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  The Red Ripper - Inside the Mind...

  Peter Conradi

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  By the time he was brought to trial in 1992, Soviet serial killer Andrei Chikatilo had killed more than fifty women and children, often sexually abusing them and leaving their bodies mutilated beyond recognition. Although he was initially arrested in 1984, the police lacked enough evidence to pin the unsolved murders on him and he was able to torture and kill dozens more before his eventual conviction. Compiling exclusive interviews and trial transcripts, journalist and editor at London's Sunday Times Peter Conradi reveals how the grandfather and former teacher carried out a horrific twelve-year killing spree. 
   
   
    
  Based on extensive research into Chikatilo's past and the elements of Soviet society that allowed his crimes to go unsolved for so long, Conradi delves into the life of one of history's most prolific and disturbing serial killers. Interviews with Moscow police detectives detail the fervent hunt for the man who preyed on young children, prostitutes, and runaways. 
   
   
    
  A chilling look into the deranged mind of a monster, The Red Ripper is a comprehensive and shocking true crime account of one of the twentieth century's deadliest killers. 
   
   
   
  Contains mature themes.

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  Imaginative Woman An - From...

  Thomas Hardy

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  Thomas Hardy was born in the hamlet of Upper Bockhampton about three miles east of Dorchester in Dorset, England, on 2nd June 1840.  
  Despite a fairly wide education and being an avid reader his parents thought it unlikely he would lead a successful scholarly or clerical career and he was apprenticed in 1856, at age 16, to a local architect whose speciality was in church restoration.  Hardy’s only opportunity to read was in the morning before work between the hours of five and eight.  
  On the back of a failed love affair he moved to London and spent five years working as an assistant to the architect Arthur Blomfield, also a restorer and designer of churches. Hardy though had by now become disillusioned with institutionalised forms of Christianity and abandoned any lingering hopes of ordination in the Anglican Church.  However, his writing of poetry was now flourishing, although it was still rejected for publication.  
  His novel ‘Desperate Remedies’, was published anonymously in 1871 and he now resolved to write full time though he was not yet in a position to achieve financial security or literary success. His second novel, ‘Under the Greenwood Tree’, appeared in 1872 and in 1873 ‘A Pair of Blue Eyes’, the most autobiographical of his works arrived. With ‘Far From the Madding Crowd’ in 1874, came critical acclaim, public attention and financial success. This was repeated in 1878 with ‘The Return of the Native’, and the ensuing years saw him rise to ever greater popularity.  
  His classic ‘The Mayor of Casterbridge’ arrived in 1886 and 5 years later ‘Tess of the d’Urbervilles’. The latter only saw publication after extensive alterations to its plot and the deletion of long passages to lessen the shock to the prudish Victorian audience who were dismayed by the seduction and ruin of a young girl by a rakish aristocrat.  
  ‘Jude the Obscure’, his last novel, suffered the same fate when it was published in 1895.  The uproar so disturbed him that he returned to poetry. In 1898 he had an earlier poetry collection, ‘Wessex Poems’ published. 
  Hardy spent the years between 1903 and 1908 writing ‘The Dynasts’, an epic poem on the Napoleonic Wars. 
  In his twilight years came honours and awards from the great and the good in recognition of his stature as one of the most outstanding of British authors across novels, short stories and poetry. George V conferred on him the Order of Merit in 1910. 
  From 1920 to 1927 he worked, in secret, on his autobiography, which was later published after his death as the work of his second wife, Florence Hardy.  
  Thomas Hardy OM died on the 11th January 1928. 
  His heart was buried alongside his first wife in Stinsford churchyard, Dorchester.

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  Awop Bop Aloo Mop - Little...

  Tina Andrews

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  As much music history as biography, Awop Bop Aloo Mop celebrates "Little" Richard Wayne Penniman, who burst onto the American scene in 1955 with his mega-hit "Tutti Frutti." Almost by himself, Little Richard wrote the anti-rules and poured the concrete for the foundation of a new musical art form he created. Alan Freed would call it "Rock & Roll." Dubbing himself "The Architect of Rock & Roll," Little Richard was known for his wild, flamboyant performances and outrageous costumes. He was one of the first artists to make the androgynous look popular, and his influence could be experienced in the music and performances of Mick Jagger, The Beatles, Jerry Lee Lewis, Elvis Presley, James Brown, and David Bowie. But Little Richard also had demons he struggled with throughout his career—his complicated relationship with his sexual orientation, and its effect on his faith. 
   
   
   
  He helped solidify The Rolling Stones, Jimi Hendrix, Billy Preston, and The Beatles as major acts who used his onstage antics for their success. A terrible car crash sidelined Little Richard for months, causing him to miss his own induction into the first Rock & Roll Hall of Fame in 1986 for his contribution to music. But he later appeared in movies, television shows, and tours, showing everyone why he remains the "Originator, the Innovator, and the Architect of Rock & Roll."

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  Never Leave the Dogs Behind - A...

  Brianna Madia

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  A NEW YORK TIMES BESTSELLER 
  The author of Nowhere for Very Long continues her story with this deeply honest, moving account of a woman walking the line between independence and isolation when she moves to the Southwest desert with nothing and no one but her four dogs. 
  In her debut memoir, Nowhere for Very Long, Brianna Madia reflected on her life as a nomad, free to roam some of the most beautiful land in America. Now, in Never Leave the Dogs Behind, the van life adherent faces the unfathomable darkness that comes from a life blown apart, her only solace the support of her dogs. 
  In the wake of a painful, public divorce and the ensuing fallout, Brianna moves from a pared-down van into a pared-down trailer. She reckons with her decision to be alone in the desert, living on a nine-acre plot of undeveloped land on the dusty outskirts of a small town in Utah, accompanied only by her four precious dogs: Bucket, Dagwood, Birdie, and Banjo. As she grapples with the anger, despair, and delicious freedom that comes from being wholly on her own, Brianna wonders where, exactly, the road less traveled has led her. 
  A powerful and poignant portrait of rebuilding and surviving, Never Leave the Dogs Behind is about finding the courage to start over when the dream life you thought you were living collapses around your feet.

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  Ottoman Empire’s Greatest...

  Editors Charles River

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  In terms of geopolitics, perhaps the most seminal event of the Middle Ages was the successful Ottoman siege of Constantinople in 1453. The city had been an imperial capital as far back as the 4th century, when Constantine the Great shifted the power center of the Roman Empire there, effectively establishing two almost equally powerful halves of antiquity’s greatest empire. Constantinople would continue to serve as the capital of the Byzantine Empire even after the Western half of the Roman Empire collapsed in the late 5th century. Naturally, the Ottoman Empire would also use Constantinople as the capital of its empire after their conquest effectively ended the Byzantine Empire, and thanks to its strategic location, it has been a trading center for years and remains one today under the Turkish name of Istanbul.  
  The Ottoman conquest of Constantinople also played a decisive role in fostering the Renaissance in Western Europe. The Byzantine Empire’s influence had helped ensure that it was the custodian of various ancient texts, most notably from the ancient Greeks, and when Constantinople fell, Byzantine refugees flocked west to seek refuge in Europe. Those refugees brought books that helped spark an interest in antiquity that fueled the Italian Renaissance and essentially put an end to the Middle Ages altogether. 
  In the wake of taking Constantinople, the Ottoman Empire would spend the next few centuries expanding its size, power, and influence, bumping up against Eastern Europe and becoming one of the world’s most important geopolitical players. It was a rise that would not truly start to wane until the 19th century, and the Ottomans would maintain their empire until the end of World War I. 

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  Women Who Wear Only Themselves -...

  Arundhathi Subramaniam

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  In this inspiring book of divine discovery, poet and seeker Arundhathi Subramaniam gives us a glimpse into the lives of four self-contained, unapologetic female spiritual travelers. 
  “Among the finest pieces of spiritual truth-telling literature I have ever read … A book to savor and celebrate.”—Mirabai Starr, author of Wild Mercy and Ordinary Mysticism 
  “As the pages turn, one feels a growing sense of shared humanity, even kinship, with these extraordinary practitioners of the sacred.”—Tim Parks, author of Teach Us to Sit Still: A Skeptic’s Search for Health and Healing 
  In life, spiritual paths are often as unique as we are. Bringing together the voices of four women mystics walking very different spiritual paths, poet Arundhathi Subramaniam reveals the expansive potential of forging an intimate, personal connection with the divine. We'll meet these four travelers:Sri Annapurani Amma, who left the safety of home to follow the summons of a long-dead saint and chooses to live naked,Balarishi Vishwashirasini, a nada yoga teacher who became a guru as a child and admits she's missed out on a real childhood,Lata Mani, who discovered tantra after a major accident left her with a brain injury and today talks of how the spiritual life is deeply anchored in the wisdom of the body—not unlike the redwood trees of her adopted home, andMaa Karpoori, who needed to resist pressure to marry, and found her calling in a local yoga class and now radiates fierce independence and the contagious joy of living. 
  Sensitive, insightful, and lyrical, Women Who Wear Only Themselves bathes us in the kind of mystery that feels deeply familiar and invites us to connect with whatever sparks our spiritual fire.

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