Outros livros que poderiam interessá-lo

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  The Ruins of Nostalgia

  Donna Stonecipher

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  What is it to feel nostalgia, to be skeptical of it yet cleave intently to the complex truths of feeling and thought? In a series of 64 gorgeous, ramifying, unsettling prose poems addressing late-twentieth- and twenty-first century experience and its discontents, The Ruins of Nostalgia offers a strikingly original exploration of the misunderstood phenomenon of nostalgia as both feeling-state and historical phenomenon. Each poem, also titled The Ruins of Nostalgia, is a kind of lyrical mini-essay, playful, passionate, analytic. Some poems take a location, memory, conceit, or object as their theme. Throughout the series, the poems recognize and celebrate the nostalgias they ironize, which are in turn celebrated and then ironized again. Written often in the fictional persona of the first-person plural, The Ruins of Nostalgia explores the rich territory where individual response meets a collective phenomenon.[sample poem]The Ruins of Nostalgia 13Where once there had been a low-end stationery store minded by an elderly beauty queen, there was now a store for high-end espresso machines minded by nobody. Where once there had been an illegal beer garden in a weedy lot, there was now a complex of luxury lofts with Parisian-style ivory façades. Where once there had been a bookstore and a bike shop and a bakery, there was now a wax museum for tourists. Where once there had been an empty lot there was now a building. Where once there had been an empty lot there was now a building. Where once there had been an empty lot there was now a building. Where once there had been an empty lot there was now a building. Where once there had been farms there were now subdivisions. Where once there had been subdivisions there were now sub-subdivisions. We lived in a sub-subdivision of a subdivision. We ourselves had become subdivided—where once we had merely been of two minds. * Where once there had been a river there was now a road. A vocal local group had started a movement to break up the road and "daylight" the river, which still flowed, in the dark, underneath the road. * Could we daylight the farms, the empty lots, the stationery store, the elderly beauty queen, the city we moved to? Was it still flowing somewhere, under the luxury lofts, deliquescing in the dark, inhabited by our luxury selves, not yet subdivided, because not yet whole? * Could we daylight the ruins of nostalgia?

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  Artaban and the Quest for the...

  Jason Markiewitz, Henry van Dyke

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  Upon his return home from the battlefields of Europe in 1918, Col Blackwood, a UK Army infantry officer, is reunited with his family on Christmas Eve after nearly four years away. In the midst of telling his children a bedtime story, we learn of Artaban, a Magi priest, and the fourth wise man to present gifts to the newborn King. As a result of dissension among his fellow Magians, Artaban has no other choice but to embark on this journey alone. Though his quest is fraught with challenges along the way that test his courage and stir his compassion, his faith never wavers.Artaban and the Quest for the King is based upon the 1895 novella "The Story of the Other Wise Man" by Henry Van Dyke.  Jason Markiewitz adapted the story and developed the script used in this production.  This dramatization is performed by a full cast of international, award-winning voice actors and is surrounded by majestic sounds and cinematic music.  More importantly, this story is suitable for all ages and is a heartwarming story of family, hope, perseverance, faith, and love. Artaban and the Quest for the King is a Markiewitz Audioworks Production.

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  Detroit - A Play

  Lisa Damour

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  The Pulitzer Prize-finalist play that “speaks to the fractious, frightened American moment" through the lives two couples and their strained friendship (Charles Isherwood, The New York Times).In a "first ring" suburb of a midsize American city, Ben and Mary fire up the grill to welcome the new neighbors who've moved into the long-empty house next door. The fledgling friendship soon veers out of control, shattering the fragile hold that newly unemployed Ben and burgeoning alcoholic Mary have on their way of life—with unexpected comic consequences. Detroit is a fresh, offbeat look at what happens when we dare to open ourselves up to something new. After premiering at Chicago's Steppenwolf Theatre to rave reviews, Lisa D'Amour's brilliant and timely play won the 2013 Obie Award, as well as becoming a finalist for the Pulitzer and Susan Smith Blackburn Awards.

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  MINSTREL BOY: Picasso of Song...

  Chris Gregory

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  MINSTREL BOY: Picasso of Song Part 2 
  This book is about is one of the major cultural figures of the modern age, combining a reverence for the traditions of many forms of American music with a distinctly postmodern sensibility. It is no exaggeration to state that he has revolutionised the art of poetic songwriting. He is a recipient of the Nobel Prize for Literature, the Pulitzer Prize and numerous other awards, as well as being arguably the most influential single artist in the history of rock music.  
  This book is the second volume of Chris Gregory’s Picasso of Song, a highly comprehensive ‘trilogy in reverse’ which takes ‘deep dives’ into all of the songs, while exploring the many ways in which he has used live performance to expand and deepen the effects of his art. Following on from the acclaimed Determined to Stand which covered his later years, Minstrel Boy focuses on the many artistic and personal metamorphoses he went through between 1967 and 1990 - what might be called his ‘years of struggle’. Dylan could easily have rested on the laurels of his early fame but he refused to be categorised or ‘boxed in’ by the intense personal pressures that were placed on him. Instead, he continued his restless quest to find new ways to present his songs to fans and followers, knowing that they would hang onto every word he said or sang.

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  Bad Weather Mammals - Poems

  Ashley-Elizabeth Best

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  “The sick should be good. / It is a kind of undoing,” Ashley-Elizabeth Best writes in her second collection. Bad Weather Mammals navigates the devastations and joys of living in a disabled and traumatized body. By taking a backward glance, she traces how growing up under the maladaptive bureaucracy of social services with a single disabled mother and five younger siblings led her to a precarious future in which she is also disabled and living on social assistance. In poems that explore a variety of formal constraints, such as the suite “ODSP 1, 2, & 3,” which infuses government forms with lyric poetry, she suggests all the ways the medical and bureaucratic systems can dehumanize and traumatize our most vulnerable citizens. By digging deep into her own experiences, Best has archived the ways we fail each other in our most desperate times — while at the same time outlining how we can show up to revel in disabled joy and community. Bad Weather Mammals disassembles dominant narratives about how disabled individuals should be and reconceptualizes the embodied experiences that recenter us in our own narrative.

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  We Are The Weather

  Jim McElroy

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  We are the Weather is a mature and coherent first collection by a distinctive and compelling writer. The poems present vivid and often pungent scenes of rural life in exuberant and hardworking language, with childhood and family relationships at their heart.

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