larger conceptualization of the past, present, and future?to the Emersonian concept of the “everlasting Now.” This book is a wonderfully written, important contribution to scholarship on the music of Charles Ives.” —Gayle Sherwood Magee, author of Charles Ives Reconsidered 
   
  “McDonald investigates both the temporal and spatial effects of multidirectional motion, as well as its ramifications for understanding some of the larger philosophical issues that are raised in Ives’s music.” —Music & Letters, May 2015 
   
  “McDonald brings together analytic and personal factors to sharpen the image of the composer in convincing ways. . . . This book . . . deserves a close reading. The bibliography provides a select list of scores and recordings as well as articles, books, catalogues, and unpublished commentaries. This book is recommended for college and university libraries and for readers with a music theory background.” —Music Reference Services Quarterly

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  Ian Fleming's Inspiration - The...

  Edward Abel Smith

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  “A journey through Fleming’s direct involvement in World War II intelligence and how this translated through his typewriter into James Bond’s world.” —The Washington Times 
   
  Secret agent James Bond is among the best known fictional characters in history, but what most people don’t know is that almost all of the characters, plots, and gadgets come from the real life of Bond’s creator, Commander Ian Fleming. This book goes through the plots of Fleming’s novels—explaining the experiences that inspired them.  
   
  Along with Fleming’s direct involvement in World War II intelligence, the book notes the friends who Fleming kept, among them Noel Coward and Randolph Churchill, and the influential people he would mingle with, including British prime ministers and American presidents. Bond is known for his exotic travel, most notably to the island of Jamaica, where Fleming spent much of his life. The desk in his Caribbean house, Goldeneye, was also where his life experiences would be put onto paper in the guise of James Bond. This book takes us to that island, and many other locales, as it traces the adventures of both 007 and the man who created him.

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  Adventures of Philip Marlowe The...

  Gene Levitt

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  Philip Marlowe was the most hard-boiled of gumshoes, a Private Investigator who could smell a ruse, taste a betrayal and track down anyone hiding in the shadows.   
   
  The radio series was so successful but by 1949 it had the largest audience of any radio show.  That’s quite a claim, and even if not absolutely accurate it’s near the mark.   
   
  Marlowe, created by Raymond Chandler, is someone we all seem to know, a door who’s door we would  knock on in times of trial.  His methods might not be totally within the law but hey, these were bad people he was up against and as anyone in the law business knows – needs must. 
   
  Gerald Mohr is Philip Marlowe. And he’s ready for his next case.

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  Nixon at the Movies - A Book...

  Mark Feeney

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  “People will be arguing over Nixon at the Movies as much as, for more than half a century, the country at large has been arguing about Nixon.”—Greil Marcus   Richard Nixon and the film industry arrived in Southern California in the same year, 1913, and they shared a long and complex history. The president screened Patton multiple times before and during the invasion of Cambodia, for example. In this unique blend of political biography, cultural history, and film criticism, Mark Feeney recounts in detail Nixon’s enthusiastic viewing habits during his presidency, and takes a new and often revelatory approach to Nixon’s career and Hollywood’s, seeing aspects of Nixon’s character, and the nation’s, refracted and reimagined in film. Nixon at the Movies is a “virtuosic” examination of a man, a culture, and a country in a time of tumult (Slate).   “By Feeney's count, Nixon, an unabashed film buff, watched more than 500 movies during the 67 months of his presidency, all carefully listed in an appendix titled ‘What the President Saw and When He Saw It.’ Nixon concentrated intently on whatever was on the screen; he refused to leave even if the picture was a dud and everyone around him was restless. He was omnivorous, would watch anything, though he did have his preferences…Only rarely did he watch R-rated or foreign films. He liked happy endings. Movies were obviously a means of escape for him, and as the Watergate noose tightened, he spent ever more time in the screening room.”—The New York Times

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