Other books that might interest you

• 

  The Blues - A Very Short...

  Elijah Wald

  • 0
  • 0
  • 0

  Praised as "suave, soulful, ebullient" (Tom Waits), Elijah Wald is one of the leading popular music critics of his generation. In The Blues, Wald surveys a genre at the heart of American culture.It has been defined by lyrical structure, or as a progression of chords, or as a set of practices reflecting West African "tonal and rhythmic approaches," using a five-note "blues scale." He traces its roots in work and praise songs, and shows how it was transformed by such professional performers as W. C. Handy, who first popularized the blues a century ago. He follows its evolution from Ma Rainey and Bessie Smith through Bob Dylan and Jimi Hendrix; identifies the impact of rural field recordings of Blind Lemon Jefferson, Charley Patton, and others; explores the role of blues in the development of both country music and jazz; and looks at the popular rhythm and blues trends of the 1940s and 1950s, from the uptown West Coast style of T-Bone Walker to the "down home" Chicago sound of Muddy Waters. Wald brings the story up to the present, touching on the effects of blues on American poetry, and its connection to modern styles such as rap.As with all of Oxford's Very Short Introductions, The Blues tells you—with insight, clarity, and wit—everything you need to know to understand this quintessentially American musical genre.

  Show book

• 

  Battle For L A

  C. J. Henderson, Lance Roger Axt

  • 0
  • 0
  • 0

  In the early morning hours of February 25, 1945, U.S. anti-aircraft artillery opened fire on an unidentified object in the skies above Los Angeles. Over the course of the next three hours, "swarms of planes" were reported as roaming the skies above the city of angels, though in the end the public was told it was a false alarm. Now, Moonstone Entertainment has unearthed the truth about that night, and how classic pulp and comic characters The Phantom Detective, The Black Bat, The Domino Lady, Airboy, and Secret Agent X fought back against a menace from another world!An AudioComics production.

  Show book

• 

  Ride Lonesome

  Kirk Ellis

  • 0
  • 0
  • 0

  Ride Lonesome, the fifth film in the "Ranown cycle," is both the best and most representative of the whole series, which has been called "the most remarkable convergence of artistic achievement in the history of low-budget moviemaking." Director Bud Boetticher captures the alienation and loneliness of an America faced with the Cold War and the daily threat of nuclear annihilation. Shot in seventeen days for under a half-million dollars, Ride Lonesome is a masterpiece of cinematic minimalism.Veteran screenwriter Kirk Ellis brilliantly unpacks the themes, narrative, visual language, and editing in this seminal film. In Ride Lonesome Ellis not only shows how this one film embodies a turning point for the Western, but he also explores the unique vision and contributions of director Boetticher and his writing partner Burt Kennedy.

  Show book

• 

  Chagall and artworks

  Sylvie Forestier

  • 0
  • 1
  • 0

  Marc Chagall was born into a strict Jewish family for whom the ban on representations of the human figure had the weight of dogma. A failure in the entrance examination for the Stieglitz School did not stop Chagall from later joining that famous school founded by the Imperial Society for the Encouragement of the Arts and directed by Nicholas Roerich. Chagall moved to Paris in 1910. The city was his “second Vitebsk”. At first, isolated in the little room on the Impasse du Maine at La Ruche, Chagall soon found numerous compatriots also attracted by the prestige of Paris: Lipchitz, Zadkine, Archipenko and Soutine, all of whom were to maintain the “smell” of his native land. From his very arrival Chagall wanted to “discover everything”. And to his dazzled eyes painting did indeed reveal itself. Even the most attentive and partial observer is at times unable to distinguish the “Parisian”, Chagall from the “Vitebskian”. The artist was not full of contradictions, nor was he a split personality, but he always remained different; he looked around and within himself and at the surrounding world, and he used his present thoughts and recollections. He had an utterly poetical mode of thought that enabled him to pursue such a complex course. Chagall was endowed with a sort of stylistic immunity: he enriched himself without destroying anything of his own inner structure. Admiring the works of others he studied them ingenuously, ridding himself of his youthful awkwardness, yet never losing his authenticity for a moment. 
      At times Chagall seemed to look at the world through magic crystal – overloaded with artistic experimentation – of the Ecole de Paris. In such cases he would embark on a subtle and serious play with the various discoveries of the turn of the century and turned his prophetic gaze like that of a biblical youth, to look at himself ironically and thoughtfully in the mirror. Naturally, it totally and uneclectically reflected the painterly discoveries of Cézanne, the delicate inspiration of Modigliani, and the complex surface rhythms recalling the experiments of the early Cubists (See-Portrait at the Easel, 1914). Despite the analyses which nowadays illuminate the painter’s Judaeo-Russian sources, inherited or borrowed but always sublime, and his formal relationships, there is always some share of mystery in Chagall’s art. The mystery perhaps lies in the very nature of his art, in which he uses his experiences and memories. Painting truly is life, and perhaps life is painting.

  Show book

• 

  Joni Mitchell - In Her Own Words

  Malka Marom

  • 0
  • 0
  • 0

  When singer, musician, and broadcast journalist Malka Marom had the opportunity to interview Joni Mitchell in 1973, she was eager to reconnect with the performer that she'd first met late one night in 1966 at a Yorkville coffeehouse. More conversations followed over the next four decades of friendship, and it was only after Joni and Malka completed their last recorded interview, in 2012, that Malka discovered the heart of their discussions: the creative process.In Joni Mitchell: In Her Own Words, Joni and Malka follow this thread through seven decades of life and art, discussing the influence of Joni's childhood, love and loss, playing dives and huge festivals, acclaim and criticism, poverty and affluence, glamorous triumphs and tragic mistakes.

  Show book

• 

  More Fool Me - A Memoir

  Stephen Fry

  • 0
  • 0
  • 0

  The British comedian recounts the highs and lows of his wild years: “A gifted writer with a perfect sense of comic timing and anecdote-spinning . . . Lots of fun.” —Kirkus Reviews 
   
  By his early thirties, Stephen Fry—writer, comedian, star of stage and screen—had, as they say, “made it.” Much loved on British television, author of a critically acclaimed and bestselling first novel, with a glamorous and glittering cast of friends, he had more work than was perhaps good for him. As the ‘80s drew to a close, he began to burn the candle at both ends. Writing and recording by day, and haunting a never-ending series of celebrity parties, drinking dens, and poker games by night, he was a high functioning addict. He was so busy, so distracted by the high life, that he could hardly see the inevitable, headlong tumble that must surely follow . . .  
   
  Filled with raw, electric extracts from his diaries of the time, More Fool Me is a brilliant, eloquent account by a man driven to create and to entertain—revealing a side to him he has long kept hidden. 
   
  “Fry is an astonishingly charming fellow: erudite, playful and capable of writing in a style so intimate that readers can picture themselves sitting next to him at a splendid dinner party as he rather one-sidedly entertains the entire table.” —Slate

  Show book