Outros livros que poderiam interessá-lo

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  A Rhyme A Dozen ― Spring - 12...

  Claude Mckay, William Morris,...

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  ‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears. 
  1 - A Rhyme A Dozen - 12 Poems, 12 Poets, 1 Topic - Spring - An Introduction 
  2 - Ode on the Spring by Thomas Gray 
  3 - Sonnet VIII - To Spring by Charlotte Smith 
  4 - Spring by Gerard Manley Hopkins 
  5 - I Have a Bird in Spring by Emily Dickinson 
  6 - Spring by Alfred Lord Tennyson 
  7 - Prairie Spring by Willa Cather 
  8 - In Springtime by Rudyard Kipling 
  9 - Spring in New Hampshire by Claude McKay 
  10 - Spring's Bedfellow by William Morris 
  11 - Spring Showers by James Thomson 
  12 - Spring Rain by Sara Teasdale 
  13 - These, I, Singing in Spring by Walt Whitman

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  The Poetry of Elinor Wylie - One...

  Elinor Wylie

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  Elinor Morton Hoyt was born on 7th September, 1885 in Somerville, New Jersey and from age 12 grew up in Washington D C where her father served as assistant attorney general and later solicitor general.  Her early education together with her renowned beauty suggests she was being trained for life as a debutante but her life quickly found another route as she became absorbed in the world of books. 
   
  An early marriage following her graduation ended when, after being pursued by Horace Wylie, 17 years her senior and a married Washington lawyer with three children, she eloped to England with him.  His wife would not divorce him and the subsequent scandal was widely publicised further fueled by the suicide in 1912 of her abandoned husband. 
   
  With Wylie's encouragement she published in 1912, ‘Incidental Number’, assembled from poems of the previous decade. 
   
  Despite a child from her first marriage Elinor subsequently endured miscarriages, a stillbirth and a premature child who lived for only one week.  When Wylie’s deserted wife agreed to a divorce, the couple returned to the United States and married but they were already drawing apart. 
   
  In 1921, Elinor’s ‘Nets to Catch the Wind’, was published. It was an immediate success and a prize-winner.  In New York’s literary circles she found her next husband who acted as her agent – the poer William Rose Benét, brother of the famed Stephen. They married in 1923 and that same year ‘Black Armor’, was published. The New York Times said "There is not a misplaced word or cadence in it."  She also published her first of four novels, ‘Jennifer Lom’, to excellent reviews. 
   
  She worked for a time as the poetry editor of Vanity Fair, an editor of Literary Guild, and a contributing editor of The New Republic.  Her third book of poetry, ‘Trivial Breath’ arrived in 1928 as did the failure of her marriage with Benét.  
   
  She moved again to England and fell in love with a friend’s husband, to whom she wrote, and later published a series of 19 sonnets; ‘Angels and Earthly Creatures’. 
   
  Elinor Wylie suffered high blood pressure all her adult life and this eventually led to her death at Benet’s New York apartment on 16th December, 1928 where she suffered a stroke. She was 43. 
   
  1 - The Poetry of Elinor Wylie - An Introduction 
  2 - Wild Peaches by Elinor Wylie 
  3 - Escape by Elinor Wylie 
  4 - Ophelia by Elinor Wylie 
  5 - The Puritan's Ballad by Elinor Wylie 
  6 - Velvet Shoes by Elinor Wylie 
  7 - Parting Gift by Elinor Wylie 
  8 - Little Elegy by Elinor Wylie 
  9 - Love Song by Elinor Wylie 
  10 - Quarrel by Elinor Wylie 
  11 - Valentine by Elinor Wylie 
  12 - Les Lauriers Sont Coupee by Elinor Wylie 
  13 - Sunset on the Spire by Elinor Wylie 
  14 - Phases of the Moon by Elinor Wylie 
  15 - Full Moon by Elinor Wylie 
  16 - Nadir by Elinor Wylie 
  17 - Address to My Soul by Elinor Wylie 
  18 - The Child on the Curbstone by Elinor Wylie 
  19 - The Eagle and the Mole by Elinor Wylie 
  20 - The Falcon by Elinor Wylie 
  21 - A Proud Lady by Elinor Wylie 
  22 - Preference by Elinor Wylie 
  23 - Nancy by Elinor Wylie 
  24 - The Lion and the Lamb by Elinor Wylie 
  25 - Beauty by Elinor Wylie 
  26 - The Tortoise in Eternity by Elinor Wylie 
  27 - The Fairy Goldsmith by Elinor Wylie 
  28 - Innocent Landscape by Elinor Wylie 
  29 - A Madman's Song by Elinor Wylie 
  30 - Poor Earth by Elinor Wylie 
  31 - The Church Bell by Elinor Wylie 
  32 - Cold Blooded Creatures by Elinor Wylie 
  33 - Let No Charitable Hope by Elinor Wylie 
  34 - Little Joke by  Elinor Wylie 
  35 - Pretty Words by Elinor Wylie 
  36 - Incantation by Elinor Wylie 
  37 - Fire and Sle

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  Maps You Can't Make

  Mariella Saavedra Carquin

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  Trauma takes up real space within us, and it can be so difficult to hold. How do we access that place of longing and loss, of fragmented memory and grief? How do we carry it as we walk in the world? There’s no map for this, no clear path through the internal landscape it reshapes, no easy way to make meaning of our lives in that disoriented state. Mariella Saavedra Carquin confronts hard truths in this powerful debut collection, pushing through layered complexities of immigration, race, and identity to find a way forward.

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  Our Emotional Complexities

  Anna Coldman

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  Our Emotional Complexities is a powerful journey into the raw, unfiltered core of what it means to feel. Each page captures a single emotion in its purest form, offering a space to pause, reflect and connect. These are the poems that speak to the moments you thought no one else understood. Let yourself be seen. Let yourself feel. Let the words guide you through the beautiful, messy complexity of being human. This is not just poetry. This is emotional truth, one feeling at a time.

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  Chrome Valley - Poems

  Mahogany L. Browne

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  "Browne’s narration of her work is masterful, capturing a range of emotion through inflection, cadence, and volume. It’s an unfettered celebration of Black resilience that will leave listeners satisfied, yet eager to hear more from this gifted poet." - Library Journal, Starred Review 
   
  From Lincoln Center’s inaugural poet-in-residence comes this unflinching collection that intricately mines the experience of being a Black woman in America. 
   
  A highly anticipated volume from critically acclaimed poet Mahogany L. Browne, Chrome Valley is at once a luminous hymn and a battle cry. Spanning the course of her own life as well as embodying centuries of virulent history, this collection pays solemn tribute to the women who came before her. Musically effervescent yet cutting poems capture the peculiar joys and pangs of Black girlhood: “you ain’t had freedom / ’til you climb on a bus 62 / & head to the closet mall / for a girl fight”; while others explore the inherent grief of motherhood, rhythmically intoning names like the tolling of a church bell: “Because Lesley McSpadden / Because Mamie Till / Because a Black mother know ain’t no song for that empty in ya belly.” Transcendent and grounded, funny and furious, the poems within bring depth to a movement, announcing Mahogany L. Browne as one of the most important poetic voices of our time.

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  For the Marriage of Faustus and...

  Hart Crane

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  Harold Hart Crane was born on the 21st July 1899 in Garrettsville, Ohio. 
  Crane was drawn to literature at an early age, becoming a voracious reader and pursuing self-education rather than attach himself to a more formal college education, although he did attend East High School in 1913.  His developing love of poetry was nurtured with the works of the English Romantics and the French Symbolists, as well as near contemporary American poets. 
  Much of his youth was spent shuttling between Cleveland and New York as his parents’ marriage descended into continuing conflict before they separated with Crane still in his teens.  Shortly after Crane attempted to enlist in the U S Military but was rejected for being a minor. 
  His first published poem also came in 1917 with ‘C33’ and its reference to the cell number that Oscar Wilde was incarcerated in. 
  Crane now centred more of his time in New York and immersed himself in the vibrant artistic scene of Greenwich Village.  Alongside this he dabbled in various jobs to support himself, including copywriting and work in a munitions factory, as he continued to develop his ambitions for a poetic career.   
  His early work was already being noticed for its lush and rich use of words and by the time ‘White Buildings’ was published in 1926 he was being critically acclaimed. 
  Despite this success his personal life was troubled.  It was both nourishing his work and fuelling complex patterns of despair as he sought to establish his identity.  In a time when homosexuality was openly condemned his openly gay attitude sat uneasily as he pursued relationships that were both intense and emotionally fraught. 
  His acclaimed work ‘The Bridge’ in 1930 was both ambitious and a foundation stone for new American poetry.  Against this his battles with depression and alcoholism were being lost. 
  Hart Crane died on the 27th April 1932 by jumping from the deck of a steamship into the Gulf of Mexico upon his return to the United States from Mexico.  He was 32.

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