Outros livros que poderiam interessá-lo

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  Human Resources - Poems

  Ryann Stevenson

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  Winner of the Max Ritvo Poetry
  Prize, Ryann Stevenson’s Human Resources is a sobering and
  perceptive portrait of technology’s impact on connection and power.Human Resources follows
  a woman working in the male-dominated world of AI, designing women that don’t
  exist. In discerning verse, she workshops the
  facial characteristics of a floating head named “Nia,” who her boss calls “his
  type”; she loses hours researching “June,” an oddly sexualized artificially
  intelligent oven; and she spends a whole day “trying to break” a female
  self-improvement bot. The
  speaker of Stevenson’s poems grapples with uneasiness and isolation, even as
  she endeavors to solve for these problems in her daily work. She attempts to
  harness control by eating clean, doing yoga, and searching for age-defying skin
  care, though she dreams “about the department / that women get reassigned to
  after they file / harassment complaints.” With sharp, lyrical intelligence, she
  imagines alternative realities where women exist not for the whims of men but
  for their own—where they become literal skyscrapers, towering over a world that
  never appreciated them.Chilling and lucid, Human
  Resources challenges the minds programming our present and future to consider
  what serves the collective good. Something perhaps more thoughtful and human,
  Stevenson writes: “I want to say better.”

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  I Dreamed A World

  Colleen Anderson

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  A collection of 60 poems viewing fairy tales, myths, witches and more from the female perspective. This collection includes Snow White's Apples, The Looking Glass, and Cinderella's Pumpkin from a second collection focused around fantasy and fairy tale objects. 
  Cover Art by Stefan Keller, Audiobook Narration by Danielle Bryn

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  The Best of Robert Service

  Robert Service, Harriett Shlossberg

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  This new and revised edition of poems about the men and women of the North features the most loved ballads by Robert Service, and is narrated by Michael Puttonen. While living in Whitehorse, Robert Service wrote The Cremation of Sam McGee, and other well-known poems. He wrote and published into his mid-eighties. He was quoted as saying, I just go for a walk and come back with a poem in my pocket.Gaiety, humor, nostalgia, and pathos fill every page, along with the genuine Service ring of virility which has made his verse loved throughout the English reading world.

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  Embark

  Sean O'Brien

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  A new collection by Sean O’Brien – ‘Auden’s true inheritor’, and one of our wisest poetic chronographers – is not just a literary event, but also, invariably, a reckoning of the times. Given the nature of our times, his voice is an essential one: there is no other poet currently writing with O’Brien’s intellectual authority, historical literacy and sheer command of the facts. Embark also registers our unique cultural climacteric, where the larger crises of the planet – the pandemic and the terrifying spectre of revanchist nationalism among them – impact all of us, and where the illusion of a church-and-state separation of the personal and political can no longer hold. As the poet turns seventy, he shows us how the inevitable absences that age brings are assuaged by how we furnish them; the result is not just a logic made from loss and pain, but a music, a metaphysic, and finally a redemptive art. Embark reminds us of the enduring consolations of love, of friendship, of the freedoms and possible futures still afforded by the imagination – and, through O’Brien’s own exemplary model, of poetry itself.

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  A Requiem For What Could Have Been

  Zachary Phillips

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  I wrote these poems incrementally, but collated, edited, and recorded them collectively. A process that was at first therapeutic and then brutally revealing. A lot of the pieces touch upon regret, lost possibilities, and missed opportunities born of trauma, neglect, mental illness, and fear, as well as the desperation that comes when you find yourself searching for hope inside of darkness.What could’ve been and what is, are not the same thing. A lot of my pain comes from an inability to reconcile those two disparate facets of my existence. I know I can’t have everything I want, no one can. But when you are broken, it can be hard to know what you want, let alone have any idea of how to attain it.Thus, I write. I write to heal, to express the darkness within, to get it onto the page, and into the light. To understand myself and to understand my understanding of the world.If you resonate with my words I encourage you to write some of your own - it will help.what could have beenis brokenand what isfeels like a dreamthese words servedas a temporary anchoragainst the swirling chaosof a corrupted soullonging for restwritingsaved my lifeeditingalmost killed mei hopeit wasworth it

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  The Seagull

  Anton Chekhov

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  Love triangles and unfulfilled dreams abound at a Russian country estate in this nineteenth-century dark comedy. Drama is unfolding on a stage at the country estate of ailing ex-civil servant Pyotr Sorin. His nephew Konstantin Treplev is producing his new play in Sorin’s garden with aspiring actress Nina. In the audience are Konstantin’s mother, successful actress Irina Arkadina, and her lover, famous writer Boris Trigorin. Konstantin is hoping to impress, but his mother seems unsympathetic. Meanwhile, everyone’s unfulfilled hopes and desires begin to fester, resulting in disaster . . .  First premiered in 1896, The Seagull continues to be performed on stages around the world. It has been adapted numerous times for theater, musicals, opera, ballet, and film, including a 2018 production starring Annette Bening and Saoirse Ronan.

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