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  The Complete Tragedies - Oedipus...

  Lucius Annaeus

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  The second of two volumes collecting the complete tragedies of Seneca. Edited by world-renowned classicists Elizabeth Asmis, Shadi Bartsch, and Martha C. Nussbaum, the Complete Works of Lucius Annaeus Seneca offers authoritative, modern English translations of the writings of the Stoic philosopher and playwright (4 BCE–65 CE). The two volumes of The Complete Tragedies presents all of his dramas, expertly rendered by preeminent scholars and translators. The first volume contains Medea, The Phoenician Women, Phaedra, The Trojan Women, and Octavia, the last of which was written in emulation of Senecan tragedies and serves as a unique example of political tragedy. This second volume includes Oedipus, Hercules Mad, Hercules on Oeta, Thyestes, and Agamemnon. High standards of accuracy, clarity, and style are maintained throughout the translations, which render Seneca into verse with as close a correspondence, line for line, to the original as possible, and with special attention paid to meter and overall flow. In addition, each tragedy is prefaced by an original translator’s introduction offering reflections on the work’s context and meaning. Notes are provided for the reader unfamiliar with the culture and history of classical antiquity. Accordingly, The Complete Tragedies will be of use to a general audience and professionals alike, from the Latinless student to scholars and instructors of comparative literature, classics, philosophy, drama, and more.

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  Nature Of The Game - A...

  L. Waran

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  Date: 23rd May 2020 
  Location: North London, The Ends.  
  ​Three weeks into the Uk’s first ever national lockdown.  
  Wiki, a low level drug dealer trudges through what at first appears to be just another vacuous day in his life. 
  But today is not any day… Today, things seem to be reaching towards a Point.. 
  Straying and swirling and spiralling dangerously towards it. 
  Perhaps, it is an inevitable point and One that has been a long time coming. 
  A Turning Point. But then, every day too is loaded with such possibility isn’t it?

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  African American Women Poets...

  Phyllis Wheatley

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  Race and gender have denied many their rightful place in the canon of humanity’s arts. 
   
  In today’s world, in the blink of an electronic pulse, words can be transported across continents and peoples and all too easily lost in the ever-growing mass of disposable culture of ‘me-me-me’ and ‘more- more-more’.  We can all be ‘woke’ be ‘politically correct’ be outraged at a transgression or even a slight.  Everything means something to someone.  
   
  But, once again, more modern times miss the reality of what others in previous generations suffered in the battle for equality and recognition.  In America, to be black and a woman over the years this volume covers, was to be chattel, to be bartered, sold, trafficked and used for no more than the whims of others. 
   
  It was a harsh reality, and yet…., and yet, these women produced verse that sears our souls with the ambition to tell others, to share with us all, what life was like, what was endured and the heartbreak of what their reality was.  They could not be overcome; their voice sought to endure and not be smothered.   
   
  Words are powerful weapons, they form ideas, they create movements and manifestos that can change the world.  Many of the women in this volume added to those words, to that desire that the words of their Constitution would someday include themselves.   The fight is not yet wholly won, prejudice and inequality still single them out but the flame of hope, of destiny continues to burn fiercely with their names.   
   
  Their poetry is not solely of protest but rich in a range of subjects embracing tenderness, love, family and includes works by Alice Dunbar Nelson, Frances W Harper, Phyllis Wheatley, Zora Neale Hurston, Esther Popel, Clarissa Scott Delany and many others whose voice voices call to us through the years. 
   
  01 - African American Women Poets from 1746 to the Harlem Renaissance - An Introduction 
  02 - Bars Fight by Lucy Terry 
  03 - On Virtue by Phyllis Wheatley 
  04 - To a Lady and Her Children on the Death of Her Son and Their Brother by Phyllis Wheatley 
  05 - An Hymn to the Morning by Phyllis Wheatley 
  06 - An Hymn to the Evening by Phyllis Wheatley 
  07 - Bury Me in a Free Land by Frances E W Harper 
  08 - My Mother's Kiss by Frances E W Harper 
  09 - The Slave Trade Girl's Address to Her Mother by Sarah Louisa Forten 
  10 - Burial of Sarah by Frances E W Harper 
  11 - Reflections, Written On Visiting the Grave of a Venerated Friend by Ann Plato 
  12 - The Natives of America by Ann Plato 
  13 - The Angel's Visit by Charlotte L Forten Grimke 
  14 - Disappointment by May E Tucker 
  15 - Light In Darkness by Mary E Tucker 
  16 - Hope by Mary E Tucker 
  17 - Drifts That Bar My Door by Adah Isaacs Menken 
  18 - Infelix by Adah Isaacs Menken 
  19 - Aspiration by Adah Isaacs Menken 
  20 - The Coming Woman by Mary Weston Fordham 
  21 - In Memorium. Alphonse Campbell Fordham by Mary Weston Fordham 
  22 - Aspiration by Henrietta Cordelia Ray 
  23 - Life by Henrietta Cordelia Ray 
  24 - Scraps of Time by Charlotte E Linden 
  25 - Brave Man and Brave Woman by Charlotte E Linden 
  26 - What Constitutes A Negro by Eva Carter Buckner 
  27 - Thine Own by Josephine Delphine Henderson Heard 
  28 - The Black Sampson by Josephine Delphine Henderson Heard 
  29 - The Singer and the Song (To Paul Laurence Dunbar) by Carrie Williams Clifford 
  30 - The Widening Light by Carrie Williams Clifford 
  31 - The Door of Hope by Lizelia Augusta Jenkins Moorer 
  32 - Negro Heroines by Lizelia Augusta Jenkins Moorer 
  33 - The Voice of the Negro by Lizelia Augusta Jenkins Moorer 
  34 - The Angel's Message by Clara Ann Thompson 
  35 - Not Dead, But Sleeping by Clara Ann Thompson<p

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  The Calling of the Heart - Poems...

  Barry Hunt

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   The heart is always calling us to listen intently as the seasons turn, listen intently through the wheel of the year, listen intently as each month whispers with divine intent. 
  When listening to these poems, I invite you to find a place where you can listen intently, a place where all things stand still and you feel the whispering of each month. 
  Listening intently is the path to forgiveness, empathy and compassion, the path to seeing ourselves in each other. Listen now, listen intently as each month whispers with divine intent.

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  'Look Back to Look Forward' -...

  Frank O'Connor

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  While Frank O'Connor was known primarily as one of Ireland's finest short-story writers, he was also an accomplished translator. In the long line of Irish writers given to translating poems in Irish into poems written in English – a tradition stretching back at least as far as Jonathan Swift – he stands out above all the rest.
  Between the mid-1920s and the mid-1960s, O'Connor published 121 translations that give voice to the full range of this centuries-old tradition. Collected here in full for the first time, O'Connor's work shows an uncanny aptitude for carrying over into English verse many of the riches to be found in the originals – the ancient voice of the Hag of Beare lamenting her decline into old age; the voices of the early monks describing the Irish landscape, Irish weather, their religious faith, and, in at least one instance, their cat; the voice of Hugh O'Rourke's wife torn between loyalty to her husband and a rising desire for her seducer. All these voices haunted O'Connor throughout his career, whatever else he was doing. The collection includes the Irish-language sources for all 121 translations along with literal translations, enabling the reader to see what O'Connor started from.
  O'Connor's translations sprang from a compulsive desire to breathe life into Ireland's past, to 'look back to look forward,' as he once put it; for him the Irish-language tradition was not for scholars and archives alone, but formed a living body of work vitally relevant to an Ireland that seemed puzzlingly indifferent to it.
  Thanks to O'Connor's profound love of his country's language and its rich, literary subsoil – 'a literature of which no Irishman need feel ashamed', he once said – these voices from Ireland's past can still be heard. Strikingly modern in tone, they conjoin flesh and spirit, the sacred and the secular, in a way that speaks to humankind.

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  Ordinary Decent Criminal

  Ed Edwards

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  'This is what it feels like to have something to lose. This is why people only fight when they've got nothing to lose.'
  It's the early 1990s and recovering addict Frankie Donnelly has just been sentenced to three and a half years in jail for dealing drugs.
  None of Frankie's fellow convicts are what they seem. In the most unexpected of places, he discovers that the revolution is not dead. It's just sleeping.
  Ordinary Decent Criminal by Ed Edwards is a one-man story of freedom, revolution and messy love. It was first performed on a tour of the UK in 2025 – including a run at the Edinburgh Festival Fringe, where it won a Fringe First Award – directed by Charlotte Bennett and starring renowned political comedian Mark Thomas. It was produced by Paines Plough, Live Theatre, Theatre Royal Plymouth and Ellie Keel Productions, in association with Synergy Theatre Project.
  This edition also includes the stirring short play Sanctuary which explores the true-life story of Sri Lankan communist Viraj Mendis, who spent two years seeking sanctuary in a Manchester church in the 1980s.

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