Outros livros que poderiam interessá-lo

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  National Velvet - Adapted from...

  Mr Punch

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  Mr Punch Presents: NATIONAL VELVET, telling the story of Velvet Brown (Elizabeth Taylor), the idealistic English farm girl with a passion for horses, who wins the spirited steed ‘Pie’ in the local town lottery. Her infectious enthusiasm encourages the embittered jockey Mi Taylor (Mickey Rooney) to train the horse ‘Pie’ for the Grand National - England's greatest racing event. Recreated for radio with the original stars. 
   
  This high-quality audiobook has been re-mastered and re-edited from the original radio broadcast. 
    
  Also available as part of the Hollywood Playhouse BOX SET, a collection of 14 Oscar winning ear-movies, adapted from the original screenplays & performed for the radio by many of the original film stars in front of a live studio audience. 
    
  "These radio dramas were….to become as popular as the movies themselves." Hollywood Movie Memories 
    
  "This is an excellent audio product that will appeal to the majority of audiobook listeners." Talking Business 
    
  "A lovely series to add to any film, audio or crime lovers’ collection." Audio World

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  Patricia Gets Ready (for a date...

  Martha Watson Allpress

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  Patricia has spent a year recovering from an abusive relationship. But when she bumps into her ex on the street, she accidentally agrees to go to dinner with him that night.
  Now she's got some big decisions to make. What to wear? What to say? And... whether or not to go?
  Martha Watson Allpress's Patricia Gets Ready (for a date with the man that used to hit her) is a play for one actor that was first seen at VAULT Festival 2020, directed by Kaleya Baxe and performed by Angelina Chudi, then at the Edinburgh Festival Fringe 2021, winning numerous awards and receiving rave reviews. It was revived on a UK tour in 2022, performed by Yasmin Dawes, including a run at Brixton House, London.
  'The standout production of this EdFringe' - The Stage
  'Brilliant... A script that refuses to simplify, to be neat and tidy, to apologise, to paint Patricia as just a victim. Rather, she is bold, funny (very funny) and sexually confident' - Guardian

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  Blues in Stereo - The Early...

  Langston Hughes

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  Publishers Weekly’s Top Ten Fall 2024 Poetry Books From Harlem Renaissance poet Langston Hughes, a stunning collection of early works written from 1921-1927 and curated by award winning poet and National Book Award finalist, Danez Smith. Before Langston Hughes and his literary prowess became synonymous with American poetry, he was a seventeen-year-old on a train to Mexico City, seeking funds to pursue his passion. His early poems, beloved verses like “The Negro Speaks of Rivers,” were written without formal training, often on the back of napkins and envelopes, and were inspired by the sights and sounds of Black working-class people he encountered in his early life.  Blues in Stereo is a posthumous collection of these early works, in which we see Langston Hughes like we’ve never seen him before. In the intimate pages of his handwritten journals,you will travel with Hughes outside of Harlem as he ventures to the American South and Mexico, sails through the Caribbean, and becomes the only Harlem renaissance poet to visit Africa. He celebrates love as a tool of liberation in his poems and journal entries. His songs included showcase musicality of verse poetry. And the book even includes a play he co-wrote with Duke Ellington with a full score that experiments with rhythm and structure. Blues in Stereo portrays a young man coming of age in a changing world. Page by page, a young, fresh-faced Hughes contends with matters beyond his years with raw talent. National Book Award nominated poet Danez Smith offers their insight and notes on themes, challenges, and obsessions that Hughes early work contains. Blues in Stereo foreshadows a master poet that will go on to define literature for centuries to come.  

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  Disorderly Magic and Other...

  Richard Cabut

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  Disorderly Magic and Other Disturbances is a pop meditation on a number of themes: speed, delirium and distance, disillusion, urbanity, various manifestations of the idea of the wilderness and the wasteland, madness, dissolution, memory, mourning, forgetting, hauntology, hauntings, rapid transits, the non-existent, and conjuring the future. The work mixes magic, culture, mystery, memoir, history, melodrama - it is an invocation, an evocation, with dreamlike freedom of movement between past and present, from personal to universal. 
  This special edition of Soundscapes is credited as follows: 
  All Selections Written & Read by Richard Cabut | Credits – soundscapes/electronics: Chelsea Girls by P.T.Kirk/Akatombo | Disorderly Magic by Necessary Animals (Ryan Bollard - drums, Fritz Catlin - synth, wooden flute, Keith Rodway - synths, Amanda - lx piano, Mixed by Fritz Catlin) | In the Cities by Simon Beesley | Tenth Floor by Band Of Holy Joy (Peter Smith, James Stephen Finn, Johny Brown) | Aniol by Keith Rodway (Written, performed, mixed) | Ghost Music by Anthony Moore - guitar, electronics, Keith Rodway - synth, field recordings, Amanda Thompson - electric piano, Recorded by Anthony Moore, Mixed by Anthony Moore and Keith Rodway. All tracks engineered by Luke Chaudhry at Kingship Studios, south east London. Magic and thanks to all. Audio and print publication by Far West Press. ©2023 (Print) ©2025 (Audio)

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  Too Much World at Once

  Billie Collins

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  'We should've seen this coming. We did. We did see this coming. The world will not be kind to us because we haven't given it a reason to be.'
  On his fifteenth birthday, Noble transforms into a bird. Thousands of miles away, his sister Cleo is stationed on a remote island with the British Antarctic Survey.
  But the birds have disappeared and Noble needs to reach her. Lying low until it's safe to take flight, he finds solace in misfit Ellis, while his mum desperately tries to stop their home from falling apart.
  The world turns. Dark clouds gather. Chaos is on the horizon...
  Billie Collins's play Too Much World at Once is an urgent coming-of-age story for our times – and a lyrical, theatrical journey that spans continents and lives. It was premiered at HOME, Manchester, in March 2023 by Box of Tricks Theatre before a UK tour.

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  Marquis de Sade's Midsummer...

  Ophelia T'Wat, Robert Dwight...

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  Full-Cast Audiobook! 
  Go Beyond Your Wettest Dreams... as If You Are Penniless and Yet Listening From Outside the Globe Theater! 
  In the last decade of the 16th century, William Shakespeare could not dare write A Midsummer Night's (Wet) Dream unabridged. By the happenchance of his birth-century, The Bard wrote in a poetic 'Shakespearean Code', hinting at sexualities and paraphilias he fully intended to compose and expose his Elizabethan audience to. His intended 'erotica for every fetish' morphed instead into a 'humane and wise drama' by happenchance.  
  But What If? there was a multiversal reality where the Marquis de Sade deciphered the Shakespearean Code during his long stay at the lunatic asylum at Charenton. But now Ophelia T'Wat, living in a much more sexually accepting century, can reach across realities to snatch these pages from the bloody quill of the Marquis and finally, fatefully publish the Wettest Midsummer Night'sDream conceivable! 

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