Otros libros que te pueden interesar

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  ballast

  Quenton Baker

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  A poetic sequence using the 1841 slave revolt aboard the brig Creole as a lens through which to view the vitality of Black lives and the afterlife of slavery.
  In 1841, the only successful, large-scale revolt of American-born enslaved people erupted on the ship Creole. 135 people escaped chattel slavery that day. The event was recounted in US Senate documents, including letters exchanged between US and British consulates in The Bahamas and depositions from the white crew on the ship. There is no known record or testimony from the 135 people who escaped. Their story has been lost to time and indifference. Quenton Baker’s ballast is an attempt at incomplete redress.
  With imagination, deep empathy, and skilled and compelling lyricism, Baker took a black marker to those Senate documents and culled a poetic recount of the Creole revolt. Layers of ink connect readers to Baker’s poetic process: (re)phrasing the narrative of the state through a dexterous process of hands-on redactions.
  ballast is a relentless, wrenching, and gorgeously written book, a defiant reclamation of one of the most important but overlooked events in US history, and an essential contribution to contemporary poetry.

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  Trace Evidence

  Charif Shanahan

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  A Chicago Review of Books Most Anticipated Chicago Book of 2023 
   
   
   
  "A truly magical achievement." —Ocean Vuong 
   
   
   
  In Trace Evidence, the urgent follow-up to his award-winning debut Into Each Room We Enter without Knowing, Charif Shanahan continues his piercing meditations on the intricacies of mixed-race identity, queer desire, time, mortality, and the legacies of anti-Blackness in the US and abroad. At the collection's center sits "On the Overnight from Agadir," a poem that chronicles Shanahan's survival of a devastating bus accident in Morocco, his mother's birth country, and ruminates on home, belonging, and the mysteries of fate. With rich lyricism, power, and tenderness, Trace Evidence centers the racial periphery and excavates the vestiges of our violent colonial past in the most intimate aspects of our lives. In a language yoked equally to the physical and metaphysical worlds, the poet articulates the need we all share for real intimacy and connection, and proves, time and again, that the true cost of our separateness is the love that our survival requires.

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  The Open Window

  Edward Rowland Sill

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  LibriVox volunteers bring you 20 recordings of The Open Window by Edward Rowland Sill. This was the Fortnightly Poetry project for February 27th, 2011.Edward Rowland Sill, American poet and educator, was born in Windsor, Connecticut. He was a modest and charming man, a graceful essayist, a sure critic. His contribution to American poetry is small but of fine quality. His best poems, such as "The Venus of Milo," "The Fool's Prayer" and "Opportunity," gave him a high place among the minor poets of America, which might have been higher but for his early death. (summary from Wikipedia)

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  Stumblings

  Keith Ravenscroft

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  ‘Better to have questions you can’t answer than answers you can’t question.’
   
  The author describes these poems as ‘stumblings’ because they are stumbling attempts to understand what can seem beyond understanding. In his writing he confronts the issues that are inescapably a part of being human, as he sees them playing out in the maelstrom of his own life. He takes us into areas of desperation, confusion, even despair, but also of acceptance, fulfilment, ecstasy, obstinate faith, and above all of tender love.
   
  The poems range widely through philosophical musings, urgent questioning about what it is to be human, irony, self-mockery, overwhelming passion – and always with an intensity that acknowledges that everything matters, everything has meaning if only we could decode it. And throughout this volume the writer attempts to comprehend and reach the elusive God who 
  he believes in but fails so comprehensively to connect with as deeply as he longs to. 
   
  Any readers who are prepared to stumble with the writer on this poetic journey through life may find themselves in a place where they can at least begin to understand, accept, and even glory in their imperfect humanity as the writer does. And maybe hope to stumble into Grace, 
  enlightened and affirmed.

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  The Verge

  Susan Glaspell

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  This play is Glaspell’s recognition of the way in which Victorian society left some women feeling trapped in roles for which they were unsuited. Because of the play’s non-realistic speech patterns and expressionistic elements, it was dismissed by most critics as being muddled and confusing. It has recently been ‘‘rediscovered’’ by feminist theorists, however, who see the work as an important contribution to theatre history. In 1921 when this play was first produced, women were still expected to stay at home and be dutiful wives and mothers. Many women began to voice dissatisfaction with their lack of opportunities and tried to change the situation. Thus, the feminist movement began to take hold. Other women rebelled by retreating into despondency, depression and, sometimes, madness. The Verge also reflects the fascination with Freudian theory that was sweeping the United States at the time. Freud had delivered his first U.S. lectures in 1909, and his theories of psychoanalysis and dream interpretation were widely discussed in many popular publications of the day. (Summary by by Michele Eaton)CastAnthony: Algy PugHarry Archer: tovarischHattie: Victoria PClaire: Michele EatonRichard Demming: balaTom Edgeworthy: Chuck WilliamsonElizabeth: Elizabeth KlettAdelaide: Amanda FridayDr. Emmons: Sarah ParshallNarrator: Tricia GAudio edited by Michele Eaton

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  The Tinker's Wedding

  John Millington Synge

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  The Tinker's Wedding is a two-act play written by Irish playwright J. M. Synge. The author's only comedy, it is set on a roadside near a chapel in rural Ireland. (summary by Wikipedia)Cast:Michael Byrne: mbMary Byrne: Elizabeth KlettSarah Casey: Arielle LipshawA Priest: Algy PugNarrator: Frances BrownAudio edited by: Arielle Lipshaw

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