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  A Lick and a Promise

  Imelda May

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  The full eBook version of A Lick and a Promise in fixed-layout format.
  A Lick and a Promise is the debut poetry collection of one of Ireland's most famed female musicians, Imelda May.
  Following the release of her first poetry EP Slip Of The Tongue  in 2020, this collection contains 100 poems, including two each from both her father and young daughter. Using the themes of Breast, Below, Blood, Eyes, Tongue and Temple, the poems are written in May's absorbing, visceral style and encapsulate heartbreak, sex, nature and womanhood. Included in the collection is 'You Don't Get to be Racist and Irish', the powerful poem which was written in support of the Black Lives Matter movement and was recently used by Rethink Ireland campaign.
  Pen and ink drawings by Imelda accompany selected poems.

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  The Neverending Quest for the...

  Sylvie Kandé

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  Sylvie Kandé's neo-epic in three cantos is a double narrative combining today's tales of African migration to Europe on the one hand, with the legend of Abubakar II on the other: Abubakar, emperor of 14th-Century Mali, sailed West toward the new world, never to return. Kandé's language deftly weaves a dialogue between these two narratives and between the epic traditions of the globe. Dazzling in its scope, the poem swings between epic stylization, griot storytelling, and colloquial banter, capturing an astonishing range of human experience. Kandé makes of the migrant a new hero, a future hero whose destiny has not yet taken shape, whose stories are still waiting to be told in their fullness and grandeur: the neverending quest has only just begun. Country folk who made themselves belated marinerstheir bodies cadence themto cleave with the oar's tainted tipthe purple mounds of the great salt savannahwhich no furrow markswhere no seed takes root (But to say the seaearthly words are little suited)At the point of the dreamthey were a myriadno less and no moreto cross the coral barrier in laughter with its vermilion flowers:there remain but three barks adriftfull so full to the point of capsizing

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  Robert Louis Stevenson - Chapter...

  Robert Louis Stevenson

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  Literature is a world of words and wonder, able to take us on almost unimaginable journeys from the wild and fantastic to the grind and minutiae of life. 
   
  An author’s ideas are his building blocks, his architecture of the mind, building a structure on which all else will rest; the narrative, the characters, the words - those few words that begin the adventure. 
   
  In this series we look at some of our leading classic authors across two genres: the short story and the poem.  In this modern world there is an insatiable need to categorise and pigeon-hole everyone and everything.  But ideas, these grains and saplings of the brain, need to roam, to explore and find their perfect literary use vehicle.  Our authors are masters of many literary forms, perhaps known for one but themselves favouring another. 
   
  Story. Poems. Story.  Within these boundaries come all manner of invention and cast of characters.  And, of course, each author has their own way of revealing their own chapter and verse.    
   
  1 - Chapter & Verse - Robert Louis Stevenson 
  2 - The Body Snatcher by Robert Louis Stevenson 
  3 - Death to the Dead For Evermore by Robert Louis Stevenson 
  4 - The Land of Nod by Robert Louis Stevenson 
  5 - A Song of the Road by Robert Louis Stevenson 
  6 - The Vagabond by Robert Louis Stevenson 
  7 - Travel by Robert Louis Stevenson 
  8 - The Canoe Speaks by Robert Louis Stevenson 
  9 - Men Are Heaven's Piers by Robert Louis Stevenson 
  10 - I Do Not Fear to Own Me Kin by Robert Louis Stevenson 
  11 - To by Robert Louis Stevenson 
  12 - Windy Nights by Robert Louis Stevenson 
  13 - I Sit Up Here at Midnight by Robert Louis Stevenson 
  14 - Youth and Love by Robert Louis Stevenson 
  15 - A Valentines Song by Robert Louis Stevenson 
  16 - Markheim by Robert Louis Stevenson

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  Everything We've Done: Female...

  Charlotte Mew, May Sinclair,...

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  The horror of the male experience during World War One was well documented in poetry, memoir, and fiction throughout the 20th century. Women's voices of despair, endurance and anger, however, have often been forgotten. These poems of political fury, widowed brides, industry undertaken, and sons and friends loved and lost, give a heartbreaking insight into the experience of women throughout World War One.
  The full list of poems included in this collection are:
  
  
  - Joining the Colours, by Katharine Tynan
  - War Girls, by Jessie Pope
  - August 1914, by May Wedderburn Cannan
  - Rouen, by May Wedderburn Cannan
  - Dedication 8 March, by May Sinclair
  - Belgium, by Edith Wharton
  - Lament, by Katharine Tynan
  - Spring in War-Time, by Sara Teasdale
  - The Falling Leaves, by Margaret Postgate Cole
  - 'I know the truth! Renounce all others!', by Marina Tsvetaeva
  - Lamplight, by May Wedderburn Cannan
  - In a Soldier's Hospital 1: Pluck, by Eva Dobell
  - Perhaps 1916, by Vera Brittain
  - Field Ambulance in Retreat, by May Sinclair
  - At the Movies, by Florence Ripley Mastin
  - Reported Missing, by Anna Gordon Keown
  - from At the Somme: The Song of the Mud, by Mary Borden
  - from The Work, by Gertrude Stein
  - After the War, by May Wedderburn Cannan
  - The Veteran, by Margaret Postgate Cole
  - Epitaph On My Days in Hospital, by Vera Mary Brittain
  - Roundel, by Vera Mary Brittain
  - War Mothers, by Ella Wheeler Wilcox
  - The Lament of the Demobilized, by Vera Brittain
  - The Cenotaph, by Charlotte Mew
  - A War Bride, by Jessie St. John
  - Screens (In a Hospital), by Winifred Letts
  - The Deserter, by Winifred Letts
  - The Spires of Oxford, by Winifred Letts
  - Night Duty, by Eva DobellThis audiobook is fully indexed. Once downloaded, each book and chapter will be listed so you can easily navigate to the individual section.

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  Before We Grow Old - The love...

  Clare Swatman

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  'Before We Grow Old had me from the first page, and crying buckets by the last!' Katy Regan  
  When seven-year-old Fran first met Will they knew instantly that they were made for each other. For eleven years they were inseparable, but then, at the age of eighteen, Will just upped and disappeared.Twenty-five years later Will is back.Is fate trying to give them a second chance?Still nursing the heart break from all those years ago, Fran is reluctant to give Will the time of day. The price Will must pay is to tell the truth – the truth about why he left, the truth about why he’s back…And Fran has her own secrets to hide. The time has come to decide what Fran and Will really want from life – before it’s too late.Unashamedly romantic, Before We Grow Old is a book full of love, laughter and tears, and you’ll be rooting for Fran and Will from the moment you meet them. Let Clare Swatman whisk you away for the love story of the year. Perfect for fans of Sophie Cousens and Isabelle Broom.Praise for Clare Swatman: 
  'Before We Grow Old is an unashamedly big, life-affirming, tear-jerking love story. Beautifully told, characters Fran and Will had me from the first page, and crying buckets by the last ! Just gorgeous.' Katy Regan 
  'Heart-breaking and life-affirming in equal measures, Before We Grow Old is the tender story of a chance meeting between former childhood sweethearts Fran and Will, and is packed with secrets and revelations. Through her beautiful writing, Clare Swatman delivers a powerful lesson in learning to love with your whole heart and accepting the same, no matter what life throws at you.' Sarah Bennett 
  'Before We Grow Old took me on an intense emotional journey, and I cried at the end (and I rarely cry when I'm reading!) The portrayal of the mother and son bond - with its peaks and troughs of intensity and frustration - felt incredibly real, and the dialogue in particular was brilliantly done.' Victoria Scott  
  'A beautifully written tale of enduring love' - Rowan Coleman  
  'Irresistible . . . A delightfully bittersweet story that will appeal to fans of One Day' - Sunday Mirror 'Wonderful' - Sun

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  Questa

  Stephanie Fleischmann

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  Jessie, who hasn’t seen her mother since she was 14, is on her way home, bringing with her a foster child who won’t talk and a runaway they’ve picked up along the way. Meanwhile, her estranged mother awaits their arrival at the bus station in Questa, New Mexico, next to a woman who longs for a disappeared love to return.
   
  
   
  Questa debuted at the historic CHARAS/El Bohio Community Center in New York City in 1991, and received its West Coast premiere in L.A. Theatre Works’ production.
   
  
   
  Recorded at The Guest Quarters Suite Hotel, Santa Monica, in June 1991.
   
  
   
  Directed by Michael Bloom
   
  Producing Director: Susan Albert Loewenberg
   
  
   
  An L.A. Theatre Works full-cast recording, starring:
   
  Christopher Dreyer as Albert
   
  Valerie Landsburg as Jessie
   
  Dorothy Lyman as Sophie
   
  Alma Martinez as Swan Lady
   
  Bianca Sanchez as Delia
   
  
   
  Produced for Radio by Steve Barker
   
  Stage Manager: Christopher Fox
   
  Original music by Michele Navazio

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