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  Much Ado About Nothing

  William Shakespeare

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  Shakespeare wrote Much Ado About Nothing towards the middle of his career, sometime between 1598 and 1599. It was first published in quarto in 1600 and later collected into Mr. William Shakespeare's Comedies, Histories, and Tragedies in 1623. The earliest recorded performance of Much Ado About Nothing was performed for the newly-married Princess Elizabeth and Frederick the Fifth, Elector Palatine in 1613.
  Shakespeare's sources of inspiration for this play can be found in Italian culture and popular texts published in the sixteenth century. Gossip involving lovers deceived into believing each other false was often spread throughout Northern Italy. Works like Ludovico Ariosto's Orlando Furioso and Edmund Spencer's Fearie Queene also feature tricked lovers like Claudio and Hero. Besides these similarities, the idea of tricking a couple like Benedick and Beatrice into falling in love was an original and unusual idea at the time.
  The play focuses on two couples: upon the noblemen's return to Messina, Claudio and Hero quickly fall in love and wish to marry in a week; on the contrary, Benedick and Beatrice resume their verbal war, exchanging insults with each other. To pass the time prior to the marriage a plot to trick Benedick and Beatrice into falling in love has been set in motion. Unbeknownst to both our couples, a fouler plot to crush the love and happiness between Hero and Claudio has also begun to unfold.

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  Churchill in Moscow

  Howard Brenton

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  'Everything is possible in Moscow at night.'
  The Kremlin, Moscow, 1942. A top-secret meeting between Winston Churchill and Joseph Stalin: one, a wealthy aristocrat from a blue-blooded line of English nobility; the other, a Georgian peasant, hell-bent on destroying capitalism and the class system. Can these two leaders find common ground? As diplomats struggle to control the escalating chaos, two interpreters find themselves caught in the eye of the storm.
  Howard Brenton's gripping play Churchill in Moscow dramatises the historic meeting of two unpredictable titans as history teeters on a knife-edge. It opened in 2025 at London's Orange Tree Theatre, directed by the venue's Artistic Director Tom Littler, starring Roger Allam as Churchill and Peter Forbes as Stalin.
  'Brenton is a masterly storyteller'Financial Times

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  Fast Shakespeare - Easy to...

  William Shakespeare, Charles...

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  Welcome to the world of Shakespeare, where magic, mystery, and drama unfold in every word! If you're a fan of the bard, or simply looking for a way to experience his language in a more approachable format, our abridged works are the perfect choice for you. 
   
  Our set contains three of Shakespeare's most iconic plays: Merchant of Venice, Cymbeline, and King Lear. Each has been carefully abridged to preserve the original language as much as possible, while making the text easier to follow and enjoy. 
   
  By listening to these plays in their original language — presented in a streamlined, accessible form — adults can develop a deeper appreciation for the beauty and power of Shakespeare’s words. Our expertly narrated audiobook brings these plays to life, making them engaging without sacrificing authenticity. 
   
  With Merchant of Venice, you’ll explore themes of love, betrayal, and justice through the story of Shylock and Antonio. In Cymbeline, you’ll journey through love, deception, and loyalty with Imogen and Posthumus. And in King Lear, you’ll witness the rise and fall of a powerful king as he grapples with the consequences of his own choices.

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  The Mirror - Black Edition...

  SFC RET WILLIAM A. STEPHENS JR.

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  This Audiobook collection therapeutic poetry ( Book 1 of 3 ) of his REFLECTION SERIES that marked the beginning of Stephens’ literary journey. As soon as you hear, the narrator‘s voice, an army veteran himself, his highs and his lows don’t just read words they tell the story the way it should be told . A raw reflection and survival, The Mirror: Black Edition confronts trauma, PTSD, and resilience through verse. Each poem acts as a mirror, inviting readers to confront their own scars while discovering the strength to endure. If this Audiobook can help one person in the dark or in silence, then it was worth every cent I spend creating this vision.  Thank you for taking the time to sample or purchase.  
  Thank you 
  Stevo

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  Marcus Douglas Presents The...

  Marcus Douglas

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  Come and meet the one of the most notorious families of the drug under world, the Jenkins. Our main characters Carl, Sammie, Neil, and the youngest daughter Marissa, goes down this road of, love, betrayal, and hurt. How their web is weaved with in Miles Clifford’s life. But can they piece together their brokenness before time runs out? Welcome to the Family……

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  Ode - The Age of Dryden' is a...

  John Dryden

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  John Dryden was born on August 9th, 1631 in the village rectory of Aldwincle near Thrapston in Northamptonshire. As a boy Dryden lived in the nearby village of Titchmarsh, Northamptonshire. In 1644 he was sent to Westminster School as a King's Scholar.  
  Dryden obtained his BA in 1654, graduating top of the list for Trinity College, Cambridge that year.  
  Returning to London during The Protectorate, Dryden now obtained work with Cromwell's Secretary of State, John Thurloe. 
   At Cromwell's funeral on 23 November 1658 Dryden was in the company of the Puritan poets John Milton and Andrew Marvell.  The setting was to be a sea change in English history. From Republic to Monarchy and from one set of lauded poets to what would soon become the Age of Dryden. 
  The start began later that year when Dryden published the first of his great poems, Heroic Stanzas (1658), a eulogy on Cromwell's death.  
  With the Restoration of the Monarchy in 1660 Dryden celebrated in verse with Astraea Redux, an authentic royalist panegyric. 
   With the re-opening of the theatres after the Puritan ban, Dryden began to also write plays. His first play, The Wild Gallant, appeared in 1663 but was not successful. From 1668 on he was contracted to produce three plays a year for the King's Company, in which he became a shareholder. During the 1660s and '70s, theatrical writing was his main source of income.  
  In 1667, he published Annus Mirabilis, a lengthy historical poem which described the English defeat of the Dutch naval fleet and the Great Fire of London in 1666. It established him as the pre-eminent poet of his generation, and was crucial in his attaining the posts of Poet Laureate (1668) and then historiographer royal (1670). 
  This was truly the Age of Dryden, he was the foremost English Literary figure in Poetry, Plays, translations and other forms. 
  In 1694 he began work on what would be his most ambitious and defining work as translator, The Works of Virgil (1697), which was published by subscription. It was a national event.  
  John Dryden died on May 12th, 1700, and was initially buried in St. Anne's cemetery in Soho, before being exhumed and reburied in Westminster Abbey ten days later.

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