Otros libros que te pueden interesar

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  The Poetry of Damon Runyon - We...

  Damon Runyon

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  Alfred Damon Runyan was born on 4th October 1880, in Manhattan, Kansas.  
   
  When Runyon was two his father was forced to sell his newspaper and the family moved eventually settling in Pueblo, Colorado where Runyon spent his youth.  
   
  By most accounts, he attended school only through the fourth grade and then worked for his father in the newspaper trade.  
   
  In 1898 Runyon enlisted in the U.S. Army to fight in the Spanish–American War. After his service he returned to Colorado and worked for the local newspapers.  
   
  By 1910 he had moved to New York to work for Hearst newspapers, writing a daily column.  He was soon promoted to be the Hearst newspapers' baseball columnist and developed his trademark viewpoint of writing up the eccentric and the unusual, whether on the field or in the stands. 
   
  But Runyon also wrote poetry, plays, essays and, of course, his short stories with his famous ‘Runyonesque’ characters who were funny, gritty and instantly memorable, all distilled into black and white type. 
   
  Of course, the cliché about newspapermen and writers is that they are heavy drinkers, chain-smokers, gamblers and obsessively chase women with a sideline in gathering info and only getting something written just before the deadline hits.  And that, pretty much, was Runyon’s life. 
   
  In 1938 he developed throat cancer which would leave him unable to speak but he continued to work at a ferocious pace, pursuing a Hollywood career as writer and producer at MGM, Universal and RKO studios. 
   
  Alfred Damon Runyon died in New York City on 10th December 1946 from throat cancer.  He was 66. 
   
  His ashes were scattered from a plane over Broadway.   
   
  In his early short Story ‘The Defense of Strikerville’ Runyon takes up the cause of workers’ rights as it comes up against the nasty tactics of big-dog capitalism.  
   
  Runyon’s poems brilliantly illustrate his style and ideas with works that are individual, observational, heavy on the vernacular and bring a rarely seen poetic talent to our attention.  
   
  1 - The Poetry of Damon Runyon - An Introduction 
  2 - The Song of the Strike-Breakers by Damon Runyon 
  3 - Song of the Steel Worker by Damon Runyon 
  4 - The Song of the Bullet by Damon Runyon 
  5 - A Song of the Panama Canal by Damon Runyon 
  6 - A Song of the Rails by Damon Runyon 
  7 - The Song of King Barleycorn 
  8 - The King of Moo by Damon Runyon 
  9 - The Song of Silence by Damon Runyon 
  10 - Song O' the Lost Trains by Damon Runyon 
  11 - The Song of the Saddle by Damon Runyon 
  12 - The Ghosts of the Great White Way by Damon Runyon 
  13 - The Softest Town by Damon Runyon 
  14 - The Ballad of the Big Town by Damon Runyon 
  15 - Ballads of a Beach Comber by Damon Runyon 
  16 - When the Ships Go Home by Damon Runyon 
  17 - Dream of a Drowsy Day by Damon Runyon 
  18 - Ballad of Hop Looey 
  19 - The Ladies in the Trenches - a Solider Song of the Sulu Isles by Damon Runyon 
  20 - Nostalgia by Damon Runyon 
  21 - A Divorce Problem by Damon Runyon 
  22 - The Boy She Used to Know by Damon Runyon 
  23 - Roses of a Dream by Damon Runyon 
  24 - Homeward Bound by Damon Runyon 
  25 - The Spirit of You by Damon Runyon 
  26 - Ghosts by Damon Runyon 
  27 - Ballad of Lonely Graves by Damon Runyon 
  28 - Pal, Algeria 1910 by Damon Runyon 
  29 - Requiem by Damon Runyon

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  Antony and Cleopatra

  William Shakespeare

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  Antony and Cleopatra (First Folio title: The Tragedie of Anthonie, and Cleopatra) is a tragedy by William Shakespeare. The play was first performed, by the King's Men, at either the Blackfriars Theatre or the Globe Theatre in around 1607; its first appearance in print was in the Folio of 1623.
  The plot is based on Thomas North's 1579 English translation of Plutarch's Lives (in Ancient Greek) and follows the relationship between Cleopatra and Mark Antony from the time of the Sicilian revolt to Cleopatra's suicide during the Final War of the Roman Republic. The major antagonist is Octavius Caesar, one of Antony's fellow triumvirs of the Second Triumvirate and the first emperor of the Roman Empire. The tragedy is mainly set in the Roman Republic and Ptolemaic Egypt and is characterized by swift shifts in geographical location and linguistic register as it alternates between sensual, imaginative Alexandria and a more pragmatic, austere Rome.
  Many consider Shakespeare's Cleopatra, whom Enobarbus describes as having "infinite variety", as one of the most complex and fully developed female characters in the playwright's body of work. She is frequently vain and histrionic enough to provoke an audience almost to scorn; at the same time, Shakespeare invests her and Antony with tragic grandeur. These contradictory features have led to famously divided critical responses. It is difficult to classify Antony and Cleopatra as belonging to a single genre. It can be described as a history play (though it does not completely adhere to historical accounts), as a tragedy (though not completely in Aristotelian terms), as a comedy, as a romance, and according to some critics, such as McCarter, a problem play. All that can be said with certainty is that it is a Roman play, and perhaps even a sequel to another of Shakespeare's tragedies, Julius Caesar.
  Among the most significant works William Shakespeare: Hamlet, Othello, King Lear, Macbeth, Orpheus, Romeo and Juliet, Julius Caesar, Troilus and Cressida, The Tempest, Venus and Adonis, Antony and Cleopatra, Measure for Measure, The Winter's Tale and many more.

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  On Hearing That Constantinople...

  Amelia Opie

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  Amelia Alderson, an only child, was born on the 12th November 1769 in Norwich, England. 
  After the death of her mother on New Year’s Eve 1784 she became her father's housekeeper and hostess. 
  The young Amelia was energetic, attractive, and an admirer of fashion.  She spent much of her youth writing poetry and plays and putting on local amateur theatricals.  At 18 she had published anonymously ‘The Dangers of Coquetry’. 
  Amelia married in the spring of 1798 to the artist John Opie at the Church of St Marylebone, in Westminster, and together they lived in Berners Street where Amelia was already living. 
  Her next novel in 1801 ‘Father and Daughter’, was very popular even though it dealt with such themes as illegitimacy, a socially difficult subject for its times.  From this point on published works were far more regular.  The following year her volume ‘Poems’ appeared and was again very popular.  Novels continued to flow and she never once abandoned her social activism and her call for better treatment of women and the dispossessed in her works.  She was also keenly involved in a love of society and its attendant frills. 
  Encouraged by her husband to write more she published Adeline Mowbray in 1804, an exploration of women's education, marriage, and the abolition of slavery.  
  Her husband died in 1807 and she paused from writing for a few years before resuming with further novels and poems.  Of particular interest was her short poem ‘The Black Man's Lament’ in 1826.  Her life now was in the main spent travelling and working for charities and against slavery.  She even helped create a Ladies Anti-Slavery Society in Norwich which organised a parliamentary petition of 187,000 names of which hers was the first name. 
  After a visit to Cromer, a seaside resort on the North Norfolk coast, she caught a chill and retired to her bedroom.  
  Amelia Opie died on the 2nd December 1853 in Norwich.  She was 84.

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  Five

  Laura Potts, Prerana Kumar, Ruth...

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  A groundbreaking anthology of new work from five varied and distinctive poets.
  All five poets are alumni of The Writing Squad, a community of artists who make new work together and support each other's development. Their free two-year programme of workshops and 1-1 support has helped to develop over 270 writers aged 16-22 since 2001.

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  100 Great Catholic Poems

  Sally Read

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  Poetry is the language of Catholicism. From the songs of Scripture to the hymns of St. Thomas Aquinas, the Church has always used metaphor and image, meter and rhyme, and the music of language to illuminate and inculcate the faith.  Yet, when it comes to Catholic poetry itself, the song too often remains unsung. Many devout believers recoil from poetry, even when it is deeply Catholic. Many poetry lovers overlook Catholic poetry, even when it is truly great. And passionate readers are left with few resources from which to draw inspiration—even as the number of great Catholic poems continues to grow. This groundbreaking collection is designed to change that. Edited by acclaimed poet and author Sally Read, it includes a carefully curated collection of poetry with brief essays to introduce each selection; a detailed introduction and glossary of poetic terms; and a wide range of poetic voices—from giants like Dante and Shakespeare, to mystical saints like Hildegard of Bingen and John of the Cross, to modern masters like Gerard Manley Hopkins and Oscar Wilde, to contemporary female poets like Denise Levertov and Anne Porter. What emerges is truly universal: an unparalleled collection spanning twenty countries and twenty centuries. Whether Catholic or non-Catholic, a poetry skeptic or a poetry lover, readers will glean from these pages a deepened appreciation of the history of poetry, the life of the Church, and the powerful ways in which each strengthens the other. 

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  Queen of the Cosmos

  Janice Connell

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  " The Blessed Mother has been permitted by God to come here [because] she knows what is coming in the future. She is calling all God´ s children back on the path to Heaven." – Ivan Dragicevic, a visionary
  
  
  Over twenty years ago, in the tiny mountain village of Medjugorje, Bosnia, six young people began to report seeing visions of the Virgin Mary. Since then, the beauty of Heaven and the importance of prayer, conversion, and reconciliation have been revealed to them through Mary´ s appearances. Queen of the Cosmos provides an opportunity to hear the messages of the mother of Christ through in-depth interviews with the six visionaries of Medjugorje. Their experiences have changed the lives of thousands of people who have found truth, encouragement, and solace in the words of the Blessed Mother. This new edition includes an afterword by the author, giving an update on both the lives of the visionaries and the visions they receive.

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