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  She sweeps with many-colored Brooms

  Emily Dickinson

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  LibriVox volunteers bring you 11 recordings of She sweeps with many-colored Brooms by Emily Dickinson. This was the Weekly Poetry project for February 24, 2013.Dickinson was a prolific private poet, but fewer than a dozen of her nearly eighteen hundred poems were published during her lifetime. The work that was published during her lifetime was usually altered significantly by the publishers to fit the conventional poetic rules of the time. Dickinson’s poems are unique for the era in which she wrote; they contain short lines, typically lack titles, and often use slant rhyme as well as unconventional capitalization and punctuation.(Summary from Wikipedia)

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  Outside Looking In

  Clare Smith

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  “A characteristic of autism can be a difficulty using speech to express thoughts, feelings, and experiences. However, there is often an eloquence in self-expression using the arts, including poetry. Clare’s sensitive and engaging poems provide an insight into her mind and her autism.” 
  Professor Tony Attwood, author of The Complete Guide to Asperger’s Syndrome. 
  What if you were given a life-altering diagnosis at 57? One that meant you aren’t who you thought you were? But one that explained everything? 
  These poems vibrate with intensity and curiosity about life, and because she came to this knowledge so late in life, many of Clare Smith’s poems focus not so much on what it means to be autistic, but on what it means to be human. 
  Throughout her life, as she struggled to fit into a world that to her was utterly strange, she poured her hopes, her joys and at times her despair into words. 
  She trained as a journalist, taught to cut out all emotion from her reporting, but her private writing is different – she created poetry that spoke to her deepest needs. There, exposed in her writing, is her yearning to belong, her astonishment at the physical world, her knowledge – decades before the doctors confirmed it – that she is different. 
  She’s spent a lifetime trying to make sense of her life – a journey that many of us, whether autistic or neurotypical, are on, and one in which we all face the same questions.

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  Li'l Bastard

  David McGimpsey

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  Finalist for the 2012 Governor General's Award for Poetry
   
  
   
  Chicagoland hot-dog stands are open late. What the fuck you want?' one cashier asks me. What the fuck did I want? Hope? A car? To write? Jesus, I knew – just give me a Pepsi. 
   
  
   
  David McGimpsey's ?fth collection of poems takes to new levels the melding of the deeply personal and the culturally popular that drove his acclaimed book Sitcom (nominated for the A. M. Klein Prize for Poetry). This is confessional poetry as written by a chronic trickster and a committed liar.
  
   
  Written in part as an homage to the poetic idols of McGimpsey's youth, John Berryman and Robert Lowell, Li'l Bastard is a collection of 'chubby sonnets' – sixteen-line poems organized into eight longer sequences – that explore the poet's obsessions and engagements with America and Canada, popular culture, love and death, aging, baseball and beer and Barnaby Jones. Adopting a wild array of tones and artistic strategies, from picaresque to fantasy, to observational humour and the simple song lyric, these poems map the poet's midlife crisis on a wild ?ight that touches down in Montreal, Chicago, Nashville, Texas and L.A.
  
   
  Poignant and often achingly funny, Li'l Bastard will no doubt cement McGimpsey's status as a beloved and ever-surprising original.

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  The Cloud Versus Grand...

  Chris Banks

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  Consciousness and nostalgia in the Swipe Right age
   
  This collection attempts to find poetry, or what Gwendolyn MacEwen once called “a single symmetry,” amid the chaos of 21st-century life. A powerful catalogue of loss and human connection, it considers not only how our identities are formed by places and experiences rooted in childhood, but also by digital newsfeeds, YouTube, and the “gospel of Spotify.” These poems intimately confront topics as diverse as quantum physics, video arcades, mental illness, climate change, road rage, alcoholism, endangered species, and even a gigantic Noah’s Ark replica.
   
  Chris Banks is a poet known for packing his lines with thought and feeling. Building on the generous work of John Koethe, Larry Levis, and Ada Limón, Banks’s wildly expansive, often lyric, deeply accessible poems are brilliant meditations on what it means to be human in a brave new world of cloud computing and smart phones.

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  Freak (NHB Modern Plays)

  Anna Jordan

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  A punchy and provocative new play by the Bruntwood Prize-winning author of Yen. Georgie is thirty with dirty secrets. She drinks in her bedroom and hides from the sun. Leah is fifteen with teenage dreams. She practices her cum face and Veets. A lot. All-meat, all-sex, all-vulnerable, all-powerful. There's a first time for everything... Isn't there? Freak premiered at the Edinburgh Festival Fringe 2014.

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  Remotely Annoying

  Larry Enright

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  This 1 hour, 3 actor, 3 scene comedy is meant to be enjoyed with friends around the dinner table after a good meal and plenty of libations.  
  The premise: The two main characters, Albert and Larry, are 80 year-old twins who have been picking at each other all their lives. They share an apartment, have just purchased a new TV, and are having some difficulty getting it to work. Sounds simple, but things go downhill fast from there and eventually off the cliff when the landlord arrives. The play has a lot of quick back-and-forth dialog so it reads like a comedy routine. It can be performed sitting around the table if someone is reading the stage directions. Actual age of actors is not important. 
  Minimum props required: TV remote, cell phone, two pieces of paper with Awww! and Clap! written on them, two foldout brochures of any kind to function as TV Quick Start Guide and headphone guide. The rest can be mimed. 
  If your plan is to perform it onstage, go for it. You have my blessing as long as you credit the work. Posting a review with a pic of the production would be possibly hilarious, but definitely cool. 
  ​​​​​​​Reviews: The Lansdowne Times might call Remotely Annoying the funniest thing since sliced bread, but nobody thinks sliced bread is funny and there is no Lansdowne Times. However, this play has been fully tested and approved by 8 brave souls who, shall they rest in peace, died laughing. 

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