Editora: Classica Libris
The romance of a man who slipped and recovered… As dramatic and moving anything the author of “The Scarlet Pimpernel” has ever written… “And the story—the lovable Amos, the wicked Mr. Horfman, patient Blue Eyes and adorable Grey Eyes—all contrive to bring about the well-known Orczy mixture of love and adventure, laughter nad tears.” Daily Telegraph
Heading for the French Rivieria, recently retired detective Hercule Poirot boards Le Train Bleu in London. This luxury trip, however, quickly turns south—in more ways than one. When the train arrives in Nice, France, American heiress Ruth Kettering is found murdered, and the Heart of Fire ruby that just came into her possession from her father has vanished in an apparent robbery. Add in a jilted husband, a secret lover, and a supposed curse on the missing gemstone, and it's a mystery that just might lure Poirot from his supposed retirement.Ver livro
Presenting "Part One: A Voyage to Lilliput"— the most famous segment of a classic 18th century satire. Shipwrecked on an unknown island, Lemuel Gulliver finds himself not merely a fish out of water, but a very big fish in a small pond. He awakens to find himself tied to the ground by the natives of Lilliput— tiny people small enough to fit in his pocket and play hide and seek in his hair! At first suspicious, Gulliver soon earns the trust of the Lilliputian people, who enlist their newfound giant in defending them from their enemies on the bordering island of Blefufeu— residents who are also desperate to use the giant in their war against Lilliput.Ver livro
Martin Eden by Jack London is the story of a self-taught sailor turned writer who rises from poverty to literary fame. Martin Eden, a working-class dreamer, falls in love with Ruth Morse, an upper-class woman whose family initially rejects him. Driven by ambition and passion, he educates himself voraciously, transforming into a skilled writer. As his works gain recognition, Martin grapples with alienation, disillusionment, and the emptiness of success. While Ruth embraces his achievements, their class differences and evolving values drive them apart. Ultimately, Martin’s existential despair leads to a tragic conclusion, reflecting London’s exploration of ambition, individualism, and the cost of pursuing one's dreams.Ver livro
Clotilde Augusta Inez Mary Graves was born on the 3rd June 1863 at Buttevant Castle, Co. Cork, to parents with military backgrounds. At age nine, the family moved to Southsea in England for yet another military posting. Her father’s postings gave her valuable experiences that would be put to good use in later years in some of her literary works. She was educated at a Catholic convent in Lourdes before returning to London in 1884 to study art in Bloomsbury. She worked part-time at the British Museum and the Royal Female School of Art and generated further income by drawing little pen-and-ink grotesques for the comic papers. A few years later a chance meeting found her writing extra lyrics for a pantomime version of Puss in Boots. She followed up with several financially successful plays, both in London and New York, and gained a measure of notoriety in one with the comparison of marriage and prostitution. Despite her dramatic success she published her first novel in 1911 under the pseudonym of Richard Dehan which she continued to use for later works. As well as novels and plays she published collections of short stories which glow with talent and invention. She was an unusual figure in London society, wearing her hair short, taking on a masculine manner and cut of clothing, and smoking cigarettes in public when such traits were considered eccentric at best. Add to this her admired collection of Chinese and Japanese trophies, her enthusiasm for fly-fishing and her riding of a tricycle and you have a perfect image of this fascinating writer. Clotilde Graves died at the convent of Our Lady of Lourdes at Hatch End in Middlesex, on the 3rd December 1932. She was 69.Ver livro
'Mother and Daughter' can be read as one of Lawrence's diatribes against women. Two women do their best to get along without men but in the end, as Lawrence always proposed, a woman cannot be fulfilled without a dominant man, however unsuitable he may be.Ver livro
