Other books that might interest you

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  Tonton - Story by a 19th Century...

  Adolphe Chenevière

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  The bookshelves of European literature are incredible collections that have gathered together centuries of very talented authors.  From this continent their fame spread and whilst among their number many are now forgotten or neglected their talents endure.  Among them is the masterful Swiss writer Adolphe Cherneviere.

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  What If

  John Bray

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  This audiobook is narrated by an AI Voice. What If, is a historical fiction centered around the relationships between Pontius Pilate and his wife Claudia, Pontius Pilate and his boss Tiberius Caesar, and Pontius Pilate and Jesus (who was brought to Pilate in about 34 AD for judgement). It touches on themes of predestination and freewill and asks, "What if Pilate had made a different decision at the trial?

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  Forgotten Authors The - Volume 4...

  Jane Findlater, Charles Foley,...

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  Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. 
  In literature the ambition is much narrower.  In order to be known, to be popular, you had to be published.  And for that people had to know you existed and your ideas worth reading.  Obviously for most of humanity’s time people couldn’t read and texts couldn’t be published in any great number. 
  In the 15th Century Gutenberg’s printing press began the revolution to address the second and by the 19th century had gathered pace with startling speed and mass distribution.  Education for the many was brought in to help people understand more of their world and, with new skills, how to have a better place within it.  Now, if the powers that owned the presses and means of distribution agreed an audience would now be able to avail themselves of your ideas, your printed words.  
  Sadly, in the thirst for the new, the recent and the past fell from sight, relegated to dark corners and dusty shelves.   
  But the printed word is rarely without someone, somewhere busying themselves through piles of papers and books rediscovering what a good story is, whatever its age. 
  Sadly, in the thirst for the new, the recent and the past fell from sight, relegated to dark corners and dusty shelves.    
  But the printed word is rarely without someone, somewhere busying themselves through piles of papers and books rediscovering what a good story is, whatever its age. 
  In this volume we offer up a small selection of those talents whose time has now come again.

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  Voltaire In Space: Micromegas &...

  Voltaire, Wiliam F Fleming

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  The sharpest pen of the French Enlightenment, the author of Candide (1759)... and also a sci-fi writer two hundred years before the term existed. This volume brings together two forgotten gems from the 1750s, when Voltaire was at the height of his powers. 
  Micromegas (1752): A 39‑kilometer‑tall giant from Sirius and his smaller (but still enormous) companion from Saturn travel to Earth, where humans are nearly invisible specks. Their philosophical dialogues mock the arrogance of earthly knowledge, directly satirizing Leibniz and Alexander Pope’s claim that “whatever is, is right.” This first‑contact tale—complete with interplanetary travel and alien perspectives—prefigures Stanisław Lem’s Solaris (1961) and Douglas Adams’s The Hitchhiker’s Guide to the Galaxy (1979). 
  Plato’s Dream (1756): Presented as a dream of the Greek philosopher, the story shows the god Demiurgos assigning lesser superbeings to create their own worlds. The result is a riot of flawed, competing designs—a direct critique of religious doctrines that claim perfect cosmic harmony. Here you’ll find the ancestor of “simulated universe” and “creator‑as‑experimenter” tropes, later seen in Olaf Stapledon’s Star Maker (1937) and Iain M. Banks’s Excession (1996). 
  Rediscover the Enlightenment’s fiercest mind as an uncanny prophet of science fiction.

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  The Medicine Woman of Galveston

  Amanda Skenandore

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  Once a trailblazer in the field of medicine, Dr. Tucia Hatherley hasn't touched a scalpel or stethoscope since she made a fatal mistake in the operating theater. Instead, she works in a corset factory, striving to earn enough to support her disabled son. When even that livelihood is threatened, Tucia is left with one option—to join a wily, charismatic showman named Huey and become part of his traveling medicine show. 
   
   
   
  Her medical license lends the show a pretense of credibility, but the cures and tonics Tucia is forced to peddle are little more than purgatives and bathwater. Loathing the duplicity, even as she finds uneasy kinship with the other misfit performers, Tucia vows to leave as soon as her debts are paid and start a new life with her son—if Huey will ever let her go. 
   
   
   
  When the show reaches Galveston, Texas, Tucia tries to break free from Huey, only to be pulled even deeper into his schemes. But there is a far greater reckoning ahead, as a September storm becomes a devastating hurricane that will decimate the Gulf Coast—and challenge Tucia to recover her belief in medicine, in the goodness of others—and in herself.

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  The Prizefighter's Hart

  Emily Royal

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  A spinster. A prizefighter. A marriage of convenience. This bout can't end well. 
   
   
   
  Plain, prim, and beyond marriageable age, Dorothea Hart is resigned to the life of a spinster aunt. But she yearns for a family of her own, and is hopelessly attracted to the 'Mighty Oak'—a prizefighter renowned for his prowess—who stirs previously unknown passions in her. 
   
   
   
  Widower Griffin Oake made his fortune in the ring—but he can't buy respectability, or a footing in society for his daughter. After a disastrous first marriage, he has no wish to wed again, but is looking to employ a genteel woman to chaperone the rebellious teenager—preferably the plainest, dullest woman in London. 
   
   
   
  When Dorothea is publicly compromised, she's pushed into a marriage of convenience with the object of her infatuation. Exiled to the country, with a husband who avoids her, and a stepdaughter determined to defy her, Dorothea's dream of a loving family seems further away than ever . . . and she begins to suspect that Griffin's first wife's death was not an accident. 
   
   
   
  Contains mature themes.

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