Otros libros que te pueden interesar

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  Short Ghost and Horror...

  Various Various

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  A collection of twenty stories featuring ghoulies, ghosties, long-leggedy beasties and things that go bump in the night.  Expect shivers up your spine, the stench of human flesh, and the occasional touch of wonder.

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  Pickman's model

  H. P. Lovecraft

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  "Pickman's Model" is a short story by H. P. Lovecraft, written in September 1926 and first published in the October 1927 issue of Weird Tales. It was adapted for television in a 1971 episode of the Night Gallery anthology series, starring Bradford Dillman. The story revolves around a Bostonian painter named Richard Upton Pickman who creates horrifying images. His works are brilliantly executed, but so graphic that they result in the revocation of his membership in the Boston Art Club and he is shunned by his fellow artists. The narrator is a friend of Pickman, who, after the artist's mysterious disappearance, relates to another acquaintance how he was taken on a tour of Pickman's personal gallery, hidden away in a run-down backwater slum of the city. As the two delved deeper into Pickman's mind and art, the rooms seemed to grow ever more evil and the paintings ever more horrific, ending with a final enormous painting of an unearthly, red-eyed and vaguely canine humanoid balefully chewing on a human victim. A noise sent Pickman running outside the room with a gun while the narrator reached out to unfold what looked like a small piece of rolled paper attached to the monstrous painting. The narrator heard some shots and Pickman walked back in with the smoking gun, telling a story of shooting some rats, and the two men departed. Afterwards the narrator realized that he had nervously grabbed and put the rolled paper in his pocket when the shots were fired. He unrolled the paper to reveal that it is a photograph not of the background of the painting, but of the subject. Pickman drew his inspirations not from a diseased imagination, but from monsters that were very much real.

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  Dead America: Seattle Pt 8 - The...

  Derek Slaton

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  As the military moves closer to downtown, a group of civilians risk everything to warn them of a major threat that could wipe them all out. 
  Dead America: The Northwest Invasion follows the military as they attempt to gain a foothold in the war against the undead, as well as the civilians caught in the crossfire.

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  The Haunting at Hawke's Moor - A...

  Camille Oster

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  Victorian London shows little mercy when divorce leaves Anne Kinelly destitute and abandoned by her husband. Her bleak future is avoided when the merciful actions of her solicitor results in a stroke of luck, finding a house forgotten and left in probate by previous generations. The desolate moors of Yorkshire is to be her home as she tries to revive an abandoned house where the wind whispers around the window sills. 
  Before long, Anne discovers that the warnings given to her by the people in the area may be more than the superstitious nonsense. As the brutal history of the house and its founder, Richard Hawke, reveals itself, Anne discovers that there may be more entities in the house than just herself and her maid.

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  The Marquis of Lossie

  George MacDonald

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  A gothic novel of romance, danger, and deception—the sequel to the acclaimed Malcolm from the 19th-century Scottish literary master.   This 1877 sequel to Malcolm begins where the first volume of the doublet left off, at Lossie House in Cullen’s fictionalized Portlossie. Soon thereafter Malcolm travels to London to rescue Florimel from the harmful influences of duplicitous friends who do not have her best interests in mind. Kidnapping her out of London, Malcolm’s and Florimel’s return to the north coast of Scotland brings to a stirring climax the divergent threads of mystery and intrigue woven through this triumphant literary tapestry. It is a classic Victorian romance, complete with rogues, inheritances, castles, and of course true love. Of The Marquis of Lossie, Michael Phillips says, “Escaping a common pitfall of sequels not measuring up to the level of excellence of their predecessor, MacDonald crafts an equally engaging, and in some ways an even heightened dramatic crescendo to Malcolm’s story. With the setting so altered, this is a spectacular creative achievement.”

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  A Modern Utopia

  H. G. Wells

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  In A Modern Utopia, two travelers fall into a space-warp and suddenly find themselves upon a Utopian Earth controlled by a single World Government.The premise of the novel is that there is a planet (for "No less than a planet will serve the purpose of a modern Utopia") exactly like Earth, with the same geography and biology. They have, however, "different habits, different traditions, different knowledge, different ideas, different clothing, and different appliances." The narrator's double describes the ascetic Rule by which the samurai live; this includes a ban on alcohol and drugs and a mandatory annual one-week solitary ramble in the wilderness. He also explains the social theory of Utopia, which distinguished four "main classes of mind": The Poietic, the Kinetic, the Dull, and the Base. Poietic minds are creative or inventive; kinetic minds are able but not particularly inventive; the Dull have "inadequate imagination," and the Base are mired in egotism and lack "moral sense."

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