Outros livros que poderiam interessá-lo

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  Super Soldiers - A Salute to the...

  Jason Inman

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  Operation Iraqi Freedom Veteran and former host of All Access, DC Comics's web show, Jason Inman, discusses the influence war has had on some of the most memorable superheroes in comics.

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  The Weed Whisperer

  G. B. Trudeau

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  “I don’t read Doonesbury. He glorifies drugs.” —Former White House Press Secretary Marlin Fitzwater   Welcome to the age of pivots. Two centuries after the Founding Fathers signed off on happiness, Zonker Harris and nephew Zipper pull up stakes and head west in hot pursuit. The dream? Setting up a major grow facility outside Boulder, Colorado, and becoming bajillionaire producers of “artisanal” marijuana. For Zonk, it’s the crowning reset of a career that’s ranged from babysitting to waiting tables. For Walden-grad Zip, it’s a way to confront $600,000 in student loans.   Elsewhere in Free Agent America, newlyweds Alex and Toggle are struggling. Twins Eli and Danny show up during their mother’s MIT graduation, but a bad economy dries up lab grants, compelling the newly minted PhD to seek employment as a barista. Meanwhile, eternally blocked writer Jeff Redfern struggles to keep the Red Rascal legend-in-his-own-mind franchise alive, while aging music icon Jimmy T. endures by adapting to his industry’s new normal: “I can make music on my schedule and release it directly to the fans.”   He’s living in his car.     G.B. Trudeau’s Doonesbury is now in its fifth decade, and has chronicled American life through eight presidents, four generational cohorts, and innumerable paradigm shifts. His political sitcom Alpha House, starring John Goodman, is available on DVD and by streaming from Amazon Prime.   For the record, Trudeau always inhaled back in the day. As President Obama once explained, “That was the point.”

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  Introducing Critical Theory - A...

  Stuart Sim

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  What might a 'theory of everything' look like? Is science an ideology? Who were Adorno, Horkheimer or the Frankfurt School? The decades since the 1960s have seen an explosion in the production of critical theories. Deconstructionists, poststructuralists, postmodernists, second-wave feminists, new historicists, cultural materialists, postcolonialists, black critics and queer theorists, among a host of others, all vie for our attention. Stuart Sim and Borin Van Loon's incisive graphic guide provides a route through the tangled jungle of competing ideas and provides an essential historical context, situating these theories within tradition of critical analysis going back to the rise of Marxism. They present the essential methods and objectives of each theoretical school in an incisive and accessible manner, and pay special attention to recurrent themes and concerns that have preoccupied a century of critical theoretical activity.

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  Lady Audley's Secret

  Mary Elizabeth Braddon

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  Mary Elizabeth Braddon's first novel, Lady Audley's Secret, was one of the most popular English novels of its day. Published serially in 1862, it tells the story of the lovely Lucy Graham, who becomes Lady Audley at the beginning of the novel, and who conceals a scandalous secret from her new husband and his family. The plot, which includes madness, bigamy, attempted murder, and seduction, made this a shocking but highly successful story for Victorian audiences. It remains one of the best examples of 19th century sensational fiction, and is a wonderfully absorbing book.

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  We - The book that inspired...

  Yevgeny 'Eugene' Zamyatin

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  In a utopian future society, where all social unrest has been engineered away, a man has an awakening. Starting as a happy worker drone, he meets a woman who reveals to him the reality of life outside the state's control - the glories of chaotic nature in the world and in the heart. They become entwined with a conspiracy against the state, and eventually try to escape beyond the walls of the state's control... only to meet betrayal, failure, and a dark ending in the glorious light of the state's total control. 
  Sound familiar? It's probably because you've read Orwell's nineteen eighty-four, which he wrote eight months after he read We, wrote a review of it, and said he was taking it as the model for his next novel. Or Huxley's Brave New World. 
  Or maybe you've read Vonnegut's Player Piano, which of Vonnegut said he "cheerfully ripped off the plot of Brave New World, whose plot had been cheerfully ripped off from Yevgeny Zamyatin's We". You might even have come across other plays on the theme, such as Ayn Rand's Anthem or Vladimir Nabokov's Invitation to a Beheading, written while Nabakov was reading We. Or even possibly Ursula K. Le Guin's The Dispossessed. 
  The tale is familiar, but the satirical and farcical comedy is a delight all of its own.

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  Harrow County Omnibus Volume 1...

  Tyler Crook, Cullen Bunn

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  "The first half of the highly acclaimed, Eisner-nominated horror fantasy tale.Emmy always knew that the woods surrounding her home crawled with ghosts and monsters. But on the eve of her eighteenth birthday, she learns that she is connected to these creatures--and to the land itself--in a way she never imagined.Collects issues 1-16 of Harrow County.Performed by Dawn Ursula, Taylor Coan, Khaya Fraites, Robb Moreira, Jeri Marshall, Eric Messner, Todd Scofield, Mecca Rogers, Lolita Horne, Scott McCormick, Ian Russell, Andrew Mimms, Nanette Savard, Ken Jackson, KenYatta Rogers, Jenna Sharpe, Marni Penning, Tanja Milojevic, Stephanie Németh-Parker, Holly Adams, Karen Novack, Colleen Delany, Torian Brackett, Joey Sourlis, Dan Delgado, Keith Richards and Terence Aselford."

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