Other books that might interest you

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  On the Subject of Fallen Things

  James Kearns

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  "you start every new day with an inventory: a moth, a cape, a parachute, a coffin, a gun, the wall you built to mount the gun."
  On the Subject of Fallen Things is an addictive, Chekhovian metanarrative: phenomenological, absurd, and dripping with black humour. James Kearns' speaker keeps company with Lazarus, an inept psychic, and a deceased superhero, but finds himself increasingly alone—lost in dialogue with mortality, both personal and anthropological. Permanence, culpability, the function and corruption of human storytelling: all come into play in a surge of momentum that grips the reader, even as it breaks apart: a lean explosion, a gunshot in the distance.
  "On the Subject of Fallen Things weaves whimsy into narrative epiphanies that you never see coming. Each line aggregating weight like the lightness of snowflakes gathering into an avalanche. Hugely enjoyable. Get it now." Roger Robinson, A Portable Paradise, Winner of the 2019 T.S. Eliot Prize
  "This is a really brilliant sequence of poems. Like Ponge, or Herbert, or Steger, or Simic, it manages to be both serious and fleeting, weighty and funny. It's hopeful, actually." S.J. Fowler, 3:AM Magazine

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  My Springs

  Sidney Lanier

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  LibriVox volunteers bring you 9 recordings of My Springs by Sidney Lanier. This was the Fortnightly Poetry project for April 7th, 2013. This rather lovely poem is the poet's tribute to his wife's eyes.

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  The Thanksgiving Play

  Larissa FastHorse

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  A group of politically correct teachers are tasked with creating a Thanksgiving play for their students. They hire a Native American actor to lend authenticity to the proceedings. When it turns out she’s ethnically ambiguous the teachers are left to navigate the resulting pitfalls in this rich satire. Includes a conversation with playwright Larissa FastHorse.Recorded at The Invisible Studios, West Hollywood, in September 2020.Director: Rosalind AyresProducing Director: Susan Albert LoewenbergEllis Greer as AliciaJosh Stamberg as JaxtonMark Jude Sullivan as CadenLiza Weil as LoganProducer: Anna Lyse EriksonRecording Engineers: Neil Wogenson and Mark HoldenSenior Radio Producer: Ronn LipkinFoley Artist: Jeff GardnerMixed by Charles Carroll for The Invisible Studios, West HollywoodLead funding for The Thanksgiving Play is generously provided by: Barbara Timmer and Catherine Glynn Benkaim, Mike and Beth Kasser, The John Logan Foundation/Desert Wolf Productions, Jamie Wolf“Ode to Joy” opening recorder quartet performed by Ulung Tanoto on his YouTube channel Si Ulung.The Thanksgiving Play was commissioned and originally produced by Artists Repertory Theatre, Damaso Rodriguez, Artistic Director; Sarah Horton, Managing Director, Portland, Oregon.Playwrights Horizons, Inc., New York City, produced the World Premiere of The Thanksgiving Play in 2018.

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  Airsick (NHB Modern Plays)

  Emma Frost

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  A turbulent black comedy about love, loneliness and how we shape our future.
  Lucy thinks she's finally cracked the love thing. Joe, her handsome American boyfriend, is moving to London. So how come he seems to be heading for the emergency exit? Lucy's best friend Scarlet is on an endless carousel of losers, users and married men. Her dad just thinks we're all better off flying solo.
  But when a mysterious New Zealander arrives in their midst and starts showing an unhealthy interest in Lucy, it seems that everyone's baggage is finally coming out on display...
  'wincingly funny' - Independent
  'extremely assured' - Independent on Sunday
  'astonishingly candid... makes you hope for a recurring Frost' - Guardian

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  The Humbugs of the World

  P. T. Barnum

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  P. T. Barnum exposes some of the chief humbugs of the world with his usual entertaining style. He looks at medicine and quacks, ghosts, witchcraft, religious humbugs, money manias, adventurers, personal reminiscences, and much more. (Summary by Barry Eads)

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  Rubáiyát of Omar Khayyám (Le...

  Omar Khayyám

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  Richard le Gallienne was an English poet and critic, who, although unfamiliar with the Persian language, had a profound interest in the Rubaiyat of Omar Khayyam. In 1897 he published a collection of 211 quatrains, which was based on earlier English translations, in particular the prose version by Justin Huntly McCarthy. A expanded edition, containing fifty additional quatrains was published in 1901, and this has been used for the present recording. (Summary by Algy Pug)

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