Other books that might interest you

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  Crush: The Musical (NHB Modern...

  Kath Gotts

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  An outrageously fun musical set in an all-girls school in the 60s, from the team behind Bad Girls: The Musical.
  It's 1963 and the Dame Dorothea Dosserdale School for Girls has a proud tradition of fostering free spirits from all walks of life. So it's a crushing blow when the new headmistress turns out to be a tyrant with strict Victorian values - and top of her hit list are the two sixth-formers accused of 'Unnatural Behaviour' in the Art Room…
  Brimming with catchy tunes and witty lyrics, Crush is a hilarious pastiche of Girls' School stories - a blend of Malory Towers and St Trinian's - with added hockey sticks and 'lashings of jolly good fun' Coventry Telegraph.
  Crush was first performed on tour in the UK in 2015.
  'The all-female (except for a solitary male) cast of twelve, minimal furniture and very achievable set-building requirements will surely put Crush on hundreds of amateur drama societies' to-do lists' - Sardines Magazine
  'Crush taps into the subversive undercurrents of its source and brings them to the fore, producing a show that's boldly queer and a little bit crazy, yet with enough innocent exuberance to make it family-friendly, too' - British Theatre Guide
  'Energetic, jolly, and just plain silly… Faithfully recreating and poking gentle fun at the whole range of "girls' school" tropes' - The Stage

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  Selected Interviews with Robert...

  Robert G. Ingersoll

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  A controversial lecturer, brilliant lawyer, and arguably the most famous orator of the mid to late 1800's, Ingersoll railed against the absurdities of the Bible and cruelties of Christianity, particularly the horrific notion of "eternal damnation". He tirelessly supported the arts, education, science, women’s rights, abolition, home, family, children, and human liberty. As a leader of the Freethought movement, his creed was: “Happiness is the only good, Reason the only torch, Justice the only worship, Humanity the only religion, and Love the only priest.” He was often attacked in the press. Here are 30 published interviews in which Ingersoll spoke extemporaneously, bitingly, sometimes hilariously, on a wide range of topics with newspaper reporters of the day. (Compiled from The Works Of Robert G. Ingersoll, Volume 8, Dresden Edition, Pub. 1900. Summary by Michele Fry

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  The Pochsy Plays

  Karen Hines

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  Beckett meets Betty Boop in this trilogy of monologues by Canadian cult heroine Pochsy, a nasty, vapid, utterly charming vixen. In Pochsy's Lips, she's in the hospital, convinced she's sick because she's got a squid where her heart should be. In Oh Baby, she's at the Last Resort, on holiday from her job packing mercury. And in Citizen Pochsy, our little minx is in the waiting room at an audit from hell. In The Pochsy Plays, Hines remodels and melds traditions like stand-up, absurdism, clowning and neo-cabaret to create some of the most original and cutting satire to hit the stage – and, now, the page. Walk a mile in her distressed calfskin boots as the dark and ditzy Pochsy garbles ad slogans, self-help mantras and desperate grabs at meaning into a postmodern pastiche that is hilarious and harrowing, sweet and bitter at the same time. With extensive photos and musical scores, and an introduction by Darren O'Donnell.

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  Twelve Angry Men

  Reginald Rose

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  Over the course of a steamy and tense afternoon, twelve jurors deliberate the fate of a 19 year-old boy alleged to have murdered his own father. A seemingly open and shut case turns complicated, igniting passions and hidden prejudices.An L.A. Theatre Works full-cast performance featuring:Dan Castellaneta as Juror #5Jeffrey Donovan as Juror #8Hector Elizondo as Juror #10Robert Foxworth as Juror #3James Gleason as Juror #2Kevin Kilner as Juror #6Richard Kind as Juror #7Alan Mandell as Juror #9Rob Nagle as Juror #12Armin Shimerman as Juror #4Joe Spano as Juror #11Steve Vinovich as Foreman/Juror #1                                  Directed by John de Lancie. Recorded before a live audience at the Skirball Cultural Center in Los Angeles.

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  Cyrano de Bergerac

  Edmond Rostand

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  Cyrano is a brash, strong-willed man of many talents whose whimsical aptitude for the spoken word is overshadowed by an attribute that is iconic, outrageous and gigantic—his nose. How can the curiously-snouted Cyrano ever hope to win the affections of the beautiful Roxane? An L.A. Theatre Works full-cast recording, starring Caroline Aaron, Hugo Armstrong, Kalen Harriman, Gregory Itzin, Hamish Linklater, Anna Mathias, Morgan Ritchie, Jason Ritter, Andre Sogliuzzo, Devon Sorvari, and Matthew WolfAdapted for Radio and Directed by Barry Creyton and recorded before a live audience.

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  Growing Old

  Matthew Arnold

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  LibriVox volunteers bring you 17 recordings of Growing Old by Matthew Arnold. This was the Fortnightly Poetry project for April 17, 2011.Matthew Arnold was a British poet and cultural critic who worked as an inspector of schools. He was the son of Thomas Arnold, the famed headmaster of Rugby School, and brother to both Tom Arnold, literary professor, and William Delafield Arnold, novelist and colonial administrator. Matthew Arnold has been characterized as a sage writer, a type of writer who chastises and instructs the reader on contemporary social issues. (summary from Wikipedia)

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