Editora: Ernel S. Merano,PhD
This book is designed for all poetry lovers. It describes what life may bring in different circumstances as one struggles to defeat his main goal.
In Self-Portrait With Family, Amaan Hyder traces a personal history of family and queerness. With poems that focus on coming out, the collection depicts the relationship between a son and his parents, and an immigrant family and its community in the diaspora. Featuring snapshots of conversations across dinner tables and phone lines, Hyder's striking and beautifully precise poems bring into relief what is said and not said, the retreat from speech and the longing to hear from another. By turns tender and skilfully observed, this collection also looks from the family home to the individual experience of the brown queer man in public spaces, searching for intimate connection whilst experiencing discrimination. Self-Portrait With Family distinctively frames such narratives of closeness and distance, exploring a range of poetic forms to draw together intergenerational familial and gay relationships, English and Urdu, the world of the family home and the world outside of it.Ver livro
This audio chapbook is a collection of poetry by Thomas Hill. Listening to poetry as read by its author is a unique experience that Mr. Hill hopes all will enjoy.Ver livro
Arriving from his East Midlands beginnings into a London thick with the grime of industrialisation, Joseph Merrick is an anomaly. In a city of factories that churn out uniformity, there is no place for someone like him. But Merrick and the city are evolving into something new. We follow him through the workhouse, the freak show and the hospital, as he searches for acceptance in a society that just wants to stare at him. Powerful, angry and surprising, Tom Wright's acclaimed play imagines an alternative history of the person who came to be known as 'the Elephant Man'. It restores Joseph Merrick to the centre of his own story: a man fighting for his right to be and to belong. The Real & Imagined History of the Elephant Man was first performed at Melbourne's Malthouse Theatre, before receiving its European premiere at Nottingham Playhouse in 2023, directed by Stephen Bailey, and supported by a grant from The Royal Theatrical Support Trust.Ver livro
Octopus Mind plays with an array of rich and original metaphors to explore the intricacies of neurodiversity, perception and the human mind. These poems articulate the desire to understand and be understood by oneself and others in a complex world. They observe the nuances of creativity, art, relationships, and self-expression through the lens of neurodiversity, reflecting on the poet's experience of being diagnosed with dyspraxia as an adult. They delve into the challenges of neurodiversity, but also reveal its gifts. Poems respond to visual artists like Gwen John, whose paintings break new ground for women representing their own visions of themselves. Other poems suggest that this can be a struggle however, as Pablo Picasso paints not a woman but his own despair in 'Blue Nude', while Elizabeth Siddal reflects on her own image, fetishized by the Pre-Raphaelite painters, and Henri Rousseau's painting becomes an outlet for self-deception and frustration. Some of the most stunning poems in this collection perform a kind of magic or sleight of hand, as dyspraxia is explored through unique and remarkable metaphors, including a series of artefacts in a museum, a walk along the seashore, and a swaying tree. The 'Octopus Mind' evokes the possibilities of what it means to be human, through obsession, self-deception, realisation, and acceptance. The speaker in Octopus Mind is endearingly humble and we journey with them beyond self-criticism to reclaiming the self. In 'Growing', the narrator declares 'I will grow // into myself, climbing, steady, / grip by grip, leaf by leaf'. In 'Understood' the narrator describes the complex process of re-imagining one's place in the world, armed with new knowledge: 'Slowly, we adjust / our own soft ignorance / unroll our prejudice / in gentle waves.' "A poet of multiple uncanny self-portraits, of the 'octopus mind', who explores the gaps between mind and body, and body and world, with deft, diverse diagnoses."Damian Walford Davies "Extraordinary poems of self-encounter, of divergence, of bruised bodies out of balance with themselves, laid bare – and of new-found identities, and joyous release." Richard Marggraf Turley "Rachel Carney's debut collection delights in its curiosity and surrealism. This is a collection that 'swims out into deep ocean currents' to explore the workings of the mind and the impacts of this on the self." Katherine StansfieldVer livro
Marguerite Radclyffe-Hall was born on August 12th, 1880 to wealthy parents who separated while she was still an infant. Her parents thereafter paid little attention to her. Hall was educated privately, and then at King’s College London. Later she travelled to Europe, settling in Dresden, Germany. With the death of her paternal grandfather she inherited a large estate and was then able to live as she pleased. In Germany, Hall met Mabel Batten and fell in love despite the twenty-three year age difference. Batten gave Hall the nickname ‘John’ by which she was henceforward known in every circumstance throughout her life except in her work as an author. In 1915, Hall met and, in 1917 moved in with sculptor Una Troubridge, with whom she would remain for the rest of her life. Hall wrote poetry all throughout her twenties and thirties. She had published Dedicated to Arthur Sullivan as early as 1894, and five further volumes of collected works were released before she stopped writing poetry and published her first novel, The Forge, in 1924. That same year also saw publication of The Unlit Lamp, the first work for which Hall was known as simply Radclyffe Hall. The Well of Loneliness, the most important novel of Hall’s career, was published in 1928 to immediate sensation and controversy. It is Hall’s most direct artistic expression of her own personal sexual orientation. After the controversy of The Well of Loneliness, Hall would publish only two more novels and a collection of short stories. After years spent travelling in Italy and France and a series of long lasting affairs with other women (of which Troubridge was apparently aware), Hall retired with Troubridge to Rye, in East Sussex. Here, suffering from tuberculosis, she also underwent eye surgery and thereafter had difficulty reading and writing. On October 7, 1943, Radclyffe Hall died from colon cancer at the age of sixty-three. She is buried in Highgate Cemetery in London. This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing. Our range is large and growing and covers single poets, themes, and many compilations.Ver livro
There are artists out there able to lift the spirits of the downtrodden, who point towards a better world with all they are. Sometimes, they do this in DIY punk style: raw, unplugged, and deeply human.Patrick Schneeweis, better known as Pat the Bunny, is an artist who chose the road less travelled, instinctively deeming it more honest and less controlling. Freer. He grew up in Vermont, where he found people liked his voice and the controversial topics he tackled, and by 16 years old, he had released his first album ‘Fire Hazard’.Pat had the courage to test his reality, and then nakedly vocalise it (in both the metaphorical and literal senses). His lyrics saw conflicting ideologies meet and fight to the death, in outlooks that were as captivating as his personal anecdotes were relatable. Pat’s journey offers direction to the lost, if only in the promise that so is he; and for all his youthful anarchism and burn-it-to-the-ground spiritedness, his commentary of the world is ironically sobering.Pat’s music career only spanned thirteen years, from 2003-2016. He reincarnated several times in different bands of his own making, and split albums with other folk-punk artists equally hungry to change the world. He fought like hell for a vision of peace, and made the battlegrounds his own state of consciousness.Like a flashfire burning everything in its wake, towards the end of his career, Pat’s had simmered down, but shoots of new life had sprung up from the ashes, a new direction for which his life could take.This book paints the picture of Pat’s fallings and risings, a final cadence before he left the punk scene behind him for good.Ver livro
