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Editorial: Brian Starr
Photos of Zoo animals. The parent reads the caption under the photos and the child looks at the pictures.
At fifteen, Turner was already exhibiting View of Lambeth. He soon acquired the reputation of an immensely clever watercolourist. A disciple of Girtin and Cozens, he showed in his choice and presentation of theme a picturesque imagination which seemed to mark him out for a brilliant career as an illustrator. He travelled, first in his native land and then on several occasions in France, the Rhine Valley, Switzerland and Italy. He soon began to look beyond illustration. However, even in works in which we are tempted to see only picturesque imagination, there appears his dominant and guiding ideal of lyric landscape. His choice of a single master from the past is an eloquent witness for he studied profoundly such canvases of Claude as he could find in England, copying and imitating them with a marvellous degree of perfection. His cult for the great painter never failed. He desired his Sun Rising through Vapour and Dido Building Carthage to be placed in the National Gallery side by side with two of Claude’s masterpieces. And, there, we may still see them and judge how legitimate was this proud and splendid homage. It was only in 1819 that Turner went to Italy, to go again in 1829 and 1840. Certainly Turner experienced emotions and found subjects for reverie which he later translated in terms of his own genius into symphonies of light and colour. Ardour is tempered with melancholy, as shadow strives with light. Melancholy, even as it appears in the enigmatic and profound creation of Albrecht Dürer, finds no home in Turner’s protean fairyland – what place could it have in a cosmic dream? Humanity does not appear there, except perhaps as stage characters at whom we hardly glance. Turner’s pictures fascinate us and yet we think of nothing precise, nothing human, only unforgettable colours and phantoms that lay hold on our imaginations. Humanity really only inspires him when linked with the idea of death – a strange death, more a lyrical dissolution – like the finale of an opera.Ver libro
Presented together for the first time, here are the very first, and very best, definitive listener favorites that came to be known as Driveway Moments: the classic, spellbinding stories that keep getting better with repeated listening, selected from the National Public Radio archives. These tales were first heard on Morning Edition, All Things Considered, and other NPR programs. Like the unforgettable “Amy’s Answering Machine,” in which comedian and author Amy Borkowsky shares quirky, hilarious messages left by her mother. And “My So-Called Lungs,” an emotional audio diary by a young girl with cystic fibrosis. And “Hitching a Ride with Junior McGhee,” in which musician/storyteller Charlie Barnett takes listeners on a hitchhiking adventure across the U.S. Literate, intelligent, mirthful, and moving, these stories are worth repeating—and hearing again and again.Contents:Introduction by Michele NorrisMisunderstood Song LyricsDead GroundhogAmy’s Answering MachineMy So-Called LungsHis FatherAn Unexpected Kitchen: The George Foreman GrillRato InteressoThere’s Just Something About That CowbellSweet Potato Queen’s Latest DishMy Dad the Ex-ConDeath of a Child: Losing AdamCharlie Goes to CollegeHitching a Ride with Junior McGeeVer libro
“Hart has a genuine gift for conveying the texture of midcentury Manhattan…. [She makes] the dilemmas of her own young life both compelling and contemporary.”—USA Today“[A] glorious once upon a time fairytale come true….I loved every moment!” —Adriana Trigiani, author of Very ValentineA memoir acclaimed as “reminiscent of The Best of Everything and Breakfast at Tiffany’s” (BookPage), Summer at Tiffany by Marjorie Hart is the true story of two best friends experiencing the time of their lives in New York City during the summer of 1945. The Cleveland Plain Dealer raves, “Hart writes about that stylish summer with verve, recollecting with a touching purity a magical summer in Manhattan, seen through the eyes of two 21-year-olds, just as the end of World War II approached.”Ver libro
The Symposium is a philosophical book written by Plato sometime after 385 BCE. On one level the book deals with the genealogy, nature and purpose of love, on another level the book deals with the topic of knowledge, specifically how does one know what one knows. The topic of love is taken up in the form of a group of speeches, given by a group of men at a symposium or a wine drinking party at the house of the tragedian Agathon at Athens. Plato constructed the Symposium as a story within a story within a story. This architecture creates the space for Plato to build his philosophy of knowledge. The speech of Socrates points out that the highest purpose of Love is to become a Philosopher, or Lover of Wisdom. (Summary from Wikipedia)Ver libro
Dublin's teeming slums, long regarded as the worst in Europe, were teetering on the brink of structural and sanitary public catastrophe during the early twentieth century. To tackle the crisis, Herbert Simms was appointed the city's first housing architect. During a sixteen-year period, from 1932 until 1948, Simms and his team planned, commissioned and built an astounding 17,000 homes –some as inner-city flat complexes, others as family houses in newly-created suburbs such as Crumlin and Cabra. Like the city's acclaimed Georgian squares, the Simms-designed Corporation flats in particular have stood the test of time, injecting a touch of art deco and modernist glamour to neglected neighbourhoods. This comprehensive guide to the Simms buildings also highlights the many struggles with politicians and bureaucrats Simms and his staff experienced as they did their best to build well-designed, affordable housing for the people of Dublin.Ver libro
Wartime radio at its most provocative -- that's Words At War! The Office of War Information, in cooperation with The Council on Books in Wartime, brought listeners journalistic accounts of battle, first-person narratives, and novels inspired by actual events. Each story was adapted for radio…and for maximum emotional impact. These eight digitally restored and remastered broadcasts include performances by Les Damon, Lesley Woods, Maurice Tarplin, Staats Cotsworth, Jackson Beck, Lon Clark, House Jameson, Art Carney, and many more. Episodes Include: Combined Operations 06-24-43; They Call It Pacific 07-10-43; The Last Days of Sevastopol 07-17-43; The Ship 07-24-43; From The Land Of Silent People 07-31-43; Prisoner of the Japs 08-07-43; Love at First Flight 08-14-43; Malta Spitfire 08-21-43Ver libro
