¡Acompáñanos a viajar por el mundo de los libros!
Añadir este libro a la estantería
Grey
Escribe un nuevo comentario Default profile 50px
Grey
Suscríbete para leer el libro completo o lee las primeras páginas gratis.
All characters reduced
The People Yes - cover

The People Yes

Carl Sandburg

Editorial: Mariner Books

  • 0
  • 0
  • 0

Sinopsis

The acclaimed epic prose-poem from one of America’s greatest poets and the three-time winner of the Pulitzer Prize.  
 
A long poem that makes brilliant use of the legends and myths, the tall tales and sayings of America. As Irish poet Padraic Colum said, “The fine thing about The People, Yes is that it is indubitable speech. Here is a man speaking, a man who knows all sorts and conditions of men, who can be wise and witty, stirring and nonsensical with them all. Carl Sandburg is a master of his own medium; he can deliver himself with the extraordinary clarity of the comic strip caption, with the punch of the tip-top editorial, with the jingle of the American ballad. If America has a folksinger today he is Carl Sandburg, a singer who comes out of the prairie soil, who has the prairie inheritance, who can hand back to the people a creation that has scraps of their own insight, humor, and imagination, a singer, it should be added, who both says and sings . . . He has a passion that gives dignity to all he says. It is a passion for humanity, not merely for the man with depths of personality in him, but for the ordinary man and woman . . . The People, Yes is his most appealing volume.” 
 
Praise for Carl Sandburg 
 
“A poetic genius whose creative power has in no way lessened with the passing years.” —Chicago Tribune 
 
“Carl Sandburg was more than the voice of America, more than the poet of its strength and genius. He was America.” — President Lyndon B. Johnson
Disponible desde: 04/02/2015.
Longitud de impresión: 300 páginas.

Otros libros que te pueden interesar

  • A Confederacy of Dumptys - Portraits of American Scoundrels in Verse - cover

    A Confederacy of Dumptys -...

    John Lithgow

    • 0
    • 0
    • 0
    The next book in John Lithgow's New York Times bestselling seriesFollowing the success of New York Times bestsellers Dumpty and Trumpty Dumpty Wanted a Crown, award-winning actor, author, and illustrator John Lithgow presents the third book in his runaway hit series. A Confederacy of Dumptys takes us through a history of twenty-five "American Scoundrels" in this all-new collection of Lithgow's satirical poems and illustrations.While the Trump Era was rife with corruption and abuse of power, it was nothing new. Through Lithgow's cutting humor, you will read about a rogues' gallery of villains that came before Donald J. Trump, powerful men and women who were corrupt, venal, criminal, adulterous, racist, or just plain disgusting. With dark and lyrical stories from across American history, you will learn about long-forgotten figures and bad actors of today, including the first Grand Wizard of the Ku Klux Klan, the perpetrator of 19th century women's pyramid schemes, and participants in both the Watergate scandal and the Capitol insurrection. Trump and Nixon show up, of course, but also Leona Helmsley, Boss Tweed, Typhoid Mary, Newt Gingrich, Ted Cruz, and many more. Skipping through time, and delivered with classic Lithgow wit and style, A Confederacy of Dumptys is an exuberant reminder of how not to repeat history.Digital audio edition read by the author.The perfect book for:• Political satire fans—viewers of The Daily Show with Trevor Noah, Last Week Tonight with John Oliver, and The Late Show with Stephen Colbert.• American history buffs and trivia enthusiasts—readers of Jon's Stewart's America (The Book): A Citizen's Guide to Democracy Inaction and Josh Clark's Stuff You Should Know: An Incomplete Compendium of Mostly Interesting Things.• Poetry, art, and illustration aficionados.
    Ver libro
  • Earth Spirit - cover

    Earth Spirit

    Frank Wedekind

    • 0
    • 0
    • 0
    Earth Spirit (1895) (Erdgeist) is a play by the German dramatist Frank Wedekind. It forms the first part of his pairing of 'Lulu' plays (the second is Pandora's Box [1904]), both of which depict a society "riven by the demands of lust and greed". Together with Pandora's Box, Wedekind's play formed the basis for the silent film Pandora's Box (1929) starring Louise Brooks and the opera Lulu by Alban Berg in 1935 (premiered posthumously in 1937). The eponymous "earth spirit" of this play is Lulu, who Wedekind described as a woman "created to stir up great disaster." Indeed, she is a purely sexual creature who scandalizes the community and drives men to ruin. The play has attracted a wide range of interpretations, from those who see it as misogynistic to those who claim Wedekind as a harbinger of women’s liberation. (Summary by Wikipedia and ChuckW) 
     
    CastLulu: Amanda FridayDr. Schon: Algy PugAlva Schon: Chuck WilliamsonDr. Goll/Schigolch: Alan MapstoneSchwartz: Aidan BrackPrince Escerny/Ferdinand: balaEscherich/Narrator/Prologue: Elizabeth KlettRodrigo: WupperhippoHugenberg: Charlotte DuckettCountess Geschwitz: Caprisha PageHenriette: Naomi ParkAudio edited by Chuck Williamson and Elizabeth KlettPronunciation guide by Karlsson
    Ver libro
  • The Certainty Dream - cover

    The Certainty Dream

    Kate Hall

    • 0
    • 0
    • 0
    Winner of the 2010 A. M. Klein Poetry Prize
     
    Shortlisted for the 2010 Griffin Poetry Prize
     
    Descartes asked, How can I know that I am not now dreaming? The Certainty Dream poses similar questions through poetry, but without the trappings of traditional philosophy. Kate Hall’s bracingly immediate, insistently idiosyncratic debut collection lays bare thetricks and tools of her trade: a mynah bird perches in poems but 'stands for nightingale'; the poet’s antelope turns transparent; she dresses up her orange trees with bark and leaves. As the dream world and the waking world blur, the body and the dimensions it inhabits become a series of overlapping circles, all acting as containers for both knowledge and uncertainty. At times disarmingly plainspoken, at others, singing with lyric possibility, these poems make huge associative leaps. Taken together, they present the argument that to truly 'know' something, one must first recognize its traces in something else.
     
    'Kate Hall unites philosophy and wisdom – without forgetting the chipotle-lime mustard.'
     
    – Montreal Review of Books
     
    'The Certainty Dream weaves its way through absurdist outbursts and giddy indulgences of graduate-level philosophy while remaining rooted in the immediacy and, yes,the certainty of everyday life … Hall’s poems unfold with wit, colourful layers and no overwhelming sense of ego or pomp.'
     
    – The Dominion
     
    'These are profoundly perfect poems.'
     
    – Eye Weekly
     
    'A whimsical and enlightening riff on the philosophic nature of knowing … Hall's imagination liberates language and subject at every blink.'
     
    – Winnipeg FreePress
    Ver libro
  • The Flag Burner - cover

    The Flag Burner

    Patrick Babin

    • 0
    • 0
    • 0
    This is a love story unlike any you have ever read. Join Mark Caan on his journey to save his soul. After a brush with death, he confesses to an unthinkable crime. A crime that could send him to jail for the rest of his life. His confession takes us back to his freshman year in college. There he meets and falls in love with Byron, a charismatic anti-war protester. Together they form a relationship that challenges the norms of what love means and to what ends it will take them. 
    The times are chaotic. It is 1968. The Vietnam war dominates the airwaves. The nightly news brings the war’s death and destruction into America’s living rooms with vivid details while the ominous threat of the draft haunts every young man’s psyche. The hippie culture is emerging and confronting the establishment head on. Anti-war protests are taking place on Main streets and college campuses across the country. Old perceptions about love, sex, drugs and war are all being challenged. After decades of struggle, and with the assassination of Bobby Kennedy and Dr. King, the civil rights movement is reaching a combustible crescendo. 
    As this historic backdrop unfolds, Mark and Byron must navigate their undeniable sexual attraction. 
    As Mark’s poignant confession gradually unfolds, it reveals a love that is layered with strength, sensuality, regret and forgiveness. 
    Now, twenty years later, as Mark is confessing to his pastor, all the emotions of a life lived in grief and regret are exposed. His haunting and powerful story aches with longing. A longing for his youthful naivety and absolute commitment to a love that knows no limits. 
    You will laugh and cry as Mark’s words spill from his heart. And finally, as a witness, you will cheer at his boundless love, and what it can achieve, even in the face of absolute resistance.
    Ver libro
  • Notes on The Sonnets - cover

    Notes on The Sonnets

    Luke Kennard

    • 0
    • 0
    • 0
    Winner of the Forward Prize for Best Collection 2021
    
    Longlisted for the Rathbones folio prize
    
    A Poetry Book society Recommendation
    Luke Kennard recasts Shakespeare's 154 sonnets as a series of anarchic prose poems set in the same joyless house party.
    A physicist explains dark matter in the kitchen. A crying man is consoled by a Sigmund Freud action figure. An out-of-hours doctor sells phials of dark red liquid from a briefcase. Someone takes out a guitar.
    Wry, insolent and self-eviscerating, Notes on the Sonnets riddles the Bard with the anxieties of the modern age, bringing Kennard's affectionate critique to subjects as various as love, marriage, God, metaphysics and a sad horse.
    'Luke Kennard has the uncanny genius of being able to stick a knife in your heart with such originality and verve that you start thinking "aren't knives fascinating... and hearts, my god!" whilst everything slowly goes black.'
    - Caroline Bird
    Ver libro
  • Customs - Poems - cover

    Customs - Poems

    Solmaz Sharif

    • 0
    • 0
    • 0
    I said what I meantbut I said itin velvet. I said it in feathers.And so one poet reminded meRemember what you are to them.Poodle, I said.And remember what they are to you.Meat.—from “Patronage”In Customs, Solmaz Sharif examines what it means to exist in the nowhere of the arrivals terminal, a continual series of checkpoints, officers, searches, and questionings that become a relentless experience of America. With resignation and austerity, these poems trace a pointed indoctrination to the customs of the nation-state and the English language, and the realities they impose upon the imagination, the paces they put us through. While Sharif critiques the culture of performed social skills and poetry itself—its foreclosures, affects, successes—she begins to write her way out to the other side of acceptability and toward freedom.Customs is a brilliant, excoriating new collection by a poet whose unfolding works are among the groundbreaking literature of our time.
    Ver libro