Other books that might interest you

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  Fibber McGee and Molly: Poker Game

  Don Quinn

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  Fibber's planning on an evening of poker at the Elk's Club, but it's a big secret from Molly!

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  Van Gogh on Demand - China and...

  Winnie Wong

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  “Unsettles contemporary art’s unspoken hierarchies and topples modernist and postmodernist assumptions about originality, authenticity, and authorship.” —caa Reviews 
   
  In a metropolis in south China lies Dafen, an urban village that houses thousands of workers who paint van Goghs, Da Vincis, Warhols, and other Western masterpieces for the world market, producing an astonishing five million paintings a year. Winnie Wong infiltrated this world, first investigating the work of conceptual artists; then working as a dealer; apprenticing as a painter; surveying wholesalers and retailers in Europe, East Asia and North America; establishing relationships with local leaders; and organizing a conceptual art exhibition for the Shanghai World Expo. The result is Van Gogh on Demand, a fascinating book about a little-known aspect of the global art world—one that sheds surprising light on the workings of art, artists, and individual genius. 
   
  Wong describes an art world in which migrant workers, propaganda makers, dealers, and international artists make up a global supply chain of art. She examines how Berlin-based conceptual artist Christian Jankowski, who collaborated with Dafen’s painters to reimagine the Dafen Art Museum, unwittingly appropriated the work of a Hong Kong-based photographer Michael Wolf. She recounts how Liu Ding, a Beijing-based conceptual artist, asked Dafen “assembly-line” painters to perform at the Guangzhou Triennial, styling himself into a Dafen boss. Through such cases, Wong shows how Dafen’s painters force us to reexamine our preconceptions about the role of Chinese workers in redefining global art. 
   
  “[A] fantastically detailed exploration of a topic which touches the heart of many of the issues surrounding China's economic rise.” —South China Morning Post

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  The Road to Woodstock

  Michael Lang, Holly George-Warren

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  The story of the Woodstock Music and Art Fair begins with Michael Lang, a kid out of Bensonhurst, Brooklyn, who liked to smoke a joint and listen to jazz. He would find his way to Florida, open a head shop, and produce his first festival—Miami Pop, featuring Jimi Hendrix, Frank Zappa, and others—then travel to Woodstock, where, after meeting Artie Kornfeld, his vision for a festival where folks could come and stay for a few days amid the rural beauty of upstate New York would become a reality. With Artie, new partners John Roberts and Joel Rosenman, and his handpicked crew, Lang booked talent, from Janis Joplin and the Who to the virtually unknown Santana and Crosby, Stills, and Nash; won over agents, promoters, and townspeople; took on fleets of volunteers; built a festival site from the ground up; and, in the end, created the landmark cultural event that defined a generation.

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  Binyamin Appelbaum of The New...

  PBS NewsHour

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  The Federal Reserve has cut interest rates for the second time in three months in a bid to keep the U.S. economy growing. What indicators are driving the recent rate reductions, and what is the larger influence of economists on U.S. fiscal and monetary policy? Judy Woodruff sits down with Binyamin Appelbaum of The New York Times, author of “The Economists’ Hour,” to discuss growth vs. inequality.

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  Burns & Allen Show Collection...

  Black Eye Entertainment

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  When real life husband and wife George Burns and Gracie Allen worked together in vaudeville, George was the comic and his wife Gracie had the straight lines. They switched their roles upon discovering that Gracie's delivery got a bigger laugh than George's punch lines.The duo became a big hit on vaudeville and in films so when radio beckoned, they delivered. Their first regular radio work was as supporting players on CBS's The Guy Lombardo Show in the 1930s. When Lombardo switched to NBC, George and Gracie took over the show. Early on, the two did not play a married couple on the air. For a long time, they continued a 'flirtation act' with George as Gracie's most persistent suitor.But when the show's ratings began to sag toward the end of the 1930s, George decided it was time their real-life marriage was written into the show. The new format included husband-and-wife characters in a situation comedy setting. George's instincts were spot-on and The Burns & Allen Show went on to new heights, eventually making a successful transition to television. "Taking in a Veteran""Contest: Hollywood's Ideal Married Couple""George's Job in Washington DC""Listening to the Royal Wedding or Playing Poker" Guest, Jean Sablon"Their 15th Wedding Anniversary"Guest, Marie ("The Body") McDonald "Watching Neighbor's Daughter""Movie Contract for a Friend's Daughter""Gracie Dents the Car's Fender or Has She?""George and Gracie offered the lead in Dulcy""Going to the Racetrack"

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  Conversations with Legendary...

  Ron Miller, James Bawden

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  “Insightful, often humorous, and always fascinating remembrances by some of the greatest names in entertainment history . . . a vibrant portrait of a bygone era.” —Brent Phillips, author of Charles Walters: The Director Who Made Hollywood Dance 
   
  During television's first fifty years—long before Hulu, Netflix, and the like—families would gather around their sets nightly to watch such shows as I Love Lucy, Gunsmoke, M*A*S*H, The Beverly Hillbillies, Fantasy Island, and The Rockford Files. 
   
  Seasoned journalists James Bawden and Ron Miller have captured provocative and entertaining interviews with beloved stars of shows like these, important figures from TV’s first half century. These thirty-nine interviews, selected from conversations conducted from 1971-1998, present a fascinating glimpse of some of television’s most influential performers. Featured are exclusive interviews with major stars (including Donna Reed, James Garner, and Ricardo Montalban), icons of comedy (including Lucille Ball, George Burns, and Milton Berle), TV hosts (including Dick Clark and Ed Sullivan), and notable musical entertainers (such as Glen Campbell, Mary Martin, and Lawrence Welk). Each chapter explores the subject’s television work—with detailed behind-the-scenes disclosures—and includes additional information about the subject’s performances in film and on stage.

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