Outros livros que poderiam interessá-lo

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  Heavy Is the Head

  Sumaya Enyegue

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  "Where does all the grief go when it's not tugging at your wrist?" Enyegue's debut collection is an ode to girlhood, to Blackness, to generational trauma, sexual assault, and mental health. 
   
  This collection does not aim to heal anyone who reads it, but instead help them confront their own healing. Rather than sugar-coated bullets that enter you lightly, these poems are designed to hurt.  
   
  They are for the girls with difficult names, the boys with softness at their core, and the people with neither. They are meant for the people who are Black, and the people who are not—because we are all tethered together by the heaviness of the human experience.

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  Ode - The Age of Dryden' is a...

  John Dryden

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  John Dryden was born on August 9th, 1631 in the village rectory of Aldwincle near Thrapston in Northamptonshire. As a boy Dryden lived in the nearby village of Titchmarsh, Northamptonshire. In 1644 he was sent to Westminster School as a King's Scholar.  
  Dryden obtained his BA in 1654, graduating top of the list for Trinity College, Cambridge that year.  
  Returning to London during The Protectorate, Dryden now obtained work with Cromwell's Secretary of State, John Thurloe. 
   At Cromwell's funeral on 23 November 1658 Dryden was in the company of the Puritan poets John Milton and Andrew Marvell.  The setting was to be a sea change in English history. From Republic to Monarchy and from one set of lauded poets to what would soon become the Age of Dryden. 
  The start began later that year when Dryden published the first of his great poems, Heroic Stanzas (1658), a eulogy on Cromwell's death.  
  With the Restoration of the Monarchy in 1660 Dryden celebrated in verse with Astraea Redux, an authentic royalist panegyric. 
   With the re-opening of the theatres after the Puritan ban, Dryden began to also write plays. His first play, The Wild Gallant, appeared in 1663 but was not successful. From 1668 on he was contracted to produce three plays a year for the King's Company, in which he became a shareholder. During the 1660s and '70s, theatrical writing was his main source of income.  
  In 1667, he published Annus Mirabilis, a lengthy historical poem which described the English defeat of the Dutch naval fleet and the Great Fire of London in 1666. It established him as the pre-eminent poet of his generation, and was crucial in his attaining the posts of Poet Laureate (1668) and then historiographer royal (1670). 
  This was truly the Age of Dryden, he was the foremost English Literary figure in Poetry, Plays, translations and other forms. 
  In 1694 he began work on what would be his most ambitious and defining work as translator, The Works of Virgil (1697), which was published by subscription. It was a national event.  
  John Dryden died on May 12th, 1700, and was initially buried in St. Anne's cemetery in Soho, before being exhumed and reburied in Westminster Abbey ten days later.

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  Error of Judgment - An...

  Edward J. Mumford Jr.

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  In the heartbeat of Boston, 18-year-old Merina dreams of escaping the gritty streets of Mattapan. Her world shatters when a seemingly innocent getaway spirals into a nightmare. Betrayed and assaulted by Jason, a charming yet sinister CEO, Merina is left for dead. But she survives, saved by a reclusive ex-military man, and emerges stronger as Killmel—a masked avenger seeking justice on her terms. As Killmel, Merina wages war against Jason and his corrupt empire, VAPEZ, built on lies and exploitation. With her fierce sister Serena, and allies like the reformed Bizzy B and his sister Gabriella, Merina challenges a system rigged to protect the powerful. Even Darius, her longtime friend, must confront his silence and complicity. "Error of Judgment" is a riveting blend of psychological drama and vigilante justice, taking readers from tense street battles to high-stakes courtroom showdowns. Alongside unforgettable characters like Katie, a whistleblowing assistant, and Eleanor, Jason’s defiant wife, the story becomes a symphony of resistance and a battle cry for the silenced. This gripping thriller is more than a tale of revenge; it’s a testament to resilience and sisterhood. Whether you dive into the eBook or the captivating audiobook, this story will stay with you, reminding us that justice doesn’t always wear a badge. Sometimes, it wears a mask. And sometimes, it looks like a girl who refused to die.

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  Ash Wednesday

  T. S. Eliot

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  Ash Wednesday marks a decisive turning point in the work of T. S. Eliot. Written after his conversion to Anglicanism, the poem abandons the fragmentation and irony of earlier modernism in favor of restraint, repetition, and spiritual tension. The voice that emerges is hesitant, disciplined, and deliberately limited.
  
  Structured as a sequence of meditative movements, the poem traces an inward journey defined by renunciation rather than revelation. Desire is examined, resisted, and re-ordered, as language circles around prayer, silence, and the difficulty of belief. Meaning is not asserted but approached through pattern, rhythm, and omission.
  
  Severe, austere, and exacting, Ash Wednesday stands as one of the central religious poems of the twentieth century—a work concerned less with certainty than with endurance and spiritual discipline.

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  If Lost - Poems by Clint Bowman

  Clint Bowman

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  Inspired by the mountains, forests, animals, and people of Appalachia, If Lost is Clint Bowman's exhilarating debut about how these elements collide and struggle to co-exist in an ever-changing landscape. Bowman's poems are a guide through this beautiful, brutal, and often misunderstood world where threats to the region come from all sides. Invasive species strangle the trees around corrupt churches and failing convenience stores, while truckers cry in parking lots and deer contemplate death along the highway. In If Lost, Bowman demonstrates how everyone and everything is lost in some way, but that it's possible to find a way out. 
    
  Praise for If Lost  
  “You can feel the thickness in the air, the smells, and the overgrown nature of it all. A poetry deeply connected to the place from which it comes.” 
  —Keith Zarriello, musician and lead singer of The Shivers 
    
  “In this astounding collection, truckers cry, milkweed and honeysuckle overtake, poinsettias wilt in winter frost, and bear hunters haunt the stories of our conscience...” 
  —Garrett Ashley, author of Periphylla, and Other Deep Ocean Attractions 
    
  “If Lost offers us a starkly honest and rarely seen western North Carolina, with all its diverse species in bitter harmony… We cannot know what the future holds for this delicate region and its people, but these poems will keep you warm and light your way.” 
  —Leah Hampton, author of F*ckface and Other Stories 
    
  “…Bowman encompasses the complexity and beauty of what it means to be from the American South, capturing the quiet, sometimes bleak magic that encompasses his world.”  
  —Thomas Dollbaum, musician

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  Enemy of the Sun - Poetry of...

  Greg Thomas

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  In 1971, in the wake of George Jackson's killing by San Quentin prison guards, a poem entitled "Enemy of the Sun" was found among ninety-nine books in the revolutionary's cell. The handwritten poem came to be circulated in Black Panther newspapers under Jackson's name, assumed to be a vestige of his more than a decade long incarceration. But Jackson never wrote the poem; it was authored by the Palestinian poet Sameeh Al-Qassem and had been included in an anthology of the same title a year before Jackson's death.Originally published by Drum & Spear, the publishing arm of the Student Nonviolent Coordinating Committee, Enemy of the Sun: Poetry of Palestinian Resistance links twelve poets working in a poetics of refusal and of hope.In each poem is a whole life—joy, love, beauty, rage, sorrow, suffering—and in each life is a record of resistance: the traces of a people who refuse to leave their homeland, who time and again alchemize grief into principled struggle. In the intertwined histories of this book, and in the unyielding political edge of the poems themselves, is a long story of solidarity between oppressed peoples: from Palestine to South Africa to Algeria to Vietnam to the United States.

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