Editora: The Poetry Business
Chloe Elliott's Encyclopaedia is playful and visceral, exploring boundaries of identity and the search for meaning in poems that delight with richly tactile language. Formally varied, these poems are unflinching in their physicality.
"Where does all the grief go when it's not tugging at your wrist?" Enyegue's debut collection is an ode to girlhood, to Blackness, to generational trauma, sexual assault, and mental health. This collection does not aim to heal anyone who reads it, but instead help them confront their own healing. Rather than sugar-coated bullets that enter you lightly, these poems are designed to hurt. They are for the girls with difficult names, the boys with softness at their core, and the people with neither. They are meant for the people who are Black, and the people who are not—because we are all tethered together by the heaviness of the human experience.Ver livro
A collection of five plays by Alexi Kaye Campbell. The premiere of The Prideat the Royal Court Theatre in 2008 marked the emergence of Alexi Kaye Campbell as a distinctive new talent. With its bold and ingenious structure and its daring take on sexual politics in the 1950s and today, the play combined thrilling dramaturgy with profound insight into the affairs of the human heart. It went on to win an Olivier Award, the Critics' Circle Award for Most Promising Playwright, and the John Whiting Award for Best New Play, and was revived in the West End in 2013. Published here alongside that remarkable debut are Alexi's four subsequent plays, which together demonstrate his rare ability to harness theatricality in pursuit of emotional truth. Apologia(Bush Theatre, London, 2009; revived in the West End in 2017), a perceptive look at what has happened to 1960s idealists and their children. 'Sharp, funny, wise and humane, Alexi Kaye Campbell is a writer to cherish' Telegraph The Faith Machine (Royal Court, 2011), an exploration of the relationship between faith and capitalism that asks fundamental questions about the true meaning of love. 'An urgent play of expansive ambition and largeness of spirit' Guardian Bracken Moor (Tricycle Theatre and Shared Experience, 2013), a haunting tale of grief and denial, set against the economic crisis of the 1930s. 'A superior kind of ghost story… intellectually as well as emotionally haunting' The Stage Sunset at the Villa Thalia (National Theatre, 2016), a passionate and deeply personal play about the impact of foreign influence, planned and unintentional, on a nation and its people. 'This play is a winner, a thought-provoking slow-burn story that works on many levels' The Times Also included is an introduction by the author.Ver livro
Me, You, Then Snow by Khashayar Mohammadi is a collection of poetry woven from dreams, memories and deep-seeded longing, a collection of poetry that ranges from ambiguously addressed love-letters, to ekphrastic poems for arthouse cinema, to pieces written near midnight when the day’s experiences rush back into view. Though working in diverse forms and styles, the poetry manifests as a profoundly unified desire to experience and communicate the world.Ver livro
Loss-iLahleko (A National Choreopoem): The Audio Experience invites you on a heartfelt journey of loss and return. This audio adaptation brings the choreopoem from the full-length book Loss-iLahleko (A National Choreopoem) to life, offering a deeply moving literary and sonic experience. The full-length book is a richly layered work with four parts: a multilingual choreopoem exploring loss through songs and poems by South African female authors in Indigenous languages and English; short South African stories reflecting the lived experiences of countless women and children, including Finding Katlego and Palesa's Lockdown Escape by Elaine Pillay, Elo Phupho by Bulelwa Sigcau, and Fizza by Qhali; motivational reminders offering hope; and key information on Gender-Based Violence (GBV). Each piece sensitively weaves forms of GBV into a tapestry of voices that speak to resilience, suffering, and healing. This audiobook immerses listeners in the vivid worlds of the choreopoem, seamlessly moving between English and South Africa’s Indigenous languages. It reflects the resilience, trauma, and strength of women and children while echoing the languages of their mothers, bearing witness to the persistent uncertainty and lack of security in the land they call home. Loss-iLahleko is SA’s first multilingualised book series on GBV, written and translated into 11 books by extraordinary South African female writers in all the country’s official languages. To explore the full book, visit the publisher’s website. Trigger Warning: This experience includes themes of GBV which may be distressing for some listeners. Please listen with care. Executive Producer, Producer, Creative Director, Curator, Music Co-Producer & Arranger: Qhali Music Composer, Sound Engineer, Sound Design & Post Production: Yaw Bannerman Music Co-Producer, Lead Music Performer, Arranger: Lasta Music Performer 2: Nonkuthalo KolweniVer livro
In unmeaningable, her previous Trillium Poetry Award winning book with Gordon Hill Press, Roxanna Bennett renovated the North American disability poetics canon via her queer fusion of invisible and visible disability identities. The Untranslatable I builds on Roxanna's acute sense of form and cripping of myth by establishing a more reflective, heartbreaking voice that asks, "Was I chosen? Is this a gift or a curse?" and provides answers not as prescribed path or cure, but as beautiful song.Ver livro
An alphabet of historical characters presented in poetical form! In their original form, the contents of thisbook appeared in the Chicago Sunday Tribune, which newspaper is hereby thanked for the privilege of reproducing this Alphabet(Summary from the Acknowledgment and Ann Boulais) Who frets about the mysteryEnshrouding all of historyOn reading this will, maybe, seeWe've made it plain as A, B, C.Ver livro
