Otros libros que te pueden interesar

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  Days and Days - A Story about...

  Chris MacDonald

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  It might seem odd—a punk band introducing poetry into someone's life. But what if this lyrical influence was the reason you became a writer in the first place? 
   
  Days and Days weaves together two stories. One is a tale of friendship and self-discovery that occurs during a backpacking adventure through England, Scotland, and Ireland. The other celebrates the highly influential yet underestimated United Kingdom band Leatherface, a group that The Guardian called "the greatest British punk band of the modern era." Without so much as a single hostel booked, Chris MacDonald and his friend Jason cross the Atlantic. They sleep in train stations, endure a haunting on top of a volcano in Edinburgh, are driven out of Belfast by the IRA, and witness the mother of all storms. They also find themselves in the rehearsal space of their teenage punk idols, a building steeped in cultural significance for the Sunderland music scene. 
   
  Days and Days is about the silver thread that connects us even after drifting apart. It's a story about forgiveness and reflection, how beauty can be found within callous cladding. Leatherface band members, colleagues, and friends generously share personal insights that guide the listener into the melancholy, darkness, and humor that surround Sunderland's best-kept secret.

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  Immigrantish Poetry

  Tim Hakadosh

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  Immigrantish Poetry by Timotheus Hakadosh is a captivating collection of poems that explores the experiences of immigrants. Through the lens of his own personal journey as an immigrant, Hakadosh's poetry delves into themes of identity, belonging, and cultural displacement.

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  The Beatles' Let It Be

  Steve Matteo

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  The recording sessions for Let It Be actually began as rehearsals for a  proposed return to live stage work for the Beatles, to be inaugurated  in a concert at a Roman amphitheater in Tunisia. In this thoroughly  researched book, Steve Matteo delves deep into the complex history of  these sessions. He talks to a number of people who were in the studio  with the Beatles, recording the sights and sounds of the band at work  bringing to life a period in the Beatles’ career that was creative and  chaotic in equal measure.

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  Cold Lens as a Filter

  Jana Müller

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  Die Publikation versammelt Müllers Arbeiten der letzten 20 Jahre und macht die Vielschichtigkeit ihrer künstlerischen Recherche in verschiedenen medialen Ebenen erfahrbar

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  Cliché-Verre - Miniatures On Glass

  Brian Allan Skinner

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  Cliché-verre is a technique of etching and painting directly on photographic negatives. The term means “glass negative” in French and is as old as photography itself, dating to the 1840s and earlier. The first successful photographic process involved coating glass plates with light-sensitive chemicals from which reversed (positive) prints could be made. Artists experimented with drawing, etching, and combining images directly on the glass, resulting in fanciful black-and-white prints. But few artists were inspired to develop the idea further until the advent of color photography in the early 20th Century. 
  The Magic Lantern, long predating photography, was invented by Christiaan Huygens, a Dutch astronomer and physicist, in the 1600s. It is a simple device for projecting images, based upon the centuries-old principles of the “camera obscura” or “darkened room.” When the photographic process evolved to  
  film rather than glass plates, the technology spread. Color film arrived in the 1930s. There were now both film negatives and positives (slides). 
  Brian Allan Skinner is the author of six volumes of illustrated fiction. His experiments with cliché-verre began in the 1960s. Here are 50 examples of his work from the past half-century, in brilliant color. In the epilogue, he explains his process in detail.

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  Ugh! As If! - Clueless

  Veronica Litt

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  A sweet and sly exploration of the Jane Austen–inspired teen movie and its evergreen imperative to be kind, do better, and find the activist within
  		 
  We are totally butt-crazy in love with Clueless. Since the movie’s premiere in 1995, pop culture has mined Amy Heckerling’s high school comedy for inspiration, from Iggy Azalea and Charli XCX’s “Fancy” music video to Cher’s iconic yellow plaid suit appearing at every Halloween party.
  		 
  In Ugh As If!, Veronica Litt argues that this seemingly fluffy teen romp is the quintessential thinking woman’s movie, one in which the audience is asked to seriously consider the beauty and power of naïveté. Cher Horowitz’s gradual pivot from oblivious it girl to burgeoning activist is a powerful reminder that even the most unlikely people can change for the better and contribute to their communities. In this bright, shiny film, pursuing a more just society isn’t just possible — it’s enjoyable. This fun, feminine, feel-good movie is a counter-narrative to nihilism, a refusal to give into cynicism, hopelessness, and passivity. Almost without viewers noticing, Clueless teaches Cher, and us, how to become better. Like the film it examines, Ugh As If! nudges even the most jaded viewer into feeling hopeful about the future.
  		 
  About the Pop Classics Series
  		 
  Short books that pack a big punch, Pop Classics offer intelligent, fun, and accessible arguments about why a particular pop phenomenon matters.

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