Other books that might interest you

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  Philo Vance Detective: Argyle...

  Jackson Beck

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  The Argyle Murder Case opened with the finding of the body of a man dressed in brand new clothing with the exception of a pair of argyle socks. Vance, with only this meagre clue to work on, identifies the body and manages to interview three people, Roger Star owner and feature performer in a theater company, Lila Martin, an actress, and Milton Talbot, publisher of a theatrical newspaper.

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  Play's The Thing with Fibber and...

  Carl Amari

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  Fibber McGee and Molly are putting on a play, while Boston Blackie tries to solve The Fred Arlen Murder. Plus, Hollywood news, trivia contents and The Shadow starring Orson Welles!
  A Falcon Picture Group audio production.

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  Opium The Flowers of Evil

  Donald Wigal

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  Opium, once used for ritual purposes, is a substance which dulls pain and offers access to an artificial world, and has long been idealized by artists and markets. Baudelaire, Picasso, and Dickens were all inspired to create by the blue clouds of smoke. Known as either a sacred drug or the worst of poisons, opium rapidly became popular in Great Britain and a source of commerce with Imperial China. This illustrated work presents the history and quasi-religious rites of opium’s use.

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  Only Wanna Be with You - The...

  Tim Sommer

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  In 1985, Mark Bryan heard Darius Rucker singing in a dorm shower at the University of South Carolina and asked him to form a band. For the next eight years, Hootie & the Blowfish—completed by bassist Dean Felber and drummer Soni Sonefeld—played every frat house, roadhouse, and rock club in the mid-Atlantic and Southeast, becoming one of the biggest independent acts in the region.In Only Wanna Be with You, Tim Sommer, the ultimate insider who signed Hootie to Atlantic Records, pulls back the curtain on a band that defied record-industry odds to break into the mainstream by playing hacky sack music in the age of grunge. He chronicles the band's indie days; the chart-topping success—and near-cancelation—of their major-label debut, cracked rear view; the year of Hootie (1995) when the album reached no. 1, the "Only Wanna Be with You" music video collaboration with ESPN's SportsCenter became a sensation, and the band inspired a plotline on the TV show Friends; the lean years from the late 1990s through the early 2000s; Darius Rucker's history-making rise in country music; and one of the most remarkable comeback stories of the century. Featuring extensive new interviews with the band members, some of their most famous fans, and stories from the recording studio, tour bus, and golf course, this book is a must-listen for Hootie lovers and music buffs.

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  Photo by Sammy Davis Jr

  Burt Boyar

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  Sammy Davis, Jr. will forever be remembered as one of America's finest entertainers. An all–around performer who could sing, dance, and act, Davis broke racial barriers in the entertainment world and became the only non–white member of the Rat Pack. Only now, however, is Davis's talent as a photographer finally being recognized. In this previously unpublished collection of black and white photography, readers will be fascinated by Davis's portrayals of A–list performers, iconic world leaders, and scenes from everyday life. Davis's subjects include dozens of classic celebrities–such as Frank Sinatra, Marilyn Monroe, Paul Newman, and James Dean–who are often photographed at their most casual and revealing moments.Accompanying the pictures is an assortment of remembrances by Burt Boyar, a longtime friend and traveling companion of Davis who collaborated with the entertainer on both of his autobiographies. Through a series of memorable anecdotes, Boyar reflects on Davis's many achievements as well as the private moments they shared as friends. Along with Davis's candid shots of ordinary life–from a group of children laughing to a baseball game at the Washington Monument–these stories reveal a side of the performer far removed from his Rat Pack persona.The release of this book will also coincide with the release of Burt Boyar's upcoming documentary, Sammy Speaks, created from his extensive archive of taped conversations with the star.

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  Ludwig van Beethoven: The Life...

  Charles River Editors

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  Among all of history’s greatest musicians, few have been as admired or influential as Ludwig van Beethoven, whose name remains synonymous with composing. Works like his Fifth and Ninth symphonies remain instantly recognizable over 200 years after they were composed, and their sweeping and grandiose nature are made all the more amazing by the fact that their author was gradually going deaf and couldn’t hear music very well by the time he was composing them. Similarly, the “Moonlight Sonata” and "Für Elise" are renowned across the world and are some of the most famous piano pieces of all time. 
  At the same time, Beethoven’s work ushered in a new era in art, helping the transition from the Classical era to the Romantic era. In the 180 years since his death, Beethoven has been enshrined by modern society as one of the most esteemed classical composers in the history of civilization, but he had a profound and immediate influence on the German musical lineage that would pass through Robert Schumann, Richard Wagner, Gustav Mahler and Richard Strauss all the way to composers of the 20th and early 21st centuries. At a time when music was very much viewed as science, Beethoven was a giant in the field, and as such he was viewed as a genius. As Beethoven himself once put it, “Music is the one incorporeal entrance into the higher world of knowledge which comprehends mankind but which mankind cannot comprehend.” 
  In terms of assessing the essence of Beethoven’s era, character or musical output, no unqualified categorization is possible, for he straddled a titanic shifting of social ideologies, performance and compositional practices, intra-continental upheavals and an emergence of the championed self in all forms of civic and artistic expressions. The ideals of the Enlightenment, an intellectual tide that swept throughout the late 18th century and opened the door to a new individualism, did not remain static through his lifetime.

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