Outros livros que poderiam interessá-lo

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  Jack the Ripper & the London Press

  L. Perry Curtis

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  “Breaks new ground in its examination of the role of newspaper reporting during the police hunt for the first notorious serial killer.”—Reviews in History   Press coverage of the 1888 mutilation murders attributed to Jack the Ripper was of necessity filled with gaps and silences, for the killer remained unknown and Victorian journalists had little experience reporting serial murders and sex crimes. This engrossing book examines how fourteen London newspapers—dailies and weeklies, highbrow and lowbrow—presented the Ripper news, in the process revealing much about the social, political, and sexual anxieties of late Victorian Britain and the role of journalists in reinforcing social norms.   L. Perry Curtis surveys the mass newspaper culture of the era, delving into the nature of sensationalism and the conventions of domestic murder news. Analyzing the fourteen newspapers—two of which emanated from the East End, where the murders took place—he shows how journalists played on the fears of readers about law and order by dwelling on lethal violence rather than sex, offering gruesome details about knife injuries but often withholding some of the more intimate details of the pelvic mutilations. He also considers how the Ripper news affected public perceptions of social conditions in Whitechapel.   “The apparently motiveless violence of the Whitechapel killings denied journalists a structure, and it is the resulting creativity in news reporting that L Perry Curtis Jr describes. His impressive book makes a genuine contribution to 19th-century history in a way that books addressing the banal question of the identity of the Ripper do not.”—The Guardian

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  My Secret Life Vol 5 Chapter 12

  Dominic Crawford Collins

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  My Secret Life, the gargantuan erotic autobiography of a wealthy Victorian English gentleman has been described as 'the strangest book ever written'. Comprising one-hundred-and-eighty-four chapters and over one million words, the epic confessional describes in eloquent and explicit detail the exploits of a man (who refers to himself simply as 'Walter'), whose life was devoted to the pursuit of erotic adventure and carnal pleasure.Now for the first time in the history of this infamous erotic masterpiece, film composer Dominic Crawford Collins is producing a fully scored narration of the complete unabridged text. More 'audiofilm' than audiobook, each chapter and scene has its own unique musical accompaniment, reflecting the author's changing emotional landscape and offering the listener a truly immersive erotic audio experience.

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  The Life of Prophet Hud AS...

  Jannah Firdaus Mediapro

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  Prophet Hud AS (Eber) was a prophet of ancient Arabia mentioned in The Holy Quran. The eleventh surah (chapter) of The Holy Quran, Hud, is named after him, though the narrative of Surah Hud comprises only a small portion of the chapter. Prophet Hud AS has sometimes been identified with Prophet Eber AS, an ancestor of the Israelites who is mentioned in the Old Testament.  
  The people of 'Ad lived many years in the windswept hills of an area between Yemen and Oman, they were physically well built and renowned for their craftsmanship especially in the construction of tall buildings with lofty towers. They were outstanding among all the nations in power and wealth, which, unfortunately, made them arrogant and boastful. Their political power was held in the hand of unjust rulers, against whom no one dared to raise a voice.They were not ignorant of the existence of Allah SWT (God), nor did they refuse to worship Him.  
  What they did refuse was to worship Allah SWT alone. They worshipped other gods, also, including idols. This is one sin Allah SWT (God) does not forgive. Allah SWT wanted to guide and discipline these people so He sent a prophet from among them. This prophet was Prophet Hud AS (Eber), a noble man who handled this task with great resoluteness and tolerance.

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  The Konar and the Apple

  Babak Hodjat

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  “It’s all about the story.” 
  So begins Babak Hodjat’s collection of tales in The Konar and the Apple. 
  An eight-year-old boy assigned the task of throwing flowers during the Shah’s visit. A teenager in boot camp eager to catch episodes of a popular Japanese TV show. An adult coming to the Unites States, ready to make his mark in the tech world.  
  These are just some of the personal experiences shaping Hodjat’s intimate narrative of a boy growing up in post-revolutionary Iran. The stories paint a picture of a middle-class, westernized boy experiencing all the common—and uncommon—adventures of childhood and self-discovery. 
  Blending both humor and insight, The Konar and the Apple transcends culture to celebrate the fun, innocence, and anticipation of growing up that unite us all. 
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  “We rarely learn the back stories of today’s technology leaders – but here Babak Hodjat eloquently, entertainingly and compellingly recounts a coming-of-age journey through war, revolution... and love.” 
  	- David Rowan, Founding Editor-in-Chief, WIRED UK and author of Non- Bullshit Innovation 
  “What makes these coming-of-age stories of innocence and wonder so compelling is that they are told against the backdrop of growing up in the Islamist Republic of Iran. Hovering just behind the gentle banter of teenage boys at play are the regime’s tentacles reaching everywhere, even to the narrator’s hair, but also tearinga tight-knit family asunder.” 
  	- Micha X. Peled, Award-winning independent filmmaker, The Globalization Trilogy: STORE WARS, China Blue, Bitter Seeds

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  Betty Friedan - Magnificent...

  Rachel Shteir

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  The feminist writer and activist Betty Friedan (1921–2006), pathbreaking author of The Feminine Mystique, was powerful and polarizing. In this biography, the first in more than twenty years, Rachel Shteir draws on Friedan's papers and on interviews with family, colleagues, and friends to create a nuanced portrait.Friedan, born Bettye Naomi Goldstein, chafed at society's restrictions from a young age. As a journalist she covered racism, sexism, labor, class inequality, and anti-Semitism. As a wife and mother, she struggled to balance her work and homemaking. Her malaise as a housewife and her research into the feelings of other women resulted in The Feminine Mystique (1963), which made her a celebrity.Using her influence, Friedan cofounded the National Organization for Women, the National Women's Political Caucus, and the National Association to Repeal Abortion Laws. She fought for the Equal Rights Amendment, universal childcare, and workplace protections for mothers, but she disagreed with the women's liberation movement over "sexual politics."Shteir considers how Friedan's Judaism was essential to her feminism, presenting a new Friedan for a new era.

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  Learning to Die in Miami -...

  Carlos Eire

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  Continuing the personal saga begun in the National Book Award-winning Waiting for Snow in Havana, the inspiring, sad, funny, bafflingly beautiful story of a boy uprooted by the Cuban Revolution and transplanted to Miami during the years of the Kennedy administration.In his 2003 National Book Award–winning memoir Waiting for Snow in Havana, Carlos Eire narrated his coming of age in Cuba just before and during the Castro revolution. That book literally ends in midair as eleven-year-old Carlos and his older brother leave Havana on an airplane—along with thousands of other children—to begin their new life in Miami in 1962. It would be years before he would see his mother again. He would never again see his beloved father.Learning to Die in Miami opens as the plane lands and Carlos faces, with trepidation and excitement, his new life. He quickly realizes that in order for his new American self to emerge, his Cuban self must “die.” And so, with great enterprise and purpose, he begins his journey. We follow Carlos as he adjusts to life in his new home. Faced with learning English, attending American schools, and an uncertain future, young Carlos confronts the age-old immigrant’s plight: being surrounded by American bounty, but not able to partake right away. The abundance America has to offer excites him and, regardless of how grim his living situation becomes, he eagerly forges ahead with his own personal assimilation program, shedding the vestiges of his old life almost immediately, even changing his name to Charles. Cuba becomes a remote and vague idea in the back of his mind, something he used to know well, but now it “had ceased to be part of the world.” But as Carlos comes to grips with his strange surroundings, he must also struggle with everyday issues of growing up. His constant movement between foster homes and the eventual realization that his parents are far away in Cuba bring on an acute awareness that his life has irrevocably changed. Flashing back and forth between past and future, we watch as Carlos balances the divide between his past and present homes and finds his way in this strange new world, one that seems to hold the exhilarating promise of infinite possibilities and one that he will eventually claim as his own. An exorcism and an ode, Learning to Die in Miami is a celebration of renewal—of those times when we’re certain we have died and then are somehow, miraculously, reborn.

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