Junte-se a nós em uma viagem ao mundo dos livros!
Adicionar este livro à prateleira
Grey
Deixe um novo comentário Default profile 50px
Grey
Assine para ler o livro completo ou leia as primeiras páginas de graça!
All characters reduced
Citizens’ Participation in Urban Transformations - cover
LER

Citizens’ Participation in Urban Transformations

Chiara Scanagatta

Editora: Ronzani Editore

  • 0
  • 0
  • 0

Sinopse

Humanity has always seen a close relationship between the place of living and the ways of life. Today, the quality of life certainly improves if places of living are attentive to the ever-changing needs of communities. The space of the city should not be static, but dynamic and flexible. The aim of this work is therefore to pay more and more attention to the in-depth studies, on which many architectural scholars are working today, necessary for the fabbricato to be more and more responsive to the population that uses it, both in the sense of the physical spaces and the materials that guarantee its quality and efficiency. It is a theme to which architects are paying plenty of attention because it is becoming increasingly urgent, also in view of the European Union’s expectations on the matter, to investigate the urban and building components and the effects they produce in terms of e.g., quality of materials, functionality of spaces, living habits of the population, proximity of services. This work arose from an experience of personal collaboration in a European project of innovative participatory design carried out in Verona Sud during the PhD period. Subsequently, it was analysed and examined in depth which theoretical and operational aspects actually make it possible to implement urban transformations that link the relations between the environment and quality of life. In this large field, it therefore becomes predominant to re-propose the centrality of attention to the community’s expectations, ways of living, decision-making systems, techniques used, knowledge and understanding of objective data on the environment, and thus to overcome common stereotypes on all these issues.
Disponível desde: 11/07/2023.

Outros livros que poderiam interessá-lo

  • Andy Williams - cover

    Andy Williams

    Wink Martindale

    • 0
    • 1
    • 0
    Andy Williams got his start doing anonymous voice tracks for movies in the 1940s. He got his start singing at teas with his brother, and then made a move to singing on radio in Des Moines, Iowa and Chicago. Finally, Williams found his way to New York where he started to really focus on his singing career.    Television played an instrumental role in Williams’ success. His big breakthrough came as a singer on The Tonight Show starring Steve Allen. In February of 1973, he sat down with Wink Martindale to take a look back at his career. Williams discusses his early life, his work in television and fruitful career.
    Ver livro
  • It Can’t Rain All the Time - The Crow - cover

    It Can’t Rain All the Time - The...

    Alisha Mughal

    • 0
    • 0
    • 0
    A passionate analysis of the ill-fated 1994 film starring the late Brandon Lee and its long-lasting influence on action movies, cinematic grief, and emotional masculinity
    		 
    Released in 1994, The Crow first drew in audiences thanks to the well-publicized tragedy that loomed over the film: lead actor Brandon Lee had died on set due to a mishandled prop gun. But it soon became clear that The Crow was more than just an accumulation of its tragic parts. The celebrated critic Roger Ebert wrote that Lee’s performance was “more of a screen achievement than any of the films of his father, Bruce Lee.”
    		 
    In It Can’t Rain All the Time, Alisha Mughal argues that The Crow has transcended Brandon Lee’s death by exposing the most challenging human emotions in all their dark, dramatic, and visceral glory, so much so that it has spawned three sequels, a remake, and an intense fandom. Eric, our back-from-the-dead, grieving protagonist, shows us that there is no solution to depression or loss, there is only our own internal, messy work. By the end of the movie, we realize that Eric has presented us with a vast range of emotions and that masculinity doesn’t need to be hard and impenetrable.
    		 
    Through her memories of seeking solace in the film during her own grieving period, Alisha brilliantly shows that, for all its gothic sadness, The Crow is, surprisingly and touchingly, a movie about redemption and hope.
    		 
    About the Pop Classics Series
    		 
    Short books that pack a big punch, Pop Classics offer intelligent, fun, and accessible arguments about why a particular pop phenomenon matters.
    Ver livro
  • Erotica: Obsession - cover

    Erotica: Obsession

    David Keane

    • 0
    • 0
    • 0
    The TRUE story of one man, two women, and their obsession, Adult content
    Ver livro
  • Hollywood Stage - Margie - The golden age of cinema brought to your ears - cover

    Hollywood Stage - Margie - The...

    Various Authors

    • 0
    • 0
    • 0
    Hollywood is indelibly printed in our minds as the ‘go-to place for entertainment and has been for decades. When there really did seem to be more stars in Hollywood than in Heaven Hollywood Stage had them performing films as radio plays – on the sponsors dime of course.  The Hollywood director William Keighly unveils the treasure and the stars for you right here…..
    Ver livro
  • Dick Van Dyke - The Life of an Actor Comedian Writer Singer and Dancer - cover

    Dick Van Dyke - The Life of an...

    Newbury Publishing

    • 0
    • 0
    • 0
    From his earliest experiences in Air Force radio to his third act as a crime-solving doctor on television and beyond, Dick Van Dyke has been delivering steady comedic and dramatic performances for more than seven decades. 
    An actor, producer and writer, Van Dyke has been a recognizable name for generations, thanks to the naming conventions of the early days of television, wherein a lead actor’s name would be used as the title of the series. At just 36, fresh from Bye Bye Birdie on Broadway, Dick Van Dyke carved out an enduring place in television with The Dick Van Dyke Show, alongside another soon-to-be small-screen legend with three names: Mary Tyler Moore. 
    By 1964, after being chosen by Walt Disney for a starring role in the film adaptation for Mary Poppins, Van Dyke danced his way into the hearts of Americans of all ages. Since those early roles as Albert J. Peterson, Rob Petrie and Bert the Chimney Sweep, Van Dyke has never gotten too far away from a microphone, camera or spotlight and his storied career continues. 
    As one of few remaining American actors still working in their 90s (alongside Angela Lansbury, Betty White, and Norman Lloyd), Van Dyke will seemingly never run out of roles. Nor is he running out of charm. Dick Van Dyke continues to delight audiences today. Recent appearances include a lively dance number during the climax of 2018’s Mary Poppins Returns, voicing a character in Showtime’s short-lived series Kidding in 2020 and accepting the tributes colleagues and acolytes bestowed on him as a recipient of the 43rd Kennedy Center Honors in 2021.
    Ver livro
  • Ida Lupino Forgotten Auteur - From Film Noir to the Director's Chair - cover

    Ida Lupino Forgotten Auteur -...

    Alexandra Seros

    • 0
    • 0
    • 0
    Though her acting career is well known, Ida Lupino was, until very recently, either unknown or overlooked as an influential director. One of the few female directors in Classical Hollywood, Lupino was the only woman with membership in the Directors Guild of America between 1948 and 1971. Her films were about women without power in society and engaged with highly controversial topics despite Hollywood's strict production code. Working in a male-dominated field, Lupino was forced to manage her public persona carefully, resisting attempts by the press to paint her solely as a dutiful wife and mother—a continual feminization—just so that she could continue directing. 
     
     
     
    Filmmaker Alexandra Seros retells the story of Ida Lupino's career, from actor to director, first in film, then in television, using archival materials from collections housed around the world. The result provides rich insights into three of Lupino's independently directed films and a number of episodes from her vast television oeuvre. Seros contextualizes this analysis with discussions of gendered labor in the film industry, the rise of consumerism in the United States after World War II, and the expectations put on women in their family lives during the postwar era. Seros's portrait of Lupino ultimately paints her life and career as an exemplar of collaborative auteurship.
    Ver livro