Editora: Gibbs Smith
Jane Eyre, the beloved heroine, is for many their first introduction to a truly independent female character in classic literature. Charlotte Bronte develops an assertive and passionate character in Jane, whose search for belonging and freedom remains refreshingly relevant for the modern-day reader.
Edgar Allan Poe (1809-1849) is celebrated for his tales of the macabre and the supernatural. “The Tell-Tale Heart” is one of his most famous. In it the narrator tells how, without any motive, but merely because he is obsessed with his eye (“The eye of a vulture”), he murders an old man, and of the consequences when the murdered man's heart seeks revenge.Ver livro
The first American book on personal finance, "The Way to Wealth" by Benjamin Franklin is still the best and wisest money book ever written. Originally published in 1758 as the preface to "Poor Richard's Almanack," this little gem has been through innumerable printings and sold millions of copies to those in search of smart but entertaining advice about hard work, earning and saving money and debt.Ver livro
Titus Andronicus is the main character and tragic hero in William Shakespeare's play of the same name, Titus Andronicus, a Senecan tragedy. Titus is a Roman nobleman and a general in the war who distinguished himself in ten years of service against the Goths. Despite his exemplary service the war's toll on him is sufficient that he declined the emperorship. Nonetheless, he begins the play as an exemplary citizen. However faith in the traditions of the Roman system of government eventually leads to his death as others seek revenge. Among the most significant works William Shakespeare: Hamlet, Othello, King Lear, Macbeth, Orpheus, Romeo and Juliet, Julius Caesar, Troilus and Cressida, The Tempest, Venus and Adonis, Antony and Cleopatra, Measure for Measure, The Winter's Tale and many more.Ver livro
Book 1: Poverty: Little Dorrit is a novel by Charles Dickens, originally published in serial form between 1855 and 1857. The story features Amy Dorrit, youngest child of her family, born and raised in the Marshalsea prison for debtors in London. Arthur Clennam encounters her after returning home from a 20-year absence, ready to begin his life anew.The novel satirises the shortcomings of both government and society, including the institution of debtors' prisons, where debtors were imprisoned, unable to work, until they repaid their debts. The prison in this case is the Marshalsea, where Dickens' own father had been imprisoned. Dickens is also critical of the lack of a social safety net, the treatment and safety of industrial workers, as well as the bureaucracy of the British Treasury, in the form of his fictional "Circumlocution Office". In addition, he satirises the stratification of society that results from the British class system.The novel begins in Marseilles "thirty years ago" (c. 1826), with the notorious murderer Rigaud telling his prison cellmate John Baptist Cavalletto how he killed his wife, just prior to being released from prison. Arthur Clennam is detained with other travellers in quarantine in Marseilles and becomes friends with some, including Mr Meagles, his wife, daughter "Pet", and her maid (Tattycoram), as well as Miss Wade. He is returning to London to see his mother, Mrs Clennam, after the death of his father. Arthur has spent the last twenty years in China with his father, handling that part of the family business.Ver livro
Once upon a time there was a little boy who had taken cold. He had gone out and got his feet wet; though nobody could imagine how it had happened, for it was quite dry weather. So his mother undressed him, put him to bed, and had the tea-pot brought in, to make him a good cup of Elderflower tea. Just at that moment the merry old man came in who lived up a-top of the house all alone; for he had neither wife nor children--but he liked children very much, and knew so many fairy tales, that it was quite delightful...Ver livro
“Narayan makes this treasury of Indian folklore and mythology readily accessible to the general reader . . . he captures the spirit of the narrative.”—Library Journal The Mahabharata tells a story of such violence and tragedy that many people in India refuse to keep the full text in their homes, fearing that doing so would invite a disastrous fate upon their house. Covering everything from creation to destruction, this ancient poem remains an indelible part of Hindu culture and a landmark in ancient literature. Centuries of listeners and readers have been drawn to The Mahabharata, which began as disparate oral ballads and grew into a sprawling epic. The modern version is famously long, and at more than 1.8 million words—seven times the combined lengths of the Iliad and Odyssey—it can be incredibly daunting. But contemporary readers have a much more accessible entry point to this important work, thanks to R. K. Narayan’s masterful, elegant translation and abridgement of the poem. Now with a new foreword by Wendy Doniger, as well as a concise character and place guide and a family tree, The Mahabharata is ready for a new generation of readers. Narayan ably distills a tale that is both traditional and constantly changing. He draws from both scholarly analysis and creative interpretation and vividly fuses the spiritual with the secular. Through this balance he has produced a translation that is not only clear, but graceful, one that stands as its own story as much as an adaptation of a larger work.Ver livro
