Other books that might interest you

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  Revolutionary Desires - The...

  Xuanlin Tham

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  Sex on screen is unnecessary, gratuitous, and serves no purpose. This is the sentiment on the rise as cinema becomes less and less sexy.
  Xuanlin Tham counters that sex scenes can open our minds and bodies to the possibility of new futures, and seduce us towards an expanded political imagination. Through The Matrix Reloaded, Lingua Franca and beyond, Revolutionary Desires explores how the form's intimacies, transgressions, and dedication to pleasure can be uniquely poised to rupture dominant narratives of capitalism and the violences that flow from it.
  Why is the sex scene, demonised as it is, therefore more politically important and subversive than ever? And how can it power a desire for something more?

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  Songs of Suffering - 25 Hymns...

  Joni Eareckson Tada, Dan...

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  As an author, speaker, and advocate for people with disabilities, Joni Eareckson Tada has inspired people around the world with her story of faith in the midst of suffering. In this beautiful collection of hymns and devotions she acts as a "song leader," guiding readers through their own painful seasons with heartfelt praises to God.
  Songs of Suffering includes 25 hymns with accompanying devotions to spark hope in hardship. In this audiobook version, Eareckson Tada performs verses from each song. Opening with a special message from hymn writers Keith and Kristyn Getty, this book is a source of comfort for anyone who needs biblical encouragement, prompting readers to seek refuge in the Lord and rejoice in his goodness.

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  The Rock & Roll Hall of Fame -...

  Craig J. Inciardi

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  The Indiana Jones of rock history and founding curator of the Rock and Roll Hall of Fame Museum narrates the Hall’s wild history and his quest to build its collection from scratch—from Ozzy Osbourne’s country manor to Keith Moon’s childhood bedroom and Art Garfunkel’s personal archives—including stories about Debbie Harry, Mick Jagger, Chuck Berry, Bob Dylan, Bruce Springsteen, and more. 
    
  Craig Inciardi was a rising star at Sotheby’s, collecting iconic pieces of rock and roll memorabilia and rubbing shoulders with rich and famous collectors when he was recruited by the founders of the Rock & Roll Hall of Fame Museum for his dream job. Craig’s mandate: Travel the globe and assemble the world’s greatest collection of rock memorabilia ever. What Craig didn’t know at the time was that there was no “museum.” In fact, there was no existing collection other than “a guitar of no importance and three interesting sheets of paper.” So began an epic rock odyssey, with Craig as popular music’s Indiana Jones. 
    
  Working first from a cubicle in the Rolling Stone headquarters in New York and at the constant beck and call of the legendary Jann Wenner, Craig began his work, hounding musicians and their managers for memorabilia for the non-existent museum. His travels brought him to the doorsteps of the most legendary musicians of our time: to Ozzy Osbourne’s vast English estate (Ozzie met him with a rifle in hand) and Keith Moon’s perfectly preserved boyhood bedroom. He pored through letters Paul Simon wrote to Art Garfunkel when they were both kids at sleep away camps, and from Yoko Ono he collected John Lennon’s glasses, stored with his other possessions in a heavy steel briefcase on the day of his murder. Every story is told in lush detail that Rock and Roll fans will savor. 
    
  Equally fascinating is Inciardi’s first-hand account of the chaotic formation of the Rock and Roll Hall of Fame itself, taking us backstage to the very first induction ceremonies, an innocent time when long overlooked musicians and some former enemies celebrated each other and jammed into the night with friends and family looking on, as well as the secret induction meetings where top record company executives and managers bitterly argued over who would be included and who wouldn’t.

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  Francis Bacon's Nanny

  Maylis Besserie

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  At the very centre of the life of one of the twentieth-century's greatest artists was the most unexpected of life-long influences. The aptly named Jessie Lightfoot shielded the young Francis Bacon from the brutish violence of his bullying father, as well as from his worst self-immolating excesses later in life. The tenderness, wit and warmth of this inimitable Nanny stands in illuminating relief to the sulphurous palette that defined Bacon's work.
  Beyond the humour and heart of this extraordinary woman – who finds herself confronted with the shade and guile of the artworld – Maylis Besserie also gives us a glimpse of Ireland in the first half of the twentieth century, both a powder keg and a place apart from the rest of the world, whose landscapes, imagery and animals haunted the famous painter's canvases.
  In the final of Maylis Besserie's Irish-French trilogy, her preoccupation with the art and lives of artists who crossed borders between France and Ireland has a fitting climax as Bacon confronts the boundaries between the real and the imagined.
  
  
  'In a virtuoso feat of literary ventriloquism, Maylis Besserie follows the advice of the Greek poet Cavafy to approach the world from unique and strange angles. Through the eyes of Bacon's nanny and close companion, she gives us brilliant insights into the conflicting personal, sexual, and artistic impulses that shaped a remarkable artist, rendered in the steadfast voice of someone who understood and loved the complex man behind the art. It marks a wonderful conclusion to a remarkable Irish trilogy.' Dermot Bolger

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  A collection of 50 poelyrics...

  Steve Dafoe

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  Volume 2 of 50 Song Poems or Poe-Lyrics. The first 90 were released in 2011. They are the lyrics from Vocal songs that the author has penned over time.Details

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  First Quarter

  John Tuomey

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  In this reflective and enriching memoir, John Tuomey navigates the places and memories of his life over the scope of twenty-five years. First recognised for the urban regeneration of Dublin's Temple Bar, which included the construction of the Irish Film Institute, the National Photographic Archive and Gallery of Photography, his life in architecture led him to design social and cultural spaces such as the Lyric Theatre in Belfast, the Glucksman Gallery in UCC and the Victoria & Albert East Museum in London.
  
  Imbued with many inter-textual references to poetry, drama and literature and written in limpid prose, this memoir is inherently literary in nature. Tuomey looks back to his early life where he was born in Tralee and lived in different counties around Ireland, from small towns to country landscapes, from schooldays in Dundalk to student activism at University College Dublin. He traces the pathways that led to his formation as an architect, reflecting on the many cultural and social influences on his life. He excels in capturing the social landscape of Dublin in the 1980s and pays particular attention to the many buildings and social hubs of the inner city. His transient years of moving from Dublin to London, and subsequently working in places like Nairobi and Milan, chronicle the international influences on his outlook. The key relationships in his life, including meeting his future wife, Sheila – a fellow student of architecture in UCD – and his pivotal employment by James Stirling in 1976, form the backbone of his personal and professional life.
  
  Tuomey's expertise in his field is unsurpassed, with meticulous detail given to the finer aspects of design and architecture. His thoughts on the challenges facing the encroaching erasure of city life in Dublin are essential reading for anyone with an interest in the future of building in the city.

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