Outros livros que poderiam interessá-lo

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  Makeover - Poems

  Laurie Bolger

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  Makeover is a book dripping with nostalgia, cigarette ash and sour cream dip. Lit by too-close TV screens and too-bright calorie counters, Bolger's poems explore growing up, differing bodies and societal expectations.
  Writing in praise of mums, nans and sisterhood, this is a work bursting with strength, anger, love and, ultimately, hope. In a celebration of girls shaped by swimming baths and Working Men's Clubs, friendship and family, Makeover contends with what we inherit and what we ought to pass on.

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  The Human Body is a Hive

  Erica Gillingham

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  Composed in two halves, Erica Gillingham's The Human Body is a Hive is a playful and observant reconception of queer love and queer family-making. Opening with a shameless celebration of sex and desire, the collection expands the boundaries of love to include friendship, romance, and lifelong partnership. The latter catalogues the cyclical heartbreaks and wonders of fertility treatment through the microscopic lenses of nature, medicine, and art. Both quietly moving and profoundly celebratory, this exciting debut evokes tenderness and resilience.

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  After the Act

  Billy Barrett, Ellice Stevens

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  Abseiling lesbians! Queers in classrooms! Perverts panicking parents!
  Thatcher's Section 28, which banned the 'promotion' of homosexuality in schools, was the landmark legislation that silenced a generation, offered a global blueprint for LGBTQ+ oppression and galvanised a movement.
  Billy Barrett and Ellice Stevens's After the Act is a funny, camp and unapologetically queer musical about how a moral panic gripped a nation – and a community decided to fight back. Its inspiring, often heartbreaking, stories of teachers, students and activists impacted by the legislation are accompanied by a joyously exuberant score written by Frew and inspired by the music of the 1980s.
  It was first produced in 2023 by the award-winning theatre and film company Breach at New Diorama Theatre, London, before performances during the Edinburgh Festival Fringe and a UK tour in 2024.

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  Paper Crusade

  Michelle Penn

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  On a wasted island in perpetual sun, the Father practices magic, laments his lost kingdom and commands a ragtag army of three: the passionate and damaged Daughter, the winged Spirit and an indigenous being known only as C. Behind their uniforms — white suits and full-face paper masks — the soldiers seethe with rebellion.
  The arrival of the Boy, a hapless prince, and the Brother, the Father's rival, unleashes desire, betrayal, insanity and revenge — all of it witnessed by an irate sea.
  Paper Crusade is a bold reinvention of Shakespeare's play, The Tempest. Michelle Penn's vivid imagery and startling, sensual language create an unforgettable dystopia for our own time.
  A visionary, intertextual journey that takes us far beyond standard retelling or response to Shakespeare. Penn brings new life to the characters here, with an incantatory power that threatens to lose us in the words and the waves but always takes us somewhere captivating and unexpected.
  Luke Kennard, 2022

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  The Big Smoke

  Adrian Matejka

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  Winner of the Anisfield-Wolf Award and finalist for the Pulitzer Prize in Poetry, the Hurston/Wright Legacy Award, and the National Book Award in Poetry—a collection that examines the myth and history of the prizefighter Jack Johnson 
   
   
   
  The legendary Jack Johnson (1878–1946) was a true American creation. The child of emancipated slaves, he overcame the violent segregationism of Jim Crow, challenging white boxers—and white America—to become the first African-American heavyweight world champion. The Big Smoke, Adrian Matejka's third work of poetry, follows the fighter's journey from poverty to the most coveted title in sports through the multi-layered voices of Johnson and the white women he brazenly loved. Matejka's book is part historic reclamation and part interrogation of Johnson's complicated legacy, one that often misremembers the magnetic man behind the myth.

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  The Merry Wives of Windsor

  William Shakespeare

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  First published in 1602 by William Shakespeare, The Merry Wives of Windsor features the popular figure Sir John Falstaff, who first appeared in Henry IV, Part 1 and Part 2. Some speculate that Merry Wives was written at the behest of Queen Elizabeth I, who wanted to see Falstaff in love; and that Shakespeare was forced to rush its creation as a result, and so it remains one of Shakespeare's lesser-regarded plays.
  The play revolves around two intertwined plots: the adventures of the rogue Falstaff who plans to seduce several local wives, and the story of young Anne Page who is being wooed by prominent citizens while she has her sights set on young Fenton. The wives come together to teach Falstaff a lesson, and in the end love triumphs.
  The Merry Wives of Windsor is believed to have been first performed in 1597 and was subsequently published in quarto in 1602, in a second quarto in 1619, and then in the 1623 First Folio. Despite holding a lesser place in Shakespeare's canon, it was one of the first Shakespearean plays to be performed in 1660, after the reinstatement of Charles II and theatre once again was permitted to be performed in London.

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