Outros livros que poderiam interessá-lo

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  Crabwise to the Hounds

  Jeramy Dodds

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  Winner of the Trillium Book Award for Poetry
    
     
    Nominated for the Griffin Poetry Prize and the Gerald Lampert Award.
    
     
    
    
     
    With cameos by jackalopes, Glenn Gould, homemade spaceships and Carl Linnaeus, these poems are remarkable for their technical agility and their restless inventiveness. There's anelegance here that matches Dodds' impulse to challenge the reader with fresh metaphor and astonishing phrasing; the formal ambitions of many of the poems in  Crabwise to the Hounds  are balanced by an inclination towards wordplay and abright musicality. Humorous at times, yet always handled with consummate craft, these poems invoke historical figures like Hiram Bingham and Ho Chi Minh even as they traverse a poetic landscape that includes telephone-game-style translations, interpretive dance poems on historic paintings and carnivalesque jaunts into a natural world overrun with mules, Alsatians, lions, and motorcycle-sized-deer.

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  Elegies & Laments - Poetic...

  Percy Bysshe Shelley, Thomas...

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  In these more modern time perhaps our first thoughts of an Elegy or a Lament is for someone’s passing.  Wreathed in grief and death we think of a headstone on a silent grave and the memories that shelter within our hearts, slowly receding from one generation to the next, as an often lonely voice extols the virtues and traits of the one who has passed. 
   
  But these two very early forms of poetry, dating back to at least Ovid and probably further, are also surprising in their lyrical touch.  These are not just mournful and sad but also whimsical or rich with celebration and tribute as they journey through joy, laughter, love, tears and comfort. 
   
  Our Classic Poets, who have specifically chosen to include the form in the title of their work, include the likes of Percy Bysshe Shelley, Thomas Chatterton, Aphra Behn, Rainer Maria Rilke, Radclyffe Hall and many others of equal measure are always surprising in their views, their analysis and their sharing of words and thoughts, offering feelings that mirror our own and provide a balm of many hues for our wounded and tender souls. 
   
  1 - Elegies and Laments - An Introduction 
  2 - Elegy Written in a Country Churchyard by Thomas Gray 
  3 - The Lament of Swordy Well by John Clare 
  4 - An Elegy on a Pile of Ruins by John Cunningham 
  5 - Lament by Rainer Maria Rilke 
  6 - Elegy - Supposed to Be Written in Barnet Churchyard by George Townsend 
  7 - Elegy by Thomas Chatterton 
  8 - A Lament by Radclyffe Hall 
  9 - An Elegy by Ben Jonson 
  10 - Laeta - A Lament by HP Lovecraft 
  11 - Angellica's Lament by Aphra Behn 
  12 - Amores - Book I Elegy V - Corinna in an Afternoon by Ovid 
  13 - Morning Lament by Johann Wolfgang von Goethe 
  14 - The Wind's Lament by John Morris-Jones 
  15 - Noon Day Elegiacs by T W Rolleston 
  16 - Midnight Lamentation by Harold Munro 
  17 - February. An Elegy by Thomas Chatterton 
  18 - Elegy in April and September by Wilfred Owen 
  19 - Elegy by Anna Seward 
  20 - Autumn Elegy by Leslie Norris 
  21 - Elegy on the Year 1788 by Robert Burns 
  22 - Elegy for an Enemy by Stephen Vincent Benet 
  23 - An Elegy on the Death of a Mad Dog by Oliver Goldsmith 
  24 - Pointless It Is To Lament by Narsinh Mehta 
  25 - To the Beloved Dead - A Lament by Alice Meynell 
  26 - The Slave's Lament by Benjamin Cutler Clark 
  27 - The Slaves Lament by Robert Burns 
  28 - A Lament by Katharine Tynan 
  29 - The Going of the Battery (Wives Lament November the 2nd 1899) by Thomas Hardy 
  30 - Lament in 1915 by Harold Munro 
  31 - An Elegy on the Death of Llywelyn ab Gruyffyd by Gruffydd ap Yr Ynad Coch 
  32 - Elegy to the Memory of an Unfortunate Lady by Alexander Pope 
  33 - Elegy on a Lady Whom Grief for the Death of Her Bethrothed Killed by Robert Seymour Bridges 
  34 - Lament by Edna St Vincent Millay 
  35 - The Mother's Lament For Her Infant by Lucretia Maria Davidson 
  36 - Elegy on the Death of Mr Phillips by Thomas Chatterton 
  37 - Lament for the Poets, 1916 by Francis Ledwidge 
  38 - Lament for Thomas McDonagh by Francis Ledwidge 
  39 - Elegy on the Earl of Rochester by Anne Wharton 
  40 - Elegy on William Shakespeare by William Basse 
  41 - Adonais - An Elegy on the Death of John Keats by Percy Bysshe Shelley

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  "Daddy": A Melodrama

  Jeremy O. Harris

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  Franklin, a young black artist on the eve of his first show, meets Andre, an older white art collector, and before long their feverish connection develops into an unbreakable bond.
  But when Franklin's mother, Zora, decides that her son is in peril, she enters into a battle of wills with Andre over the soul of the man they both call 'baby'.
  Basquiats and Birkins, gospel and pop, fantasy and reality: all collide around a Bel Air swimming pool in this deeply surreal exploration of intimacy and identity.
  "Daddy" is Jeremy O. Harris's blistering melodrama, first performed in New York City in 2019, and at the Almeida Theatre, London, in 2022, directed by Danya Taymor.

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  Poems and Ramblings: of a...

  Jan Esmann

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  These poems offer unique insights into the heart and soul of an enlightened person. The spirit of the poems is contagious and reading them can give rise to a transmission or awakening of Shakti (spiritual energy). The author is an ardent Mother devotee, which shines forth in every poem. The book is divided into two equal parts. 1. the poems. 2. the ramblings which are short prose pieces on spirituality and sadhana (spiritual practices). In the second part, the important practice of Kriya Pranayama is explained.

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  The Love Poems

  Ovid

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  The Roman poet Publius Ovidius Naso (Ovid) is best known for his epic poem Metamorphoses, a collection of myths and legends from Ancient Greece and Rome. His works continue to be widely read and admired, and he is regarded as one of the most significant poets of ancient Rome.
  Ovid’s love poems are both brilliant and evocative. In Amores (‘Loves’), the romantic mysteriousness of elegiac love-poetry is exploded by his witty and ironic treatment of the form. Ars Amatoria (The Art of Love) and Remedia Amoris (The Cures for Love) both lay down the rules for the game of love, which both sexes can play.
  A.D. Melville’s translations, which also include the lesser-known Cosmetics for Ladies, have been specially licensed for this recording. It is delivered with customary panache by David Timson.

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  For the Marriage of Faustus and...

  Hart Crane

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  Harold Hart Crane was born on the 21st July 1899 in Garrettsville, Ohio. 
  Crane was drawn to literature at an early age, becoming a voracious reader and pursuing self-education rather than attach himself to a more formal college education, although he did attend East High School in 1913.  His developing love of poetry was nurtured with the works of the English Romantics and the French Symbolists, as well as near contemporary American poets. 
  Much of his youth was spent shuttling between Cleveland and New York as his parents’ marriage descended into continuing conflict before they separated with Crane still in his teens.  Shortly after Crane attempted to enlist in the U S Military but was rejected for being a minor. 
  His first published poem also came in 1917 with ‘C33’ and its reference to the cell number that Oscar Wilde was incarcerated in. 
  Crane now centred more of his time in New York and immersed himself in the vibrant artistic scene of Greenwich Village.  Alongside this he dabbled in various jobs to support himself, including copywriting and work in a munitions factory, as he continued to develop his ambitions for a poetic career.   
  His early work was already being noticed for its lush and rich use of words and by the time ‘White Buildings’ was published in 1926 he was being critically acclaimed. 
  Despite this success his personal life was troubled.  It was both nourishing his work and fuelling complex patterns of despair as he sought to establish his identity.  In a time when homosexuality was openly condemned his openly gay attitude sat uneasily as he pursued relationships that were both intense and emotionally fraught. 
  His acclaimed work ‘The Bridge’ in 1930 was both ambitious and a foundation stone for new American poetry.  Against this his battles with depression and alcoholism were being lost. 
  Hart Crane died on the 27th April 1932 by jumping from the deck of a steamship into the Gulf of Mexico upon his return to the United States from Mexico.  He was 32.

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