Outros livros que poderiam interessá-lo

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  Perfection Comes at a Price

  Ulla Beattie

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  Eric has a miserable childhood in a violent, drunken family in a tough London housing estate. He compensates by looking for perfection. For him, this means worldly success in a diplomatic career as far away from his childhood as possible. His single-minded ambition comes at a price. It makes him leave his childhood sweetheart Katie behind, since he knows that she can’t keep up with him. Their ways part. Eric marries an upper-class woman and becomes an Ambassador. However, Katie and he never quite lose touch. After his wife’s death Eric and Katie come together again. There is action and pace, fun and sadness, a huge variety of life experiences and a sense of providence and redemption.

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  The Glugs of Gosh

  C. J. Dennis

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  The Glugs of Gosh is a book of satirical verse written by Australian author C. J. Dennis, published by Angus & Robertson in 1917. The book's 13 poems are vignettes of life in a fictional kingdom called Gosh, inhabited by an arboreal race (that is to say, climbers) known as Glugs. Dennis describes the Glugs as a "stupid race of docile folk". Written in the style of children's nonsense poetry, the work attacks free trade, along with what Dennis saw as Australia's social conformity, intellectual cowardice and rampant bureaucracy. Read by John Derum

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  A Rare Recording of Poet John...

  John Ciardi

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  John Anthony Ciardi (June 24, 1916 - March 30, 1986) was an American poet, translator, and etymologist. While primarily known as a poet, Ciardi pursued etymology, contributed to the Saturday Review as a columnist and long-time poetry editor, directed the Bread Loaf Writers' Conference in Vermont, and recorded commentaries for National Public Radio. In 1959, Ciardi published a book on how to read, write, and teach poetry, How Does a Poem Mean?, which has proven to be among the most-used books of its kind. The following recording is from a speech Ciardi gave in 1965.

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  Room Swept Home

  Remica Bingham-Risher

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  Room Swept Home serves as a gloriously rendered magnifying glass into all that is held in the line between the private and public, the investigative and generative, the self and those who came before us. In a strange twist of kismet, two of Bingham-Risher's ancestors intersect in Petersburg, Virginia, forty years before she herself is born: her paternal great-great-great grandmother, Minnie Lee Fowlkes, is interviewed for the Works Progress Administration Slave Narratives in Petersburg in 1937, and her maternal grandmother, Mary Knight, is sent to Petersburg in 1941, diagnosed with "water on the brain"—postpartum depression being an ongoing mystery—nine days after birthing her first child. Marrying meticulous archival research with Womanist scholarship and her hallmark lyrical precision, Bingham-Risher's latest collection treads the murky waters of race, lineage, faith, mental health, women's rights, and the violent reckoning that inhabits the discrepancy between lived versus textbook history, asking: What do we inherit when trauma is at the core of our fractured living?[sample poem]XI. the more ground covered, the more liberated you becameI am scared my mind will turn on me. I am scared I will be naked in a burning house. I am scared my children won't outpace me.I am scared my children (who aren't made by me) believe I am a sad imitation of the others.I am scared I will gather in a roomwhere everyone will ask me to rememberand when I don't lie they'll say I'd hate to be you. I've lived long enough to be scared my kidneys will give out on me. I've lived long enough to know just when they should. I have never shared my fears with anyone; I am scared they will map the land and take liberties. Will the women be ashamed? I'm scared to ask. What will live again? What will die with me?

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  Scenes from a Repatriation

  Joel Tan

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  'All of human history? It's basically people taking things from each other.'
  A thousand-year-old statue of the Bodhisattva Guanyin lives in the British Museum. When it emerges that the statue was stolen from its original home, the museum attempts to deflect both the public response and controversial repatriation claims from the Chinese government.
  As statesmen scheme and grease their palms, beneath the statue, witches dance, a cleaner prays, and spirits weep.
  Joel Tan's daring, shape-shifting play unfolds the statue's journey from China to Britain and back again, stirring up age-old ghosts and asking who can claim cultural artefacts – and why?
  Scenes from a Repatriation was first performed at the Royal Court Theatre, London, in 2025, directed by experimental theatre-makers emma + pj.

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  A Time To Live And A Time To Die

  Ron E. Hignite

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  Ronald E. Hignite demonstrates in A Time to Live and a Time to Die his poetic skills and gives greater understanding and meaning to God's seasons for man as revealed by Solomon in the Book of Ecclesiastes. 
  Listeners will be inspired by the manner in which Hignite presents the contrasts of the ever-changing seasons of man in poetry and rhyme. 
  Ronald E. Hignite was born in North Carolina and grew up in Connersville, Indiana. He returned to North Carolina with his family after high school and attended East Carolina University in Greenville, NC. There he earned both his undergraduate and graduate degrees. Following college, he taught English at Fork Union Military Academy in Fork Union, VA. 
  After two years in Fork Union, he moved back to northeastern North Carolina where he spent most of his educational career in the towns of Washington, Camden, Murfreesboro, and Ahoskie. His interest in writing poetry was sparked while in college with his readings of the English poets, Byron, Shelley, and Keats. 
  ©2013 Ronald E. Hignite (P)2013 Ronald E. Higniite

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